Satindra Bhattacharya

Satindra Bhattacharya

Perfil

Satindra Bhattacharya
Satindra Bhattacharya

Películas

Rajbadhu
Raj Badhu is a comical family drama that is based on a traditional Bengali joint-family life. It tells the story of family relations, of love and family values and the importance of society in our lives. It shows the complex story of different love relations and how its complications adversely affect the people involved. It shows the nature of man and how all things work out for the best in the end.
Sojarur Kanta
Byomkesh Bakshi
A 1974 Byomkesh Bakshi film based on the novel of same name by Sharadindu Bandyopadhyay.
Reason, Debate and a Story
Four men, each peculiar in his own way, embark on a quest to reason with the estranged wife of the protagonist. This film is considered to be Ghatak's autobiographical film.
The Switch (Baksa Badal)
Shovan
A hilarious romantic-comedy where two people have their luggage exchanged during a train journey. One of them (Soumitra Chatterjee) is a psychiatrist, and he develops a keen interest in knowing the other party (Aparna Sen). His experience as a psychiatrist helps him to understand the happy-go-lucky and pampered Aparna Sen and woo her love.
Subarnarekha
Abhiram as an adult
After an old college friend offers him a job at an iron foundry, the upright and honest Ishwar leaves a shanty town on the outskirts of Calcutta where he lives with a group of refugees from East Bengal. With plans to forge a solid living for himself, sister Sita and Abhiram, an orphaned boy he offers a home to, Ishwar is accused of selling out and deserting his people.
El santo (Mahapurush)
Satya
La llegada de un Hombre Santo y su ayudante a la casa de una familia adinerada pondrá de manifiesto los fanatismos religiosos de la sociedad local, pero también suscitará en algunos la sospecha de que el venerado personaje no sea más que un impostor. Emitida en cines en programa doble junto a Kapurush (El Cobarde).
Subha O Debatar Gras
Not available.
Komal Gandhar
Shibnath
Through the microcosmic perspectivising of a group of devoted and uncompromising IPTA workers, Ghatak with his signature style touches on varied issues of partition, idealism, corruption, the interdependence of art and life, the scope of art, and class-struggle.
Ajantrik
Bimal is a taxi-driver in a small provincial town. He lives alone, his taxi (an old 1920 Chevrolet jalopy which he named Jagaddal) is his only companion and, although very battered, it is the apple of Bimal's eye.
The Citizen
Ramu
Ramu, eldest son a family of migrants, is a fresh graduate searching for a job like many others in post-partition Calcutta.