Tauno Lehtihalmes

Manical portrait of a small businessman.

Like it or not, almost anyone who has met a really serious poet finds that they have something about them which sets them apart from other people. It's not just a romantic legend. In wry but basically directionless Finnish movie, Paavo Pentikainen plays one of these ungainly beings, a man whose last published work is decades in the past, who probably hasn't written anything in years, but who still has an uncanny knack for precise observation, "pinning the tail on the donkey" almost every time. In the movie, the poet, accompanied by his young assistant, takes a minor celebrity's swaggering tour of small cultural centers and retirement homes.

Directed by Matti Ijäs and written with Arto Meller, Räpsy & Dolly aka Paris Waits (1990) is a tragicomic love story of a petty criminal and a former cabaret dancer. Detective Karisto (Kari Väänänen) releases Auno "Räpsy" Pirilä (Matti Pellonpää) from prison, who in turn has to calve his childhood friend Börje (Pertti Sveholm) from criminal activities. Alcoholic Dolly (Raija Paalanen) takes Räpsy to live in Kallio, Helsinki, and hopes to move to Paris with her in the spring.

On her way home from an evening shift at a men's clothing store, Saara Nevanen is raped by a man whom she recognizes as her regular but eccentric customer, Antti Kaironen. The doctor and policemen question Saara in an insensitive manner,and she breaks down with guilt. When the court releases the perpetrator inlack of evidence, Saara's aggressive brother Jari talks her mild-mannered husband Sakari into a self-made revenge plot. Armed with two rifles, Jari and Sakari take matters into their own hands.

A Polish guest and Finnish engineer both fall for the same mysterious woman.

Irma Auer (Satu Silvo) is a former call-girl, trying to distance herself from the past. In a séance she is told to be 'marked for death', and is afterward threatened by her former pimp and abandoned by her groom, as he learns about her past. Irma attempts to commit suicide, and resurrects at the city morgue after being pronounced dead. After the incident, she wanders out direction-less, being pursued by the doctor who treated her and also a strange, tall man.

Based on a novel by the late Finnish writer Timo Mukka, this simple story focuses on what happens when Milka (Irma Huntus), a girl barely out of childhood, gets pregnant by Ojanen (Matti Turunen) a rustic fieldhand. Her own mother had been hoping to marry Ojanen, and her daughter's pregnancy turns their lives around. Set in the Lapp country of northern Finland, the scenery is breathtaking, made even more so by the isolation of the region. A sense of natural solitude is underscored by a slow-moving dialogue interspersed with long silences, and the connection between nature and the dialogue is underscored as the young Milka recites poetry while out in the countryside. The fate of Milka and her mother, however, is connected to the decision that Ojanen makes at the end.

Based on the Bertolt Brecht play, the movie follows the farmer Puntila, who when he's sober is a real pig but whenever he gets drunk becomes very generous. Puntila is trying to get his daughter to get married, but the problem is that his drunk self wants her to marry another man than his sober personality wants.

Bridge engineer Akseli Jaatinen arrives to stir up the lives of the inhabitants of a small Finnish village. Jaatinen is well-liked at the bridge construction site, but he quickly finds himself clashing against the local decision-makers. The bridge engineer is also popular with the ladies and, being a man of energy, he manages to take care of several of his admirers at once.