S. S. Rajendran

Satya (Silambarasan) is the son of a police constable. He gets into fights and ends up in jail where his own father gets him out on bail. While he is returning home from a party drunk, a group of college students beat him up. That is when Suchitra (Rakshitha) comes and takes him to the hospital and gives blood. She is the daughter of a police commissioner. Later, Satya falls in love with Suchitra. That leads to several problems which are faced bravely by Satya in the later part of the film. Finally, all goes well, and Satya also receives the letter confirming his selection for IPS.

Rishi, a thief, happens to own a floppy incriminating a minister of murder. Things turn chaotic when his lookalike Velu is targeted by the minister for the footage.

A crime thriller about team heading out for treasure hunt in a fictitious Island. Loosely based on Baywatch TV Series.

Shankar is a lawyer and a man with a heart of gold. One of his clients entrusts huge amount of money to him, which gets stolen before he deposits it in the court. When his attempts to borrow money fails, accidentally a boxful of money and jewels reach his home. He rejoices and replaces his client's money with this against his wife Vijaya's will, but he tells her that there is no other alternative. Everything seems to be going hunky-dory until Manikam, a taxi driver, starts blackmailing him. Shankar's daughter Raji is upset that her father is harassed. She tries to seek the help of police. The owner of the box found to be father-in-law of Shankar's brother. Vijaya confesses about the box to him without Shankar's knowledge. When Shankar finds out about this, he thinks everything is finished. The police arrest him for killing Manikam. Worse still, Shankar's daughter Raji, who is the sole witness to the murder, becomes speechless due to shock. Rest of story is solving mystery.

Pazhani is a 1965 Indian Tamil-language drama film directed and Screenplay by A. Bhimsingh and produced by A. P. Chinnappan. The film dialogue were written by M. S. Solaimani and story written by G. V. Iyer respectively. . The film features Sivaji Ganesan played titular role with other prominent actors S. S. Rajendran, R. Muthuraman, T. S. Balaiah and M. R. Radha in lead with Devika, Nagesh, Pushpalatha and C. Lakshmi Rajyam played pivotal role. The film had musical score by Viswanathan–Ramamoorthy and was released on 14 January 1965.

After her husband’s death, a woman struggles to raise her only son. Later, he becomes a famous surgeon and gets married to a wealthy girl but misunderstandings drive them apart.

After losing his entire wealth to a courtesan, Kovalan returns to his wife, Kannagi. She offers him her last piece of jewellery to help him but he is falsely accused of theft and beheaded by the king.

Raghu befriends Ravi, a homeless man, and provides him with shelter and a job. However, when Ravi sees the photograph of the girl Raghu decides to marry, he asks him to stay away from her.

Pachai Vilakku (English: Green Lantern) is a 1964 Indian Tamil film, directed by A. Bhim Singh and produced by Rama. Arangannal, A. R. Hassan Khan and T. S. Aadhi Narayanan. The film stars Sivaji Ganesan, C. R. Vijayakumari, S. S. Rajendran and S. V. Ranga Rao in lead roles. The film had musical score by Viswanathan–Ramamoorthy.

Sundaram returns from America and witnesses his father committing a murder. He takes the blame on himself and goes absconding in order to save his father.

The plot revolves around the dark complexioned and uneducated girl and how she convinces everyone that more than appearance and education, it is the character which is important for a woman.

Thanigachalam manages to save Meena from committing suicide. Meena reminds him of his late daughter Uma. Later, Meena tries her best to console Saker who is mourning Uma's death.

Aalayamani is a tale of possessiveness and distrust towards one's partner and the eventual redemption by sacrifice. The story is an essential interplay of feelings and the shadows cast upon by darker feelings of one person and the effect it produces on himself and in his immediate circle of friends and family.

Saradha, a wealthy woman, marries an ordinary professor against the wishes of her father. Her dream of leading a happily married life is shattered when her husband meets with an accident.

Kumaran, who is married to Kumudha, takes the blame for a murder he did not commit. Convinced of his innocence, his former lover sets out to unearth the truth, which involves Kumaran's brother-in-law.

Madhavan marries Thangam. He takes care of Thangam’s mother and brother along with his younger brother. Meanwhile, Madhavan gives shelter to his father’s mistress and her daughter. The evil ladies allege Thangam for loose morals. The rest of the story is how they come into good terms.

After Kattabomman's execution at Kayattar, his brother, Oomadurai, becomes the ruler of the town Sivaganga. Seeing this as an opportunity, the British attack and invade the town with a powerful army.

Vasanthan (S. S. Rajendran) goes to America for higher studies. During his absence, his widowed mother Karpagam (C. T. Rajakantham) manages their glass factory at Salem with help of manager Balu (T. K. Ramachandran), who has a relationship with Vasanthan's niece Kokilam (M. N. Rajam). Since Vasnthan's mother does not understand the factory's working and management, Balu brings everything under his control and swindles the company by various means.

Kula Deivam was based on a Bengali film Banga Kora by noted writer Prabhavathi Devi Saraswathi

Mohanasundaram, a philanderer and drunkard, gets married to Chandra after he returns to India. Though he has a wife, he develops a relationship with Kantha, a prostitute.

Panam (English: Money) is a 1952 Indian Tamil-language film, directed by N. S. Krishnan. The film stars Sivaji Ganesan, Padmini, N. S. Krishnan and T. A. Mathuram in lead roles. The film had musical score by Viswanathan–Ramamoorthy

Gunasekaran leaves Burma in the midst of World War II in order to return to India and attend his sister's wedding. However, tragedy befalls the family and they must find their place in a new Madras.