Benjamim (Selton Mello) y Valdemar (Paulo José) forman la fabulosa pareja de payasos Pangaré y Puro Sangue. Benjamim es un payaso sin identidad, CPF ni comprobante de residencia. Vive en las carreteras en compañia del divertido grupo del circo Esperanza. Pero Benjamim cree que perdio la gracia y parte en una aventura detras de un sueño. (FILMAFFINITY)
Una mirada atrás a la edad dorada, a las "épocas felices". Paulo fija su primer recuerdo en los festejos en las calles brasileras por el fin de la Segunda Guerra Mundial de la mano de sus padres. Desde ahí recorreremos los años cincuenta, y los personajes típicos de la sociedad brasilera de aquella época; la relación con su mejor amigo y con sus padres y abuelo. Una visita a un cabaret y el encuentro sorpresivo con su padre cambiará la historia de las relaciones de una manera fascinante.
Between February an May of 1970, Julio Bresane and Rogerio Sganzerla made 7 films for their company Belair that were forbidden by the Brazilian censorship that reveal today images of an unique freedom.
An evening in an old time dance hall in Sao Paulo introduces us to local characters who reminisce about the past, wonder about the future, have fun, flirt, fight and, of course, dance. Its earthy humour and eternal themes of ageing, loneliness and desire is an antidote to grumpy old men and women everywhere.
Middle-class family reform their apartment, and the noise, the contact with the workers and strange occurrences turn what was supposed to be a trivial matter into a trip to hell.
Man tries to decipher a manuscript about an ancient civilization and gets involved in strange situations. In fact, the plot is just an excuse to tackle the subjects of mysticism and human condition.
Spider, a banker, lives with three women. This tycoon is a caricature of Brazil's bourgeoisie, his trajectory is the starting point for an essay on the mental underdevelopment of Brazilian elites, in which black humor sets the tone for sharp criticism.
