Sunny Joseph

Películas

Moral Nights
Cinematography
Moral Nights is an anthology of five stories on human rights violations in a country that constituted it’s moral and social values on caste and gender discrimination.
Ramanujan
Director of Photography
A prodigious Indian mathematician has to overcome poverty and prejudices and make a mark with the help of his British mentor.
Woh
Cinematography
Little Poupe' comes to her Grandfather, a celebrated author, for the first time when her mother falls seriously ill. Her gloomy stay in the age old mansion with a grumpy faced Mary Aunty and a lonesome Grandfather slowly takes a turn with the arrival of a circus troupe, a talking fox, a nagging tiger, a magic tree and WOH, the anonymous commoner from the Grandfather's writing. With WOH intruding the ordinary day to day activities, Poupe' and her 'Daddu's' life takes a sudden leap and becomes adventurous...WOH is inspired by Rabindranath Tangore's novel "Shey" (That Fellow) written in Shantiniketan, 1937 about his own relationship with Grand Daughter Nandini.
Up & Down: Mukalil Oralundu
Writer
The film unfolds after eight people and a child get stuck in the lift. They include the lift operator (Indrajith), a police commissioner (Ganesh Kumar), the apartment's builder and his dancer-wife (Baiju and Remya Nambeesan, respectively), an alcoholic writer (Prathap Pothen), an IT professional and his girlfriend (Rejith Menon and Sruti Menon, respectively), an American-returnee (Nandhu) and a young boy (Master Devaraman), who intermittently keeps enquiring about his mother (Meghana Raj). They are on their way up to the top floor to take part in the building society's anniversary celebrations. Suddenly, the space becomes a sort of an altered reality. It becomes a place where the real becomes unreal; where emotions are raw and extra sensitive. It even prompts the very nature of the characters to change and secrets to be revealed.
Thalsamayam Oru Penkutty
Writer
Manju, a village belle becomes popular after she participates in a reality show that records her day-to-day life events and telecasts it to the world
Chintu Ji
Cinematography
The Window
Cinematography
Janala tells the story about a man, Bimal, who decides to give a little back to his old school despite the fact he has very little money himself. As a child Bimal had a favourite corner classroom where he used to sit and daydream out of a broken window, and so when he finds himself back in his old school he feels compelled to replace the window.
Kamli
Director of Photography
Kamli was actually inspired by a K.N.T. Sastry's award winning documentary harvesting babies. K.N.T. Sastry wanted to make a feature film based on the documentary about the plight of tribal women selling their babies for a pittance. He actually contacted and wanted to make film with Soundarya as the main female lead of Kamli, but she died in a helicopter crash, and finally made the film with Nandita Das.
Daivanamathil
Director of Photography
After the demolition of the Babri Masjid, Anwar, a student of Aligarh Muslim University, becomes a fundamentalist and ends up in prison. His wife Sameera yearns for him be the soft and loving husband that he once was. But what happens when he is out of jail?
Nizhalkuthu
Director of Photography
A hangman questions the moral implications of his job after learning that he executed an innocent man.
Oru Cheru Punchiri
Director of Photography
A retired estate manager and his wife have grown old together on their small farm in Kerala. Content with their simple life, they resist the efforts of their grown up children to move them to their urban homes.
Daya
Director of Photography
The film is set in the Middle-East in the pre-Islam period. It is about the adventures and exploits of a lively and intelligent slave girl named Daya (Manju Warrier). Mansoor (Krishna), the son of an aging and wealthy nobleman, is used to an extravagant way of life.
Mangamma
Director of Photography
In the 1960s, Mangamma flees her small village during the Presidential rule and marries Nair. Years later, her life is thrown into further disarray when the Emergency is imposed.
Mogamul
Director of Photography
A musician falls in love with a woman who is the illegitimate daughter of a Brahmin from his village. But she refuses to accept him since she is 10 years older to him.
Manichitrathazhu
Second Unit Director of Photography
A young couple, Ganga and Nakulan, arrives at the ancestral home called Madampalli of the latter. Hailing from a family that follows tradition and superstitions, Nakulan's uncle Thampi objects to the couple's idea of moving into the allegedly haunted mansion, which Nakulan ignores. The couple moves in anyway following which seemingly supernatural events begin to happen.
Kanyakumariyil Oru Kavitha
Director of Photography
Ottayal Pattalam
Cinematography
Venu is an orphan who works as a taxi driver. He is mistakenly nabbed by the police for kidnapping Gopika Varma, an NRI girl. Will he be able to prove his innocence?
Aanaval Mothiram
Cinematography
James (Sreenivasan) is an average police officer, apathetic towards his job and only in it for his monthly salary. Due to a misunderstanding during a blood test at a laboratory, he believes that he has a fatal disease and is about to die soon. He eyes the insurance payout his family would get if he dies in action and embarks on impossible missions to get himself killed in action.
Pooram
Director of Photography
Appu works as an assistant in a theatre troupe. However, due to some unexpected turn of events, the theatre director makes him his lead actor, which changes his life for the better.
Yaathrayude Anthyam
Director of Photography
The film depicts a famous Malayalam writer's emotional relationship with an intellectual who leads the life of a simple farmer in a remote village. The story unfolds through the writer's bus journey to visit him.
Alicinte Anveshanam
Director of Photography
Alicinte Anveshanam is a 1989 Malayalam-language film written and directed by T. V. Chandran.
Piravi
Director of Photography
Raghu, the only son of Raghava Chakyar was born late for him. So he poured his entire love and affection on him. Raghu, studying in an engineering college in a far away city has to arrive at his home to attend the engagement ceremony of his only sister. But he doesn't. The father starts his endless wait for his son. He daily waits at the bus stop till the last bus from the town also returns. Raghava Chakyar comes to know from newspapers that Raghu was taken into custody by the Police for political reasons. He reaches the capital and meets the higher Police officials. But they pretended helpless as there is no proof that Raghu was taken into custody. Raghu's sister comes to understand that he probably would have died in police custody after being tortured, but cannot bear to tell this to her father. The old man's grip on reality slowly slips and he starts dreaming that his son is with him