Rustam Khamdamov

Based on Ryunosuke Akutagawa's In a Grove, story takes place during the times of Tsar Alexander II. A lady-in-waiting tells the Emperor in his bedroom a metaphysical story about a 13th century prince who is killed in the woods under mysterious circumstances. Fairy tale characters who have witnessed the terrible death, all share their version of the events, gradually shedding light on what really happened.

Based on Ryunosuke Akutagawa's In a Grove, story takes place during the times of Tsar Alexander II. A lady-in-waiting tells the Emperor in his bedroom a metaphysical story about a 13th century prince who is killed in the woods under mysterious circumstances. Fairy tale characters who have witnessed the terrible death, all share their version of the events, gradually shedding light on what really happened.

Based on Ryunosuke Akutagawa's In a Grove, story takes place during the times of Tsar Alexander II. A lady-in-waiting tells the Emperor in his bedroom a metaphysical story about a 13th century prince who is killed in the woods under mysterious circumstances. Fairy tale characters who have witnessed the terrible death, all share their version of the events, gradually shedding light on what really happened.

Corren los años 20 en Viena. María, una niña a de 9 años vive en una casa repleta de objetos encantadores y soledad. Molestada por su irritante hermano Max y desatendida por sus bien intencionados pero distraídos padres, añora la compañía y la aventura. La víspera de Navidad su querido tío Albert llega con el regalo de un muñeco de madera cascanueces. Más tarde esa noche, la imaginación de Mary vuelve el muñeco a la vida. Presentándose como NC lleva a Mary a un viaje maravilloso a través de una increíble dimensión donde los juguetes asumen forma humana y donde todo es diez veces más grande.

This is a poetic film set in the times of Lenin's NEP. A ballet dancer steals a brooch and gives it as a present to another dancer. This is a crime of passion. A mysterious black ball is after the heroine. She runs away from it and manages to give the brooch in an exquisite pirouette movement, as shiny as diamond facets. What gives a stone its dazzling luster are its polished facets. But the real gem is love, and it's much harder to get than any diamond in the world.

This is a poetic film set in the times of Lenin's NEP. A ballet dancer steals a brooch and gives it as a present to another dancer. This is a crime of passion. A mysterious black ball is after the heroine. She runs away from it and manages to give the brooch in an exquisite pirouette movement, as shiny as diamond facets. What gives a stone its dazzling luster are its polished facets. But the real gem is love, and it's much harder to get than any diamond in the world.

Vocal Parallels is a surreal, impressionistic concert of classical opera pieces performed by several retired Soviet opera divas: Roza Dzhamanova, Araksiia Davtian, Bibigul’ Tulegenova, and the late Erik Salim-Meriuert (Kurmangaliev), a fantastic countertenor.

Vocal Parallels is a surreal, impressionistic concert of classical opera pieces performed by several retired Soviet opera divas: Roza Dzhamanova, Araksiia Davtian, Bibigul’ Tulegenova, and the late Erik Salim-Meriuert (Kurmangaliev), a fantastic countertenor.

Vocal Parallels is a surreal, impressionistic concert of classical opera pieces performed by several retired Soviet opera divas: Roza Dzhamanova, Araksiia Davtian, Bibigul’ Tulegenova, and the late Erik Salim-Meriuert (Kurmangaliev), a fantastic countertenor.

Vocal Parallels is a surreal, impressionistic concert of classical opera pieces performed by several retired Soviet opera divas: Roza Dzhamanova, Araksiia Davtian, Bibigul’ Tulegenova, and the late Erik Salim-Meriuert (Kurmangaliev), a fantastic countertenor.

Vocal Parallels is a surreal, impressionistic concert of classical opera pieces performed by several retired Soviet opera divas: Roza Dzhamanova, Araksiia Davtian, Bibigul’ Tulegenova, and the late Erik Salim-Meriuert (Kurmangaliev), a fantastic countertenor.

This film is of interest primarily because it contains within it the entire surviving footage of an unfinished 1974 film by the same director, Slave of Love, which was successfully remade shortly thereafter by another director, Nikita Mikhalkov.The "cover" story is about a woman (Jeanne Moreau) newly released from prison camps in the 1940s back into Russian society, who finds that there is no place for her in the world she has come back to. However, this painterly film is so filled with striking and surreal imagery that it would be misleading to say that the story is of any great importance in relation to that.

This film is of interest primarily because it contains within it the entire surviving footage of an unfinished 1974 film by the same director, Slave of Love, which was successfully remade shortly thereafter by another director, Nikita Mikhalkov.The "cover" story is about a woman (Jeanne Moreau) newly released from prison camps in the 1940s back into Russian society, who finds that there is no place for her in the world she has come back to. However, this painterly film is so filled with striking and surreal imagery that it would be misleading to say that the story is of any great importance in relation to that.

Despite the restoration of Soviet power in the area, Basmachis continue to arrive from across the border, bringing death and destruction to peaceful villages. One of the bands of rebels is led by Khairulla who is pitted against the militsiya (local militia) leader Maxumov. At first it seems hopeless for Maxumov as the rebels capture most of his men, winning them over to his side. He has only one strategy left; to give himself up, and try to explain to the people that Khairulla has deceived them, turning the soldiers back to revolution. Later in pursuit of his enemy, he chases Khairulla across a river. He has only one bullet left -- the seventh, and he must not miss his target!

Unfinished and lost film directed by Rustam Khamdamov, shot in 1972-1974.

Unfinished and lost film directed by Rustam Khamdamov, shot in 1972-1974.

A screen adaptation of the novel of the same name by Russian writer Ivan Turgenev. The film portrays the life of Russian landed gentry in the 1840s. After a long travel in Europe, nobleman Lavretsky returns back home. Everything in his estate is so familiar and dear to his heart. On his first visit to his neighbors, the Kalitins, he meets Lisa. He forgets his wife, left in Paris, forgets all his past. He desires only one thing – to always be with Lisa who is so unlike the women he used to know.

A surreal film done in the style of a silent farce.