Jorge García

Una conocida influencer llega a la conclusión de que su exitosa vida es solo una ilusión por lo que trata de modificar la forma de llevarla.

Dos amigas, Paulina, una chica de clase media baja y a Paula, de clase alta, un día despiertan con la sorpresa de que han intercambiado cuerpo.

Julia (Ana Serradilla) es una renombrada crítica gastronómica con miedo al compromiso. A pesar de eso, su mejor amigo Manuel (Carlos Ferro) y ella se habían prometido que si para cuando cumplieran 35 años seguían solteros, se casarían entre ellos. Una tarde, Julia recibe una llamada de Manuel en la que le dice que dentro de cuatro días va a casarse con alguien más. Confiada en que ella es la única mujer para Manuel, Julia intentará detener la boda a toda costa. Remake de la comedia norteamericana de 1997 protagonizada por Julia Roberts y Cameron Díaz.

Tania y Daniela intercambian esposos durante una boda solo por diversión, pero un accidente fatal provocará nuevas y extrañas relaciones.

A shy and feeble architect is victim of a violent and abusing surrounding. The pressure builds up until he is pushed to the limit of his own humanity.

Dos familias disputan una tierra con un comerciante de tierras.

Germán Noble es un manipulador y poderoso empresario quien decide fingir la bancarrota para darles una lección a sus tres frívolos e inútiles hijos.

Paula está aterrada. Sus padres, los muebles, los juguetes..., todo se ha ido a la casa de al lado. Pero al lado no hay ninguna casa...

This is a documentary about the Uruguayan boxer Alfredo Evangelista, who at height of his career even fought against Mohammad Ali. A considerable part of the film is a long interview with him in Carabanchel prison in Madrid. Alfredo, one of Uruguay's last sporting legends, tells his story for the camera. He talks about his life and his career in sport, and he reflects bitterly and lucidly about the mistakes he has made and his situation today.

Una pareja de veinteañeros tardíos descubre una pista de coches de choque subterránea.

The Punta de Rieles prison was where most female political prisoners were incarcerated during the dictatorship in Uruguay. The way up to the building led through “the meadow” where there were animals grazing, and the prison itself was surrounded with flowers. The place seemed eminently liveable, almost comfortable, and at first sight there was no sign of the silent struggle going on behind those walls. This documentary is an attempt to reconstruct life at the prison through the testimony of some of the hundreds of women who were there and who resisted the military regime's attempts to grind them down and destroy them.

The biggest peaceful demonstration of resistance to an authoritarian regime in Latin America in the 1970s was the general strike whereby Uruguayan workers and students rejected the military coup of 27 June 1973. In this documentary we follow what happened from two perspectives: that of the people who took part in the mass mobilisation, and that of those who captured those events in images.

Tras la misteriosa desaparición de su marido, Lucía (Cecilia Roth) descubre que su vida no era lo que aparentaba ser. Mientras se dedica a buscarlo, encuentra dos nuevos amigos que la apoyan incondicionalmente: Adrián (Kuno Becker), un joven inexperto, y Félix (Carlos Álvarez-Novoa), un veterano de muchas batallas. Juntos descubren el valor de la amistad, la pasión, la libertad y la alegría de vivir. (FILMAFFINITY)

In Montevideo, Sonja cares for her invalid mother, works in a garment factory, and has little going for her. Her neighbor Modesto, an older man who lives alone, types anonymous letters to her. Her mother is difficult -- demanding and miserable, afraid of death. Sonja meets Ernesto, a nurseryman, and finally there may be some possibilities in her life. Does freedom beckon?

Héctor Rodríguez (1918-1996) was one of the outstanding figures in the people's movement in Uruguay. He was a textile worker and also a member of parliament for the Communist Party, and he was expelled from their ranks in the 1950s. He was a journalist, a militant activist and a political prisoner, and a key force in trade union unity and left wing politics in Uruguay. His life was bound up with some of the most important events in the history of this country after 1930. As well as Héctor's own testimony we have the voices of textile workers, intellectuals, union members and politicians, in a rich mixture of archive film and photographs.

A crooked CEO is kidnapped and nobody cares enough to pay his ransom.

Armado en base a fotografía, películas de época, materiales de archivo y testimonios de sobrevivientes, familiares e historiadores, el documental reconstruye con precisión y exquisita sensibilidad el derrotero de los “anarquistas expropiadores” en el Río de la Plata y concretamente en el Montevideo del primer tercio del siglo XX. (FILMAFFINITY)

The first documentary about the little-known world of transvestites in Montevideo. We are shown the most complicated facets of these people, their consciousness of themselves, and their perceptions of the world and of life. We learn about their everyday (and every night) experiences, and how they cope with the bigotry and old fashioned attitudes that are all around.

At ten o'clock on the night of 20 November 1993, in the Barrio Sur neighbourhood of Montevideo, Jaime Roos began the first of 42 concerts on a tour that lasted three months and included performances in all 19 departments of the country. In total some 300,000 saw him play. This documentary captures the essence of that unique tour and it is a crucial contribution to our understanding of Jaime Roos and his position in Uruguayan music towards the end of the 20th century.

Un hombre espera un avión para trasladar los restos de su esposa. Mientras espera es asaltado por sus pesadillas. Dirigido por el cineasta, editor y escritor Juan Carlos de Llaca. Filmado en 35 mm por Claudio Rocha.