Sander Snoep

The slogan “Meet the icons of modern art” needs to be scraped off the glass wall of the Stedelijk, Amsterdam’s modern art museum. Because precisely who the icons of modern art are is very much the question. Who gets to decide? And who loses out? In 2019, as director Sarah Vos started shooting her documentary, more than 90 percent of art at the Stedelijk was made by white men. That’s got to change, the museum’s director Rein Wolfs believes. But this is easier said than done—so much becomes clear when Vos follows Wolfs and his team as they strive for greater diversity in the collection, as well as among their staff.

Lieke, Marieke van der Winden's mother, was closed, insecure and fragile. After she died of cancer at the age of 48, Van der Winden was approached at the funeral by Lieke's foster brother. She learns that her grandfather and grandmother – of whom she has wonderful memories – were wrong in the Second World War. This fact, which had played an enormous role in Lieke's life, had been kept secret for decades. Only thirty years after that revelation Van der Winden dares to delve into her mother's history. In conversations with family and friends, she gains a whole new perspective on Lieke and on her own childhood. And when she searches the archives for her grandparents' activities during the war, the shocking revelations pile up – with major emotional consequences.

The fascinations of filmmaker Peter Greenaway, whose motto is "art is life and life is art,"are captured like butterflies and arranged in an alphabet, a form that suits him perfectly as an encyclopedist. In intimate conversations with his perceptive 16-year-old daughter Zoë, we discover the whos, whats and whys about Greenaway.

A portrait about the Dutch writer Herman Koch. Koch started his career with the popular TV-show 'Jiskefet' and went on to become the best selling and most translated writer from the Netherlands

A top executive who can't bear to regard himself as a loser, even after nearly dying in the New York marathon; a woman unable to cope with the loss of her wealthy status after her divorce; and an ambitious financial couple confronted with their unresolved family matters. Every Sunday, in their upper class Bloemendaal church, the cutting sermons of reverend Ad van Nieuwpoort shake their faith and existence to the core. What drives people to be crushed by the weight of their ambitions?

A top executive who can't bear to regard himself as a loser, even after nearly dying in the New York marathon; a woman unable to cope with the loss of her wealthy status after her divorce; and an ambitious financial couple confronted with their unresolved family matters. Every Sunday, in their upper class Bloemendaal church, the cutting sermons of reverend Ad van Nieuwpoort shake their faith and existence to the core. What drives people to be crushed by the weight of their ambitions?

A top executive who can't bear to regard himself as a loser, even after nearly dying in the New York marathon; a woman unable to cope with the loss of her wealthy status after her divorce; and an ambitious financial couple confronted with their unresolved family matters. Every Sunday, in their upper class Bloemendaal church, the cutting sermons of reverend Ad van Nieuwpoort shake their faith and existence to the core. What drives people to be crushed by the weight of their ambitions?

Sabine is looking for the truth behind the disappearance of her best friend twenty years ago. An encounter with the handsome Olaf, a man she remembers from her teenage years, and the announcement of a high school reunion turn her life upside down.

A heartfelt search for Ben Ali Libi, the main character in an iconic poem of the late Dutch poet Willem Wilmink.

En abril de 2013, el Rijksmuseum de Ámsterdam, de una categoría similar al Louvre, el Prado y el Hermitage y principal atracción turística de Holanda, reabrió sus puertas tras casi diez años de una reforma carísima y muy polémica. Durante este período en el que las obras maestras de Vermeer, Rembrandt y otros artistas holandeses desaparecieron de la vista del público, el director Oeke Hoogendijk documentó este complejísimo proceso. La película retrata los problemas logísticos y burocráticos del proyecto de reforma firmado por los arquitectos españoles Antonio Cruz y Antonio Ortiz y se convierte en un estudio sociológico del impacto de una obra arquitectónica en la sociedad.

Imperfect Harmony is a film about musical control, explored through a clash between two maestros: avant-garde rebel and Holland’s best-known composer, Louis Andriessen, and chief conductor at Amsterdam’s Royal Concertgebouw Orchestra, Mariss Jansons. Half a century ago Andriessen vowed he would never compose for a symphony orchestra again. But, against all the odds and after much deliberation, he has agreed to do so. The occasion is the Concertgebouw Orchestra’s 125th jubilee year concert and the commission is a present from the Concertgebouw to the orchestra.

Two brothers and their wives have dinner in a fancy restaurant to discuss their teenage children's misdeeds. An excoriating assessment of Europe’s contemporary social ills.

Curacao reveals the collectively repressed legacy of the Dutch on their former colony and offers a disturbing look into the influence this has on the contemporary Curacao community.

At the end of 2003 the main building of the Amsterdam Rijksmuseum has closed, in the words of managing director Ronald de Leeuw, becoming 'the most conceivable art museum'. The Spanish architects Cruz and Ortiz signed for the big design; in 2008 the modernized museum would open with a pioneering museum concept. Moviemaker Hoogendijk followed the first four years of what is called the biggest Dutch cultural operation in history.

After two years of several rapes of female students a group of four girls decide to investigate the crimes by themselves and they prepare a list of possible rapists, leading the group to a tragic consequence.

Veterans of the Vietnam War tell about their experiences. The disasters but also the glorious moments of war. The central figure in the documentary is the scenario writer of Full Metal Jacket, Michael Herr. The veterans describe how it felt to kill for the first time and how those feelings still hunt them.