Hélio Silva

In the darkness of a rural night, a gypsy clan gathers to mourn their beloved patriarch's in a ritual celebrated through music and dance.

Argentina, as hosts in 1978, were under great pressure to succeed. Amidst passionate supporters, they progressed to the finals with a wonderful blend of attacking football and tough defending. The unlucky Dutch, now lacking Cruyffs' sublime skills, were the fall guys once again in the Final, losing 3-1 in a classic clash of styles. This 1991 reedited version omits controversial interviews from the 1978 original "Copa 78 - O Poder do Futebol", while also including additional television footage of the tournament and newly dubbed English narration instead of the original Spanish.

With death getting near, a retired officer remembers the most important passages in his life and his participation in historical events in Brazil, such as the Lieutenants' Movement, and the 1964 coup.

Greg Wonder y Elliot Vance no tienen nada en común. Los dos viven muy lejos el uno del otro, pero a los dos les ofrecen al mismo tiempo, un trabajo secreto y muy bien pagado por una anónima organización. En la reunión, el jefe de la agencia, que se dedica a buscar ”dobles”, les ofrece un millón de dólares a cada uno por suplantar a dos hombres muy influyentes que por razones de seguridad necesitan ser sustituidos por unos días.

Glorinha, a middle-class 15 year old girl, always thought her mother Judite had killed herself, and that her father Gilberto has gone crazy as result. Her friend Nair takes her to a high-class bordello, where she wants to work. When uncle Raul, who raised her, discovers her prostitution, he decides to finally tell her all the truth about her parents' story.

The youngest daughter of a rich man has been raped by five black men in the slums of Rio de Janeiro, and her father arranges her marriage to one of his employees in order to save the family’s honor.

Follows the decadence of an incestuous oligarch family in a rural Brazilian household through the years during the early 20th century.

Documentary about the Football World Cup held in Argentina in 1978, focusing on the competition and behind the scenes of the most important soccer competition in the world. Two versions of the 1978 official film exist, the first "Copa 78 - O Poder do Futebol" was made by Brazilian directors Maurício Sherman and Victor di Mello in 1979 but was later withdrawn by FIFA because of its controversial content. The film includes an interview with Rodolfo Galimberti, one of the leaders of the Montoneros guerrilla group and also made accusations that the Argentinian competition organisation committee had deliberately hindered Brazilian chances of success by tampering with the pitch at Mar del Plata.

In the early seventies in Rio de Janeiro, detective Mariel Moryscötte de Mattos belonged to a special police force called "The Golden Men". This powerful group of the elite of the police was created with the intention of eliminate crime from Rio de Janeiro, and they had privileges above law to expedite their action against the outlaws. However, absolute power in wrong hands corrupts, and this group formed the "Death Squad", executing criminals without the conventional trial from the justice.

When a prominent U.S. Nobel Laureate arrives in Salvador, Bahia, the city with the largest black population in Brazil, he stirs emotions by championing a long-forgotten local writer named Pedro Archanjo, who believed that humanity would be improved only through miscegenation.

Man leaves his family behind and moves to Nova Iguaçu, a poor and violent city in the outskirts of Rio de Janeiro. He tries to rebuild his life, but falls in love with a woman who despises him, which drives him mad.

A professor faces a double of himself and hires a detective to find out who that is and what are his real intentions.

A newlywed woman, frustrated after her honeymoon, decides to search for lovers on the streets and ends up causing a conflict between her husband, a baker and a black artist.

An ubiquitous folk singer narrates the tale of a young boy, who apparently becomes immune to gunfire after his mother arranges for him to have an amulet bearing Ogum's blessings. As time goes by, he becomes a valuable member of a mobster's hit-team, but ends up joining a group of people who resist his original employers.

In Minas Gerais, the powerful "colonel" Alexandrão gets married with the young and virgin Cristina and promotes a huge wedding party in his farm. He eats and drinks a lot along the day, and in his "first night" with the bride, he dies before consummating his marriage. The marital status of Cristina becomes very unusual, being a virgin widow. Her doctor advises her to travel to Rio de Janeiro to rest, and she moves with her aunt to an inherited apartment in Leme. Once in Rio de Janeiro, the rascal Constantino, who is aware of her wealth, courts her and borrows money, clothes and a Mercedes Benz from his friends, pretending he is businessman man. His friends release "stocks" in a parallel stock market, based and supported in the expectation of the possible marriage of Constantino with Cristina. However, the ghost of Coronel Alexandrão appears for her whenever she intends to have sex with Constantino.

A poor and beautiful young woman living in the backwoods of the State of Minas Gerais, Brazil is protected by a peasant.

The unfaithful wife Malena travels to Cabo Frio with the hustler Betinho, her virgin and naive daughter Soninha and her lesbian friend Nanan to spend the weekend. Nanan tries to seduce Soninha and Betinho decides to rape the girl.

Man raised in a brothel tries to earn his living as a pimp, but gets in trouble when his girlfriend cheats him with an older man.

Poor boy treats a sweet lemon tree as his only friend, talking to it, and learning important values in the process. But one day the tree must be cut.

Two outcasts fight over a pair of shoes in a run-down boarding-house room.

A decadent hooker, her pimp and the bordello's gay cleaner fight over the gigolo's missing money, with the utmost mental cruelty.

Hit man does his part in a deal, but doesn't get the money he was promised. For the treason, he decides to eliminate them all.

A man gets locked naked outside of his apartment.

University student who works in a bank experiences a personal crisis: he is torn between his ambitions and the temptation to engage in the armed movement against the military dictatorship of the time, in Brazil. At the same time, his love life is also confusing: he is unable to choose between two girls: an apolitical rich one, whose main interest is her own sexual liberation; and a working girl with family problems.

Employees on a local supermarket plot an epic heist for robbing the place's vault, but things start to go wrong when they notice a police detective on their heels.

A shockingly irreverent follow-up to the rural austerity of Barren Lives, dos Santos’ Godardian social satire owes more than a nod to the self-conscious antics of the French New Wave. The pampered son of a general, El Justicero is a hipster playboy who fancies himself a James Bond/Jean Paul Sartre urban hero. “Archetypical” yet “full of contradictions,” he sees that justice is achieved for the disadvantaged while taking advantage of certain bourgeois perks. His exploits are closely followed and eventually directed by his biographer who decides a film is not only more lucrative than a book, but it gives him the luxury of reviewing previous scenes. Unlike Bond, El Jus eventually experiences an awakening which threatens to compromise the entertainment value and glamour of his life story. - Harvard Film Archive

An existentialist drama that narrates one night in the life of a couple formed by an architect and university professor who has just left his job and a modern married woman, interested in a casual love affair.

A reconstitution of the life and work of Alberto Santos Dumont, the father of aviation. The film makes use of rare recordings of his voice and quotes from his memoir.

Chronicle of life in a typical Colombian village where residents and visitors alike are induced by the soporific climate to lead lives of indolence. Not even the sight of cadavers floating in the river can shock them.

Augusto Matraga is a violent agressive farmer who, after being betrayed by his wife and trapped by several enemies, is bitten up and left for dead, being rescued by a couple of humble small farmers who nurse him for a long time until he is well again. Influenced by the couple, Matraga starts a long penitent life while waiting for his hour and chance to payback, starting a fight between his violent nature, his hidden desire of vengeance and the mysticism and goodness which is also part of him.

The psychology and life of Brazilian hitmen, common in the Northeast part of the country. In this particular case, the story revolves around a young and idealistic politician from Salvador, whom the enemies are eager to eliminate.

Despite being promised to another man, a young orphaned woman falls in love with man working at the farm she lives in , and together they escape. According tradition in Northeast Brazil, her aunt goes after them, in order to kill them for revenge.

Made in the famous "Água de Meninos" market, the greatest popular market in Salvador, Bahia, Brazil. Salvador is revealed without prejudices, from the world of high finance up to the sordid environment of exotic cabarets.

A psychopathic rapist is contained by two young farmers, one of whom is involved with the police and, while he protects a threatened young girl, finds the 'redemption'.

On the day of his wedding, young man from a family of immigrants faces some problems to get the money needed for the last arrangements. The family do what they can in order to honour the great event, selling personal belongings and buying enough supplies for a decent party.

A talented songwriter of sambas is forced to face the social injustices of the city around him.

Banned by Brazil’s Federal Department of Public Safety, Rio, 40 Graus is a landmark film that ushered in the wave of Cinema Novo in Brazil. The film chronicles a day in the life of five peanut vendors from Rio de Janeiro's favelas. This was one of the first Brazilian films to address the issues of race, poverty, and class.