Director of Photography
Tom, who suffers from an eating disorder and is recovered in a clinic, has gotten her menstrual cycle back. When the doctor tells her it’s a good sign because it means her condition is improving, she panics: the idea of gaining back the kilos she lost scares her to death. It seems like a day to forget but when she meets Neil, a trombone player with socialization problems, everything changes: the two feel a strong connection that is sealed by their shared desire to escape everything which is considered socially acceptable.
Director of Photography
Muhammad, a rejected boy from the fringe of society, floats through the streets of a filthy city, exposed and desolated, until he meets Gurevich; a lone rover who rides his motorcycle into the bowels of the city, through the shadows of the back alleys, sharpening the knives of butcher shops and gourmet restaurants. Stubborn and tenacious, the boy forces his way under the man's wing. Within this hypnotic urban hell, what starts as an unstable and hesitant apprenticeship evolves into a struggle for self-control.
Director of Photography
Una reinterpretación en clave realista del cine de adolescentes, una profunda inmersión en la zona oscura del abuso sexual a través de la historia de Gili, una chica que para subir en la escala social empieza a citarse con los compañeros de su nuevo colegio. El primer largometraje de Jonathan Gurfinkel, un realizador en activo en el campo de la publicidad, el documental y la televisión desde 1994.
Director of Photography
10 o'clock, Saturday morning. A group of elderly women and men carry plastic lawn chairs across the Mount Herzl National Cemetery in Jerusalem. In the shade of an old pine tree, they sit down, in a circle and discuss matters sublime and elevated. For over two decades, the "Mt. Herzl Academy has held its weekly meeting at this cemetery. Seated between the graves of the nation's dignitaries, they debate the history of modern philosophy, read poetry, eat lunch and determine the fate of the Jewish nation. Director Tali Shemesh has been following the "Academy" for the last 5 years, focusing on two members: Minia, the director's grandmother, and Lena, her great aunt. The film unravels the jagged, intense, almost impossible relationship between these two extremely different women, who each bereaved of the man she loved remain bound together by history and Fate.
Director of Photography
Documentarian Ra'anan Alexandrowicz accompanies a Palestinian tour group on a three-day sight-seeing trip to Israel.
