Director
Director
Screenplay
Urban, un huérfano, sirve como aprendiz a un codicioso maestro relojero. Cuando Urban crece, se enamora de Laura, la hija del relojero, y quiere casarse con ella. Antes de que esto suceda, el maestro envía a su aprendiz al mundo con la tarea de buscar un reloj mítico que pueda advertir de la muerte. Nadie sabe si el reloj existe, pero si Urban no lo devuelve, Laura nunca será su esposa. El aprendiz de relojero emprende así un largo viaje lleno de dificultades, que deberá superar con valentía, destreza y buen corazón.
Director
Urban, un huérfano, sirve como aprendiz a un codicioso maestro relojero. Cuando Urban crece, se enamora de Laura, la hija del relojero, y quiere casarse con ella. Antes de que esto suceda, el maestro envía a su aprendiz al mundo con la tarea de buscar un reloj mítico que pueda advertir de la muerte. Nadie sabe si el reloj existe, pero si Urban no lo devuelve, Laura nunca será su esposa. El aprendiz de relojero emprende así un largo viaje lleno de dificultades, que deberá superar con valentía, destreza y buen corazón.
Screenplay
The film's main theme is obsession. An obsession with love, with art, originality, copying, with success, money and... with oneself. Sooner or later, if we lose our rational upper hand over it and let ourselves be dragged down by it, every obsession leads to destruction. But it is only when being dragged down, in spite of all the cuts and bruises, that we find a unique DELIGHT, if only for a few short moments - and what else is life really about? It is like a drug. What at first seems to be weak and trivial is capable of expanding and growing into a serious problem that can appear to be absolutely incomprehensible and absurd to those who have never experienced anything like it.
Director
The film's main theme is obsession. An obsession with love, with art, originality, copying, with success, money and... with oneself. Sooner or later, if we lose our rational upper hand over it and let ourselves be dragged down by it, every obsession leads to destruction. But it is only when being dragged down, in spite of all the cuts and bruises, that we find a unique DELIGHT, if only for a few short moments - and what else is life really about? It is like a drug. What at first seems to be weak and trivial is capable of expanding and growing into a serious problem that can appear to be absolutely incomprehensible and absurd to those who have never experienced anything like it.
Director
Thirtysomethings Linda, Radim, Tonda, Otakar, Dagmara and Silvie have been friends since they met as teenagers. All of them arrived in the big city, Prague, from their small home town. The euphoric dreams each had for themselves have not materialized and they are all starting to feel trapped in different ways. They all seem to know one thing: what they don't want in life. At a party back in their home town they reminisce over one of their early dreams: to buy a farm, live together and, most importantly, have fun with their lives. In the weeks that follow, each of them is faced with a crisis that brings this old dream into sharper, more sober focus. Can they make it a working reality? Do they really want to?
