Gheorghe Viorel Todan

Películas

The Endless Shore
Camera Operator
In the summer of 1962, a soldier on leave and a girl from Moscow enjoy a brief but intense love affair on the shores of the Black Sea. Their love games mesh with the games of children on the beach; their dialogues are a mixture of Romanian and Russian, humorous and lyrical at the same time. But the soldier has to return to duty, and all that's left for the girl is the hope that the two will meet again some day. The movie was banned and never released in theaters in Romania, the premiere was in Israel, 1992.
Serenade for the 12th Floor
Cinematography
Light comedy about various Bucharest house dwelling families trading their houses for apartments in a brand new apartment building complex in a new subdivision of a large Bucharest neighborhood.
The Prodigal Father
Cinematography
This film is about the changes in the countryside happening in Romania around 1945, when am agrarian reform happens.
The Hundred Lei Bill
Cinematography
Arguing with his parents, Petre, a teenager, moves at his bigger brother, Andrei, a successful actor. There he meets Dora, one of his brother's young fans. When Andrei gives the girl his attention, Petre feels abandoned and runs away without even taking the hundred lei bill his brother had given him. A car runs Petre down. When he learns about this tragic accident, Andrei realizes - while watching his own smiling face in a musical on TV - that underneath his glittering success, he lives an empty life.
Because They Are in Love
Cinematography
A judge falls in love with a married woman.
The Castellans
Cinematography
Two cooperativists exploit a pond for fish and frogs outside their institutions circuit. Until a youth with socialist expanding ideals comes with the initiative to drain it and use the land for grains. They hatch a plan to make the pond a natural monument, so an expert is summoned, but foolish beliefs betray them.
Meanders
Director of Photography
Petru and Constantin, former faculty mates, have different views concerning their lives and professions; while the former has a bright imagination, is very creative and daring, the latter is looking only for personal comfort and material satisfaction. They contend for the same woman – but even if she loves Petru, she marries Constantin for his material condition. Though he finds in Constantin an adversary who does not hesitate to remove him, Petru will surpass him professionally.
Blanca
Director of Photography
Adaptation after Fat Frumos din tei by Mihai Eminescu