Andrea Jonasson
Nacimiento : 1942-06-29, Freiburg im Breisgau, Germany
Historia
Andrea Jonasson, born Stumpf, is a German stage and screen actress.
Self
An eulogy to Giorgio Strehler, the first real director in the italian theatre. He was a master, knowing all aspects of the show, from the set techniques up to narrative influences. The documentary tells the personal life and the artistic career: it starts from that Christmas day in 1997, when the news broadcasts opened with the news of Strehler's death, to summarize the story of the Piccolo Teatro, the first municipal theatre in Italy.
Vivi Ferrari
Madame Marie Larousse
Richard, un joven y apuesto empresario americano, viaja a Singapur por un asunto de negocios. Allí se enamora locamente de Mei Ling. El problema es que él está casado, y su amante está prometida con un hombre al que no conoce ni ama. Cuando Mei Ling descubre que está embarazada de Richard, abandona su hogar para salvar el honor de su familia. (FILMAFFINITY)
Christel
Estefanía y Tomás se aman, se casan y tienen un hijo. El matrimonio vive constantemente rodeado de amigos y familiares siempre dispuestos a ayudarles y darles consejo. Pero esta situación hace que la pareja carezca de vida privada y surjan problemas que ponen a prueba su amor.
Lotte Mulisch
A crime comedy directed by Peter Weck. The movie follows "Geliebte Gegner" (1998).
Narrator
Is this what paradise looks like? The Todas tribe in the southern Indian Nilgiri Mountains know neither war nor work nor calendar. The 1000 members feed on the gifts of the jungle, and women maintain the tradition of polygamy.
Eva Lang
Marxi Ardel
In Paris, Maxi Ardel, in her elegant forties, successfully and firmly runs a haute couture house bearing her name. In Florence, she is about to take over a textile company that belonged to an old Italian aristocratic family, the di Falco. She has, indeed, a revenge to take on them. Count Massimo di Falco had stolen her child twenty years earlier. Driven by a desire for revenge, Maxi wants to destroy this family at all costs, but she has to count on Countess Bianca, who is ready to defend herself from her former rival. From then on, the two women fight without mercy.
Rahel Efrussi
Ulrich Muhe interpreta a un hombre de negocios alemán que ha nacido completamente sin escrúpulos. Esto le hace un candidato perfecto para tener éxito en los caóticos años posteriores a la I Guerra Mundial. Su historia es totalmente distinta a la de su polo opuesto, un anarquista judío.
Sarah Radford
Willies Frau
Beleaguered by choppy editing and potholes in the script, this story is about the bond that develops between an aging, former railroad worker living in an abandoned theater and Willie, the wayward, alcoholic architect he shelters (Elliot Gould). The flaws in the script and story development, and the architect's exaggerated character traits, work against the concept of a growing friendship between the two men and leave the main thrust of the film in limbo. A subplot has a gang of street thugs chasing Willie all over the city in order to retrieve some photos of a murder he accidentally recorded. At the same time, Willie is trying to reconcile with his son, left in the care of his neglected wife. ...
Daniela
Jennifer Dubedat
Laura
Paul y Sybil viven en Berlín. Cuando él vuelve de un viaje no encuentra a Sybill por ninguna parte, y sólo por un mensaje en el contestador averigua que ella ha sido citada en Viena. Un cadáver complica las cosas.
Brigitte
Helene von Dönniges
Anna Petrowna
Tamara Bunke
Anna G. Dostojewskaja
Pamela Barlow
Lavinia Mannon
Phaetusa
Blanca
Valentine
Nadenka Kalinin
Hilde Wangel
Clara
Dos amigos de la infancia de distinto origen social reflexionan sobre su niñez durante la Segunda Guerra Mundial (1939-1945) y comparten una desconfianza común por la generación anterior y sus tradicionales expectativas. (FILMAFFINITY)
Antigone
Bona, seine Schwester
Marfa
Wassa Schelesnowa, a manipulative matriarch who will stop at nothing to keep her business afloat and her family together. Infanticide, forgery, murder, blackmail, adultery, exile, and plain old-fashioned greed are the order of the day as Wassa's colorful clan tries to scheme its way out of the house and into financial independence.