Director
Cinematographer Ray Rennahan utilized the two-strip Technicolor process for this film, but either surviving prints have faded or the color palette was limited in the first place, for generally we see only muddy reds, dim greens, and occasional splashes of blue. The film was shot silent and then dubbed with synchronized music consisting of seasonal tunes such as "Jingle Bells," "O Holy Night," and "March of the Wooden Soldiers."
Director
Mary Conway was a nonentity in Mrs. Scott's New York genteel boarding house. She had never had a beau. Andy Donovan, a new boarder, caused her first flutter and regret for her unattractiveness. A description in a lurid novel of the grief-stricken heroine and the attention she attracted in her garb of woe gives Mary an idea and - two weeks later she appears fashionably attired in Fifth avenue mourning - and weeps forth a tale to the now sympathetic Andy of a dead fiancé, the Count Mazzini.
