Norman Issa

Cuenta la historia de un niño en una ciudad árabe israelí cuyos padres lo envían a un prestigioso internado en Jerusalén. (FILMAFFINITY)

Filmed in one sequence-shot of 1 hour and 25 minutes, Ana Arabia is a moment in the life of a small community of outcasts, Jews and Arabs, who live together in a forgotten enclave at the “border” between Jaffa and Bat Yam, in Israel. One day, Yael, a young journalist, visits them. In these dilapidated shacks, in the orchard filled with lemon trees and surrounded by mass public houses, she discovers a range of characters far removed from the usual clichés offered by the region. Yael has the feeling of having discovered a human goldmine. She no longer thinks of her job. Faces and words of Youssef and Miriam, Sarah and Walid, of their neighbors, their friends tell her about life, its dreams and its hopes, its love affairs, desires and disillusions. Their relation to time is different than that of the city around them. In this tinkered and fragile place, there is a possibility of coexistence. A universal metaphor.

A love triangle between the primitively superstitious Rahma, her rude husband Robert, and the ghost of Rahma's beautiful sister Marie who died from the pain of banishment.

An American entrepreneur is closing a deal in Saudi Arabia in 1977. After a fallout with his influential Saudi partners, they have him arrested. Due to the US policy of noninterference in SA, the embassy won't help him. He must escape.