Adolfo Luxúria Canibal

Roberto, a retired and disappointed journalist, leaves his work in a farm and goes back to his hometown, Braga, which he thinks will be his last hiding place. However, in returning, he feels a strong energy in the city and between journeys to the past and an intense night life, a new chapter arises.

Twenty-five years after the edition of “Mutantes S.21”, Mão Morta returned to Theatro Circo for a celebration of their iconic album which remains an important milestone in Portuguese music. The album's nine tracks, recorded and filmed live throughout the concert, are interspersed with some of the album and Mão Morta’s stories told by members and former member of the group; and with documents from that time, including footage of the concert twenty-five years earlier.

In the second half of the 1980s, an Portuguese independent music publisher was created, Ama Romanta. It was the alternative to the hidden censorship of the big label industry and its founder was João Peste (the charismatic vocalist of Pop Dell'Arte).

Romeu, un policía corrupto, contrata los servicios de Cid y Alex, para atrapar a un notorio criminal, que salió de México y se dirige a Galicia, España para encontrar al asesino de su hermano, que también intenta atrapar al mismo criminal .

Inspired by popular cult, O COVEIRO is part light part darkness, a bedtime story and almost a nightmare. A child is born and his parents die of fright just to see him. André Gil Mata revisits the traditional Portuguese tale, in a fantastic movie where heads bounce, but you hear a song.

An effervescent painterly film tribute – replete with driving organ soundtrack – to 18th-century poet and satirist António Lobo de Carvalho, otherwise known as The Wolf of Madragoa.

Portuguese Rock'n'Roll history since the late 50s

Documentary on the Maldoror tour of Portuguese alternative rock band Mão Morta.

Following the lives of Bunnyranch members, Kaló, Filipe, Calhau and André, we get to know the inside outs of a small but strong rock'n'roll wave that thrives in Coimbra.

From Jacques Prévert's poem “Petit déjeuner du matin”, Mau Dia experiences a dilation of the time in which the banality hides the lived drama. All elements are decomposed and then rebuilt - painted walls, orchestrated rain, spoiled actions, depicted or sung…

Documentary on Mão Morta's three sole concerts.