Gyanesh Mukherjee

A poor Muslim man's horse.

A gullible man faces strange situations on his quest fo find an elephant in order to keep a promise he made with a little girl.

The film narrates the life of a little boy and his ostracized mother who is isolated from him as she is believed to be a witch in the village she lives in. It is based on a Bengali short story named Baen written by the renowned Indian author Mahasweta Devi.

Gandharva Kumar's arrival disrupts the festival mood of Durga Puja at Ratanlal Babu's house. He captivates the grandchildren of Ratanlal — Babu, Habul, and Tinni — with his magic tricks. Gandharva Kumar then reveals a long-forgotten secret wherein he claims to be heir to the family property of Ratanlal Babu. This creates shock in the entire family and casts a gloom, resulting in dramatic incidents.

Haji and Rupchand are amongst those who oppress the poor sharecroppers of Asmanpur. Eventually, Jagra and Nitai raise their voices against them but are incessantly harassed.

A British administrator with a flair for game hunting develops a friendship with a commoner who is an expert archer in an Indian village. The movie portrays the relationship between the British colonialists, and native villagers who were exploited by Indian landlords in 1920s India. This happens against the backdrop of the awakening of the Indian people against the British rule.

Four men, each peculiar in his own way, embark on a quest to reason with the estranged wife of the protagonist. This film is considered to be Ghatak's autobiographical film.

A young man still to find a place in the sun puts up an innocent bluff to a young girl he chances upon. They meet frequently since then. Bluffs continue to pile up. There is no way out. In a desperate bid the young man tries to break the wealth barrier. His friend, well placed in life, cautions him. He turns a deaf ear. The inevitable happens. The young man grows wiser but pays heavily for it.

Un taxista tiene que afrontar grandes dificultades para vivir de su trabajo en las zonas rurales de Bengala.

Through the microcosmic perspectivising of a group of devoted and uncompromising IPTA workers, Ghatak with his signature style touches on varied issues of partition, idealism, corruption, the interdependence of art and life, the scope of art, and class-struggle.

Nita es una bonita joven que vive con su familia, refugiados del este de Pakistán, en los suburbios de Calcuta. Shankar, su hermano mayor, aspira ser cantante. Nita aplaza su matrimonio con el científico Sanat para ayudar a su familia, que necesita dinero para pagar los estudios de los hermanos más jóvenes. Cuando su padre y su hermano menor sufren un accidente, ella se convierte en el único sostén de la familia, pero la enfermedad que padece no deja de empeorar.

The tragic story set in the late 1930s, just before famine struck Bengal. It tells of the marriage of a dumpy middle-aged salesman of small goods to a beautiful teenager, and how, after initial days of happiness together, a series of misfortunes strike which slowly embitter the man.

Kanchan, all of eight years old, is always up to pranks and mischief in his village home. He finds his father a cruel demon who keeps his mother oppressed and imprisoned. In his dreams, the big city is El Dorado, until he reaches there.

Bimal is a taxi-driver in a small provincial town. He lives alone, his taxi (an old 1920 Chevrolet jalopy which he named Jagaddal) is his only companion and, although very battered, it is the apple of Bimal's eye.