Frederick Sullivan
Nacimiento : 1872-07-18, London, England, UK
Muerte : 1937-07-24
Romberg (uncredited)
A playwright descended from the Borgias family becomes a murder suspect.
Hotel Guest in Hallway (uncredited)
Un cantante rico y famoso se disfraza de camarero con el fin de estar cerca de la mujer a la que ama, una princesa europea.
Expert Bidding $370 at Antiques Auction (uncredited)
Auctioneer Spot Cash Cutler is planning the scam of a lifetime, but will he get burned?
The Court Clerk
Un abogado acepta defender al amante de su esposa, acusado de asesinato, con la condición de que ella no testifique y vuelva a su lado al acabar el juicio. (FILMAFFINITY)
Second Judge (uncredited)
Un imaginario país en bancarrota requiere el apoyo económico de una acaudalada viuda (Margaret Dumont) para salir adelante. Como condición para extender el financiamiento, la acreedora exige que el excéntrico Rufus T. Firefly (Groucho Marx) tome las riendas de la nación. Deseando sacar partida de la crisis, el ambicioso embajador de una potencia vecina (Louis Calhern) hará cuanto sea posible para desprestigiar al nuevo líder y para ello echará mano de dos inusuales espías (Harpo y Chico Marx).
The General
Un hombre joven llamado Richard Bruce (Robert Armstrong) hace su primer viaje a través del Atlántico a Londres. En la capital británica, de manera accidental y envuelto en niebla y bruma, se ve implicado con unos delincuentes. Richard Bruce encuentra la guarida de los secuestradores que se dedicaban a extorsionar a una joven y, a base de sangre fría, jugando sus tarjetas cerca de su chaleco, logra hacerles creer que lo que tiene entre manos son unos papeles secretos que ansía poseer esta banda de criminales.
Judge (uncredited)
A couple of down-and-out British aristocrats buy an American roadhouse.
Banker (uncredited)
Unscrupulous Chicago janitor Paul Kroll uses deceit to fund a return trip to his homeland of Sweden. There, via ongoing continuing deceit and manipulation, he gradually attains a monopoly on the matchstick market in several countries and becomes an influential international figure. Based on the true story of Ivar Kreuger.
Lily (Miriam Hopkins), una carterista que se hace pasar por condesa, conoce en Venecia al famoso ladrón Gaston Monescu (Herbert Marshall), quien a su vez se hace pasar por barón, y se enamoran. Gaston roba al aristócrata François Fileba y huye con Lily antes de que le descubran. Casi un año después, en París, Gaston roba un bolso con diamantes incrustados a la viuda Mariette Colet, pero se lo devuelve y la cautiva de tal forma que lo contrata como secretario.
Bank Customer (Uncredited)
Tras una fuerte discusión con Bill Fadden, su novio de toda la vida, Ruth Brock lo deja plantado y se pasa toda la tarde con Romer Sheffield, un apuesto joven que conoce casualmente en la calle. Algún tiempo después, cuando, solucionados los problemas, Bill y Ruth están a punto de casarse, el fantasma de esa tarde reaparece. Tanto Bill como sus familiares y amigos creen que Ruth ese día le fue infiel. Al extenderse ese rumor, Ruth pierde incluso su trabajo. Entonces la joven decide buscar a Romer para que sea él quien explique lo que pasó de verdad esa maldita tarde. Solo así podrá lavar su reputación.
Marriage License Clerk
Jackie is the perpetually adolescent mother of two grown children - daughter Lee and son Jeff - who are in their early 20's. In spite of the fact that fourth husband Robert is a good provider, good step-dad, and all-around good sport about Jackie's rather wild ways, Jackie is intent on divorcing him although she seems to bear the man no resentment. It just seems that her only reason is that it's time for a change, much like an impulse to buy a new hat. Both children are upset about her decision since they have great affection for Robert. However, daughter Lee has just arrived home from school and decides to accompany her mother to Reno to look after her. On the train west, Lee meets a young mining engineer, Tom, who is headed to a job interview in California. The two hit it off and a romance buds.
Medical Examiner
A policeman (William Boyd) investigates a woman's (Lilyan Tashman) link to murders that are preceded by a shrilling horn inside a family mausoleum.
Ball Guest
A diplomat is blackmailed by crooked vice cops into helping them frame prostitutes.
Matthews, Broker in Prison
Confirming his principle that no one escapes the news, a tabloid editor prints a scathing story about his wife.
Bit Role (uncredited)
Set in London, American Larry Brooks, former millionaire and now broke, pursues lovely Elinor Farrington who, encouraged by her Aunt to marry wealth, falls for him not knowing that he is poor. Trying to regain his status in the racing world since the loss of his champion racehorse and the efforts of a gangster left him penniless, he and his trainer live from hand to mouth as he tries desperately to woo the girl, despite her aunt's suspicions. But Elinor soon finds herself falling for him until he admits to all that he is not what he appears to be.
Sinclair Sr (as Fred Sullivan)
18-year-old Rosie Kaplan O'Grady was found as an abandoned baby by O'Grady, an Irish policeman, and Kaplan, a Jewish pawnbroker, and raised by them as their own. She is being courted by two men; prizefighter Terry Callahan and a rich socialite, Tommy Sinclair and has to choose between them.
Ormsley Hatchett
Eve Marley (Aileen Pringle)is forced to marry a wealthy jeweler that she does not love in order to save the man she loves, Rupert Endon (Ian Keith), from being unjustly arrested as a thief. Rupert, unaware of the reason his sweetheart married his rival, goes to the Far East where he grows rich after discovering a diamond mine. He breaks Eve's husband by underselling him and then returns to England to exact his revenge on the woman he thinks did him wrong.
Percival's Associate
Mary Vilner vive con su padre, anciano y enfermo, en una modestísima casa en la granja de Doomsday, propiedad del millonario Percival Fream. Este propone a Mary ser su esposa. Pero Mary, que ve en esta propuesta una manera de tener acceso a la comodidad material para ella y para su padre, está muy dudosa. En secreto, ama a Arnold Furze, un agricultor que trabaja en Doomsday.
Dr. Rice
Neil McRae, an impoverished composer, loves Cynthia Mason, but, fearing poverty, proposes to wealthy Gladys Cady. Can he compose himself and find the courage to seek love over comfort?
Director
A dramatization of Henry Wadsworth Longfellow's poem 'The Courtship of Miles Standish,' this is the story of the Pilgrims who fled religious persecution in England and came to America aboard the Mayflower.
Director
Bobby Vernon tries to enter a house to court a lady, but keeps getting thrown out.
Director
Director
Director
Director
An innocent man is accused of murdering his aunt.
David Doyle
Self-made man Emerson Boyd of Every-town owns the Boyd Mills, which uses child labor and disregards health regulations, and the Boyd Chemical Company, which manufactures harmful patent medicines. Crooked politician David Duncan, the mills's general manager, misinforms Boyd about factory conditions. After Boyd's beloved daughter postpones accepting the proposal of Matthew Brand, an unambitious rich young man, until he does something for humanity, Matthew reads an exposé of the mills by editor Clifford Cole. He buys Cole's newspaper when Boyd attempts to stifle it and supports the National Tuberculosis Society's proposal to build a sanitarium in Every-town to combat the rise of tuberculosis.
Director
Zudora, not knowing she's an heiress to a $20 million fortune, lives with her uncle, a mystic and detective, who covets her inheritance. She wants to marry John Storm but her uncle is against it. However, the uncle makes a bargain; if Zudora can solve the next twenty mysteries brought to him, she can marry as she chooses. Episodes 1,2 and 8, plus another unidentified chapter, survive. The rest is believed to be lost.
Director
Director
In this adventure the diplomatic free-lance and his brilliant aid in war, Nan Tremain, are again pitted against their relentless enemy, Pfaff.
Producer
Southern California locations vividly suggest both elemental pre-Roman Britain and classical Rome. An energetic cinematic pacing and intimacy show rapidly improving narrative technique and realism well beyond the limitations of the stage. Especially cinematic are the bedchamber scene in the first reel, with its intimate cinematography and acting and special lighting effect, and the battle scene of the second reel, considered very effective in its day.