Ivo Lopes Araújo

Raúl is an unemployed cattleman that lives in an isolated house on the fields. The landscape of pastures is being superimposed by huge soy plantations. Devastated by poverty, he joins a gang of other peasants that steals cattle during the darkness of the nights on the pastures.

Una mujer de unos cincuenta años, trabaja como limpiadora en una urbanización de lujo cerca de la costa, donde la exhuberante vegetación tropical rodea las mansiones veraniegas y los yates privados de la élite de Río de Janeiro.

Returning early from his vacation after the Carnival period to investigate the murder of a young French tourist, Breno Wanderley is faced with possible reflections of his own history from which he cannot escape. Between Ash Wednesday and post-Carnival Sunday, Breno tries to unravel the crime and sees in his son, also called Breno, a chance to reinvent himself in a broken and sullen city.​

André is a broken man, who lives isolated in a forest. The forces of nature embrace his body as he drowns in his effervescent inner world. Between the insomnia and the dreams, André is haunted by his past. He wishes to deconstruct himself, heal his sorrow and take the responsibility from his acts. He puts himself before the abyss where he must embrace his ghosts and change his skin in order to survive.

Pedro, un enfermero de 70 años, decide llevar a Jean, un joven paciente, a su casa.

While the country is under the yoke of a military junta and corrupt priests preach the apocalypse, a lawless, eccentric family – a kind of Bonnie & Clyde with kids – trek through the Brazilian interior. Their first aim is to deliver a consignment of weapons to a group of militant nuns who have withdrawn to the jungle, living off the income from their cannabis plantation. As gay , bi, trans, the converts so organized to make revolution.

Two young Portuguese women try to put down roots in Brazil. Teresa is newly arrived; Francisca has been there a while. This sure-footed, loving portrait of two counterparts, attracting and repelling, is also an ode to Belo Horizonte: a city with no tourist attractions, but bags of atmosphere and lust for life.

The living call for revenge. The dead minerals and vegetables demand revenge. It is the hour of general protest. It's time for the destroying flights. It's time for the barricades, the shootings. Famines, desires, cravings, lost dreams, miseries of all countries, unite.

For the last 500 years, Edilson has been cutting sugar cane in Brazil. One day, the machines arrive and he leaves his job to engage in his first space mission. A small step for him, a giant leap for the nation.

Solon inhabits a dry, barren space. She begins her mission to nourish the Earth. The landscape and the character herself are changed. The world is born. The woman is born.

A wealthy middle-aged woman unexpectedly finds herself caring for two impoverished young siblings, in this subtle, touching and sincere study of class disparity from Brazilian filmmaker Sandra Kogut.

A lonely man wanders lost by a post-apocalyptic city.

A lonely man wanders lost by a post-apocalyptic city.

A lonely man wanders lost by a post-apocalyptic city.

Salvador, 1984. After twenty years of dictatorship, people go to the streets to ask for general elections. This will be a year of transformations for the country and the young Caio.

Serginho has a hard time finding his place in the world as he works with his uncle at the market, supports his depressed mother, and takes care of his little brother.

In Fortaleza, Brazil, Eugenio, Joaquim and João use a clandestine radio to scream their hunger for freedom and revolution. They hack the traditional radio stations, overwhelming them with poetry, rebel music, quotes, sound archives and provocations, attacking the bourgeois and capitalistic society. But one day, Salomé, a mysterious and beautiful listener, crashes into their lives, transforming their destiny.

Léo goes on vacation at his cousin's, in a fishing village. There, he meets a girl who goes by the nickname Heartless.

After losing his job and the end of his marriage, Júnior returns to his father's house. But that is not his childhood house anymore. His old room has been rented by a young woman and the place feels unwelcome and oppressive. Júnior develops and obsession for his family history, as strange things start happening in the house.

Brasil /// Año 1978. El régimen militar que gobierna Brasil desde el golpe de estado de 1964 parece que comienza a tambalearse. En ese contexto, un soldado de 18 años (Jesuita Barbosa) se enamora de un intelectual (Irandhir Santos) que tiene un cabaret anarquista, un hombre mayor que él que se niega a aceptar la dictadura.

After receiving a strange picture postcard, Marina knows there’s nothing else to it but to return to Rio de Janeiro, the beautiful city that here seems threatening and almost enchanting.

Juvenal is a metro driver from Belo Horizonte. Margô, a station controller. Both live in a state of complete solitude – each in a particular way. Juvenal refuses to be alone and strolls through the streets of this metropolis taking comfort by mingling with the anonimous crowd. Margo seeks relief in the virtual world of social networks where she struggles to establish long lasting relations with real persons.

A young couple, Pedro and Antônia, have their relationship weakening after meeting Luana. Romance, seduction, fear and anguish from the future are established in this story of liquid love.

Snow is water. Water is water.

Rio de Janeiro, 45° C, crowded beaches: it’s the summer apocalypse! Daniel, 8 years old, is on holiday on the beach. Experimenting there various worlds, between fantasy and reality. One day, the sea is full of toxic seaweed. Is it the end of summer?

Two mothers, three children, a car. Fifteen minutes of travel from an apparently uncontrollable chaos to extreme relaxation, in a situation that oscillates in the indiscernible limits between documentary and fiction.

La historia de una niña de 12 años, que es abandonada por sus padres junto a su hermano mayor en medio de una ruta luego de una pelea. Al poco tiempo ella quedará sola y empezará a vagar por zonas de su país y entrará en contacto con otra gente (ella pertenece a la clase alta de Recife) en un imprevisible y fascinante viaje de (auto)descubrimiento.

Odete is caught between the past and the future. She goes on a journey, but remains immobile. She faces the abyss and wonders if she will make it out alive.

Bastu tiene 81 años y vive en un pueblo del interior de Brasil. Después de la muerte de su marido trata de encontrar una nueva vida. Partiendo de una ciudad real y de su gente, la película explora su universo imaginario para hablar sobre las relaciones humanas y apunta a la coexistencia de las tradiciones y la vida contemporánea, la realidad y el sueño, disolviendo los límites entre estos conceptos.

An experimental collective film lasting little more than an hour, compiled from 10 episodes by a total of 14 different young Brazilian filmmakers. The project was an initiative of the directing duo Felipe Bragança and Marina Meliande, who sent a ‘letter of concern’ to inspire the participants. In it, a 16-year-old girl wrote about her dreams, which have been translated by the directors into films about love, youth and the possibilities of cinema.

No man is a failure when he has friends.

A documentary about nightwatchers in Recife middle-class buildings.

In the Espinhaço Mountains one winter, a group of small-town Brazilian girls are experiencing the end of their youth. Impossible romances leave marks on their bodies and the surrounding landscape. Each of the friends finds her own particular way to overcome the loneliness and to live within a tangle of uncertainty.

Paris - an American who recently arrived in Brazil - and the Brazilian Thais begin a simple friendship sharing feelings and sensations, even if they do not understand a single word each othar says.

Paris - an American who recently arrived in Brazil - and the Brazilian Thais begin a simple friendship sharing feelings and sensations, even if they do not understand a single word each othar says.

Paris - an American who recently arrived in Brazil - and the Brazilian Thais begin a simple friendship sharing feelings and sensations, even if they do not understand a single word each othar says.

The elderly Perpetua, feeling the approach of death, decides to prepare Zeca, her beloved grandson, to the inevitable. She tells him the story of a king and a queen, a wealthy and powerful couple who lost their only child but wishes to bring him back to life. Meanwhile, Damião e Josefa work hard to support their family and to prepare their daughter Fátima's wedding. At the end, the tale told by Perpétua and the destiny of that family will cross.

A documentary following random people at a Saturday night in Fortaleza.

A documentary following random people at a Saturday night in Fortaleza.

A documentary following random people at a Saturday night in Fortaleza.

A documentary following random people at a Saturday night in Fortaleza.

A documentary following random people at a Saturday night in Fortaleza.