Editor
Un documental que rinde homenaje a los libreros y sumerge al espectador en su pequeño mundo. Explora el pasado, el presente y el futuro del libro a través de entrevistas con dueños de locales, coleccionistas y escritores como Fran Lebowitz, Susan Orlean, Kevin Young y Gay Talese, a la vez que analiza el impacto de las nuevas tecnologías en nuestra sociedad y la forma en la que afecta a la lectura.
Producer
Un documental que rinde homenaje a los libreros y sumerge al espectador en su pequeño mundo. Explora el pasado, el presente y el futuro del libro a través de entrevistas con dueños de locales, coleccionistas y escritores como Fran Lebowitz, Susan Orlean, Kevin Young y Gay Talese, a la vez que analiza el impacto de las nuevas tecnologías en nuestra sociedad y la forma en la que afecta a la lectura.
Director
Un documental que rinde homenaje a los libreros y sumerge al espectador en su pequeño mundo. Explora el pasado, el presente y el futuro del libro a través de entrevistas con dueños de locales, coleccionistas y escritores como Fran Lebowitz, Susan Orlean, Kevin Young y Gay Talese, a la vez que analiza el impacto de las nuevas tecnologías en nuestra sociedad y la forma en la que afecta a la lectura.
Director
A man crossing Maine at the end of a solo cross country bicycle trip strikes up an unlikely friendship with an ex-Marine and his oddball younger sister. At the same time he reconnects remotely with his estranged but dying father in Germany and finds himself forced to make an irrevocable decision.
Writer
A man crossing Maine at the end of a solo cross country bicycle trip strikes up an unlikely friendship with an ex-Marine and his oddball younger sister. At the same time he reconnects remotely with his estranged but dying father in Germany and finds himself forced to make an irrevocable decision.
Editor
Playwright Philip Barry and actor Katharine Hepburn, both experiencing career downturns in the late 1930s, worked closely together to create the iconic character of Tracy Lord, Philadelphia “Main Line” socialite, for Barry’s play “The Philadelphia Story.”
Editor
A FAVOR FOR JERRY follows Khan (Khan Baykal, ALWAYS SHINE, THE HAPPY HOUSE) as he crosses NYC filling in for a pot-dealing friend on election day. Shot in real time on November 8 2016, the film freely mixes documentary and narrative elements. As events unfold, the actors directly incorporate the moment into their performances and what begins as backdrop increasingly takes center stage.
Cinematography
A FAVOR FOR JERRY follows Khan (Khan Baykal, ALWAYS SHINE, THE HAPPY HOUSE) as he crosses NYC filling in for a pot-dealing friend on election day. Shot in real time on November 8 2016, the film freely mixes documentary and narrative elements. As events unfold, the actors directly incorporate the moment into their performances and what begins as backdrop increasingly takes center stage.
Producer
A FAVOR FOR JERRY follows Khan (Khan Baykal, ALWAYS SHINE, THE HAPPY HOUSE) as he crosses NYC filling in for a pot-dealing friend on election day. Shot in real time on November 8 2016, the film freely mixes documentary and narrative elements. As events unfold, the actors directly incorporate the moment into their performances and what begins as backdrop increasingly takes center stage.
Director
A FAVOR FOR JERRY follows Khan (Khan Baykal, ALWAYS SHINE, THE HAPPY HOUSE) as he crosses NYC filling in for a pot-dealing friend on election day. Shot in real time on November 8 2016, the film freely mixes documentary and narrative elements. As events unfold, the actors directly incorporate the moment into their performances and what begins as backdrop increasingly takes center stage.
Editor
Historian Andrew Cohen discusses Robert Drew's 1963 documentary Crisis: Behind a Presidential Commitment.
Editor
An interview with Sharon Malone and Eric Holder regarding the 1963 desegregation of the University of Alabama.
Editor
Crew members recount the production of the 1961 gothic film The Innocents.
Editor
FOREIGN CORRESPONDENT was released a year before the U.S. entered World War II. The ending of the film was added at the last minute to bolster anti-isolationist sentiment among American viewers.
Writer
Su relación en las rocas, una pareja joven de Brooklyn se dirige a un B & B remoto para resolver las cosas. Pero desde el momento en que llegan a The Happy House es un desastre tras otro, y pronto comienzan a sospechar que han entrado en una película de terror de la vida real. Los eventos pasan de extraños a terroríficos cuando compiten con el propietario de la casa, su imponente hijo, un lepidóptero sueco temperamental, un pedante profesor de inglés, una mariposa extraordinariamente rara, la mejor del mundo.
Director
Su relación en las rocas, una pareja joven de Brooklyn se dirige a un B & B remoto para resolver las cosas. Pero desde el momento en que llegan a The Happy House es un desastre tras otro, y pronto comienzan a sospechar que han entrado en una película de terror de la vida real. Los eventos pasan de extraños a terroríficos cuando compiten con el propietario de la casa, su imponente hijo, un lepidóptero sueco temperamental, un pedante profesor de inglés, una mariposa extraordinariamente rara, la mejor del mundo.
Screenplay
A young man revisits his past in search of the girl of his dreams. He finds her - and her psychopath boyfriend.
Director
A young man revisits his past in search of the girl of his dreams. He finds her - and her psychopath boyfriend.
Writer
A spaced out knife salesman makes the house call of a lifetime.
Editor
A spaced out knife salesman makes the house call of a lifetime.
Director
A spaced out knife salesman makes the house call of a lifetime.
Producer
The changing face of Red Hook -- a one-of-a-kind neighborhood in Brooklyn, N.Y. -- is the subject of this rich examination of city living by filmmaker D.W. Young. The documentary peeks in on an urban farm run by local kids; an uphill struggle to save a portion of the waterfront; the infamous arrival of an IKEA store; and more. The film was an official selection at the 2008 San Francisco International Documentary Film Festival.
Director of Photography
The changing face of Red Hook -- a one-of-a-kind neighborhood in Brooklyn, N.Y. -- is the subject of this rich examination of city living by filmmaker D.W. Young. The documentary peeks in on an urban farm run by local kids; an uphill struggle to save a portion of the waterfront; the infamous arrival of an IKEA store; and more. The film was an official selection at the 2008 San Francisco International Documentary Film Festival.
Editor
The changing face of Red Hook -- a one-of-a-kind neighborhood in Brooklyn, N.Y. -- is the subject of this rich examination of city living by filmmaker D.W. Young. The documentary peeks in on an urban farm run by local kids; an uphill struggle to save a portion of the waterfront; the infamous arrival of an IKEA store; and more. The film was an official selection at the 2008 San Francisco International Documentary Film Festival.
Director
The changing face of Red Hook -- a one-of-a-kind neighborhood in Brooklyn, N.Y. -- is the subject of this rich examination of city living by filmmaker D.W. Young. The documentary peeks in on an urban farm run by local kids; an uphill struggle to save a portion of the waterfront; the infamous arrival of an IKEA store; and more. The film was an official selection at the 2008 San Francisco International Documentary Film Festival.
