German apparently disavowed this, his first film, because of his co-director Grigori Aranov's more classical approach (and his kowtowing to Soviet authority); too bad, because it's something of a knockout. A brilliant, gripping portrait of the era of "Red Terror" during the civil war that followed the Bolshevik revolution, The Seventh Companion offers a superlative character study in General Adamov (Andrei Popov), a law professor in the tsarist army, who is incarcerated by the Bolshevik secret police along with many other members of the bourgeoisie. Finally released into the new world of the Soviet Union, the resigned officer finds that he has lost everything from his old life except a mantel clock that he carries through the night from place to place, until he ends up, like Rossellini's inmate seeking readmission to prison in Dovè la liberta?, back where he started.
Hearing about the revolution in the hospital, the sailor Gulyavin goes to Petrograd, and from there with a detachment of Ukrainian volunteers he is sent to Ukraine. The troop is joined by cavalrymen under the command of the anarchist Lelka. The chief of staff, Stroyev, reproaches Gulyavin with negligence - you cannot take an untested detachment. However, the desperate courage of Lelka in battle with the White Guards gives Gulyavin not only respect for her, but love...
Primeros años de la Revolución Bolchevique. Una unidad del Ejército Rojo lleva a cabo una operación de exploración en los desiertos del Asia central. Con los soldados viaja María, que destaca entre los mejores francotiradores de la unidad. En la última operación hace prisionero a un soldado de Ejército Blanco. La situación en la que se encuentran hace surgir una compleja pasión entre quienes son enemigos de clase. Historia de amor que cautivó al jurado del Festival de Cannes en 1957, que le otorgó a la película un premio especial. (FILMAFFINITY)
