Marc Ribot

A road trip, over ten years, across the so-called Amexican border, a mythical boundary, both physical and cultural, that separates the United States of America from the United Mexican States; a journey in search of the multiple stories of those who inhabit it or are passing through: an audacious expedition that aims to paint a colorful fresco where politics, violence, visual poetry and frustrated ambitions cruelly coexist.

We aren't dying the way we used to. We have ventilators, dialysis machines, ICUs-technologies that can "fix" us and keep our bodies alive-which have radically changed how we make medical decisions. In our death-denying culture, no matter how sick we get, there is always "hope." Defining Hope tells the story of patients dealing with life-threatening illness as they move between ICUs, operating rooms, hospice care and home. Diane is a nurse caring for end-stage cancer patients when she is diagnosed with ovarian cancer herself. 23-year-old Alena undergoes a risky brain surgery that destroys her short-term memory. 95-year-old Berthold lives with his elderly wife who struggles to honor his wish of dying peacefully at home. Defining Hope follows these patients and others- and the nurses that guide them along the way- as they face death, embrace hope, and ultimately redefine what makes life worth living.

A look at NYC’s gentrification and growing inequality in a microcosm, Class Divide explores two distinct worlds that share the same Chelsea intersection – 10th Avenue and 26th Street. On one side of the avenue, the Chelsea-Elliot Houses have provided low-income public housing to residents for decades. Their neighbor across the avenue since 2012 is Avenues: The World School, a costly private school. What happens when kids from both of these worlds attempt to cross the divide?

Paris, North Station, anything comes by, even trains. One would like to stay, but they have to hurry up... Like other thousands lives crossing, Ismael, Mathilde, Sacha and Joan are going to meet here...

Aprovechando que su madre está de viaje, el joven Abe (Jacob Zachar) manipula a su tío alcohólico (John Malkovich) para ayudarle a comprar un barco al estafador Fletcher (John Goodman).

The Time We Killed portrays the inner life of a writer unable to leave her Brooklyn apartment on the brink of the US invasion of Iraq. Robyn Taylor tries to kick her growing agoraphobia by re-imagining her past and contemplating world events of the present. As Robyn begins to overcome the amnesia that afflicted her as an adolescent, she fears coming down with “the amnesia of the American people”.

En The Soul of a Man el director Wim Wenders nos muestra la tensión dramática entre lo sagrado y lo profano dentro del mundo del Blues, explorando la música y las vidas de tres de sus artistas preferidos: Skip James, Blind Willie Johnson y J.B. Lenoir. La película, en parte histórica en parte búsqueda personal, nos enseña cómo fueron estas vidas dedicadas a la música, al blues y al jazz, a través de una extensa ficción, de escenas de la vida actual a modo de documental y de canciones de músicos contemporáneos

Killing Zone is the story of an affluent Harlem psychiatrist living an unexamined life until his adoptive father- a doctor who plucked him from a Nigerian refugee camp as a child - is gunned down by an eleven-year-old in Brooklyn. In an instant, everything he's absorbed in twent years in America is thrown into question, and his search for the boy resurrects memories of his own buried past.

Documentary examining contemporary Jewish musical culture in New York's avant garde Jazz scene in the 1990s.

A visceral homage to those living and dying under the shadow of AIDS in a world run amok.

Bringing his unique sense of humor to this bizarre and original piece of moviemaking, Tom Waits takes the audience through a musical journey with his jazzy, quirky, bluesy tunes presented as you would never, ever, ever expect.