Arrigo Barnabé

A feature documentary on the life of Alzira Espíndola and her impact and influence on different generations of Brazilian music. From her origins on Mato Grosso do Sul to her breakthrough as a instrumentist and composer in São Paulo, the movie explores her life, work and ventures with partners such as Itamar Assumpção, Ney Matogrosso and her sister Tetê Espíndola with irreverence and erudition.

Maya is accompanied by Glória, her best friend, who promises that she will always be with her, into a clandestine appointment. Both trans women, Maya wants silicone, but a timely intervention leads her to change her mind. When they leave, it’s Christmas night and it’s pouring rain. They take refuge in a bar, owned by a Nigerian refugee named Kakule. Bia also takes refuge there, fed up with constant fights with her boyfriend. And so their paths cross.

Maya is accompanied by Glória, her best friend, who promises that she will always be with her, into a clandestine appointment. Both trans women, Maya wants silicone, but a timely intervention leads her to change her mind. When they leave, it’s Christmas night and it’s pouring rain. They take refuge in a bar, owned by a Nigerian refugee named Kakule. Bia also takes refuge there, fed up with constant fights with her boyfriend. And so their paths cross.

Alice is forced to move alone to a small town, where she meets a new group of friends. While breaking into an amusement park to rescue one of her classmates, Alice discovers secrets about her identity and must make choices.

A documentary about the creative process of Arrigo Barnabé

A film like a monument: Luz nos Trópicos is a tribute to the rich greens of the Amazon and the forests of New England in winter, celebrating the indigenous peoples of continental America and flowing as a film as freely as a winding river.

The art of Arrigo Barnabé, one of the pillars of the São Paulo experimental music scene during the 80's and author of critically acclaimed albums such as "Clara Crocodilo" (1980) and "Tubarões Voadores" (1984).

São Paulo, 1984. Agostinho, an old and tired Physics professor, is married to Januária, a retired school principal. In his classes, he begins to feel attracted to one of his students, Márcia, an HIV positive teenager. Quickly, the attraction of the two turns into an impossible love.

Private eye Peixoto tries to hunt down hunk Sebastian and gets more involved in the case than he expected. Brazilian musical comedy inspired by the Film Noir genre and re-interpreting the old sambas of famous composer Lupicinio Rodrigues into a gay universe.

In a concert recorded at Estúdio 24P in 2016, Rogério Skylab celebrates 25 years of musical career performing songs from his Carnaval Trilogy series of albums. Featuring guest musicians Arrigo Barnabé, Fausto Fawcett and Tavinho Paes.

During one night, a woman walks through Rio de Janeiro, and hears the music around: jazz, rock, eletronica...

On set, in the middle of the Atlantic Forest, a stressed film director begins another day of filming, reproducing the celebration of the first mass in Brazil. Suddenly three strange agents emerge from the forest and abruptly interrupt the scene. Authoritarians, they confiscate the filmed negatives. The paranoid director grumbles: "Are they from the government?". The execution of the film is compromised. Will the director in trouble be able to complete his film?

A documentary on prolific underground Brazilian filmmaker Rogério Sganzerla.

Jorge, bastard child of the infamous Red Light Bandit, decides himself to pursuit a life of crime after meeting with his father, who has been incarcerated for the last 30 years.

This film documents in depth the life and artistic trajectory of the musician and poet Itamar Assumpção. He was one of the pillars of a moment of Brazilian popular music that was conventionally called "Vanguarda Paulista". Starting from extensive research which resulted in more than 250h of images and a dive into the personal universe of this incredible artist, Itamar comes up with a poetic, intuitive plot where facts and testimonies speak louder than preconceived ideas.

In "The Impassive Muse", Adrine is of Armenian descent and has OCD (Obsessive-Compulsive Disorder). Edivaldo is from Pernambuco and suffers from immobilizing absence seizures which make him stand as still as a statue. Adrine is married to Adilson, a brutalized man who do not bear to be touched by the woman. Edivaldo wants to marry Gladis, unlikely aspirant to the fashion world. Adrine don't want to be noticed. Edivaldo need to 'be somedbody' to win back his bride. One morning, the lives of Edivaldo and Adrine cross because of ripe orange. Among historical monuments, sculptures, people of different backgrounds and dreams, Edivaldo and Adrine share a journey of recognition and acceptance without imagining that what they live, in fact is the oldest and necessary of the stories: a love story.

A marginal version of Brecht’s piece, “Baal”.

The story of Orisbela, a young and religious woman who comes from Portugal to Brazil to marry Francisco de Albuquerque, a rude sugar-cane plantation owner, in 1570.

A detective is hired by a mysterious woman to find her missing husband, a master of disguises, and important industry executive.

"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."

A sensationalist report is a parallel between a popular and a character in his process of transformation. "Thanks to Coffin Joe, Nayara is now on the left, over your heart, this body does not belong to you."

Xavier, a pharmacist, lives peacefully in bigamy with his two women, Carmen and Beatriz, but the harmony breaks down when they find he has another lover, Monique, a nightclub dancer.

Many exotic characters meet in São Paulo night, looking for love and adventure: Malu, a model; Mauro, the drag queen; Teddy, the hustler; Guto, the gay reporter; and Marta, an actress.

Young girl spends her adolescence in an institution for minors, developing some masculine traits in her personality. In this hostile environment, she can only find some sympathy in a teacher. After leaving the place, she falls in love with a divorced woman in her work, mother of a young boy, which aggravates her inner conflicts.

Orson Welles goes to Brazil to shoot his documentary It's All True.

After seven years in jail, Anjo meets up with his former accomplice, now head of a criminal organization. The former detainee finds himself embroiled with an underworld star, Shirley Sombra, and finds enmity with a corrupt police officer.

After seven years in jail, Anjo meets up with his former accomplice, now head of a criminal organization. The former detainee finds himself embroiled with an underworld star, Shirley Sombra, and finds enmity with a corrupt police officer.

After seven years in jail, Anjo meets up with his former accomplice, now head of a criminal organization. The former detainee finds himself embroiled with an underworld star, Shirley Sombra, and finds enmity with a corrupt police officer.

After seven years in jail, Anjo meets up with his former accomplice, now head of a criminal organization. The former detainee finds himself embroiled with an underworld star, Shirley Sombra, and finds enmity with a corrupt police officer.

Tropicália was a Brazilian cultural movement that occurred between 1967 and 1968, inspired by Oswald de Andrade's anthropophagic ideals, pop art and the concretism. Twenty years later, this film revisits the movement and shows that Tropicalismo will never die.

Innocent girl starts working as a secretary in an office. Soon she finds out a hole in the wall through which she can see the action in the next apartment, where a prostitute meets her bizarre clients.

Transposition of Arrigo Barnabé's song "Clara Crocodilo" to film, with cartoon visuals. Clara Crocodilo is considered to be the public enemy #1, and he's waiting his execution at a state penitentiary. Meanwhile, the Radio Interferência eloquently narrates his story. Some strange characters come forth and even some voodoo rituals are performed to help the anti-hero. He manages to escape and disappears in the dark alleys of the city.

Transposition of Arrigo Barnabé's song "Clara Crocodilo" to film, with cartoon visuals. Clara Crocodilo is considered to be the public enemy #1, and he's waiting his execution at a state penitentiary. Meanwhile, the Radio Interferência eloquently narrates his story. Some strange characters come forth and even some voodoo rituals are performed to help the anti-hero. He manages to escape and disappears in the dark alleys of the city.

A "queixada" is a small animal that when it feels threatened unites to face the enemy. This nickname was given to the workers of Perus cement company, located in São Paulo in the neighborhood of the same name, when, in 1962, they organized a strike for wage arrears and lack of working conditions. The documentary is a dramatized reconstruction made 16 years later by the workers. (1978 - SP)