Lynn-Maree Milburn

Películas

Mystify: Michael Hutchence
Editor
Un documental sobre el corazón y el alma con problemas de Michael Hutchence, cantante y compositor de INXS.
Mystify: Michael Hutchence
Producer
Un documental sobre el corazón y el alma con problemas de Michael Hutchence, cantante y compositor de INXS.
Finding the Field
Producer
The story of the first comprehensive display of colour field painting and abstract sculpture in Australia, following the efforts of NGV curators as they attempt to re-stage the original show for its 50th anniversary.
Finding the Field
Editor
The story of the first comprehensive display of colour field painting and abstract sculpture in Australia, following the efforts of NGV curators as they attempt to re-stage the original show for its 50th anniversary.
Finding the Field
Director
The story of the first comprehensive display of colour field painting and abstract sculpture in Australia, following the efforts of NGV curators as they attempt to re-stage the original show for its 50th anniversary.
Ecco Homo
Director
Provocateur, artist, performer: Peter Vanessa "Troy" Davies was a chameleon. Using layers of identity at will, Davies charmed his way through a lifetime of secrets and lies, prostitution, art, HIV, abuse, incest and gender subversion, leaving a legacy of unanswered questions, influential performances and reams of enigmatic home video. Ecco Homo is a psychological detective story and a testament to a social history rarely documented on film
In Bob We Trust
Writer
Having faithfully served his South Melbourne parish for nearly four decades, the cantankerous, controversial Catholic provocateur affectionately called Father Bob is well known and loved, as much for his incorrigible media savvy and battles with Church hierarchy as for his staunch advocacy on behalf of the disadvantaged and disenfranchised. In Bob We Trust goes behind the scenes with Bob, documenting his everyday trials during one of the most turbulent times in his career: his forced retirement and eviction from the church he called home for 38 years.
In Bob We Trust
Director
Having faithfully served his South Melbourne parish for nearly four decades, the cantankerous, controversial Catholic provocateur affectionately called Father Bob is well known and loved, as much for his incorrigible media savvy and battles with Church hierarchy as for his staunch advocacy on behalf of the disadvantaged and disenfranchised. In Bob We Trust goes behind the scenes with Bob, documenting his everyday trials during one of the most turbulent times in his career: his forced retirement and eviction from the church he called home for 38 years.
Hail
Executive Producer
Fresh from a Melbourne jail, Dan is reunited with the love of his life, Leanne. A fierce, passionate and tender couple who have learnt to appreciate the simplest pleasures in life, Dan and Leanne celebrate, and when surrounded by friends he announces he has resolved to go straight.
Autoluminescent: Rowland S. Howard
Producer
From myth to legend Rowland Howard appeared on the early Melbourne punk scene like a phantom out of Kafkaesque Prague or Bram Stoker’s Dracula. A beautifully gaunt and gothic aristocrat, the unique distinctive fury of his guitar style shot him directly into the imagination of a generation. He was impeccable, the austerity of his artistry embodied in his finely wrought form, his obscure tastes and his intelligently wry wit. He radiated a searing personal integrity that never seemed to tarnish. Despite the trials and tribulations of his career, in an age of makeover and reinvention, Rowland Howard never ‘sold out’. With recent and moving interviews, archival interviews and other fascinating and original footage, AUTOLUMINESCENT traces the life of Rowland S Howard. Capturing moments with the man himself and intimate missives from those who knew him behind closed doors; words and images etch light into what has always been the mysterious dark.
Autoluminescent: Rowland S. Howard
Editor
From myth to legend Rowland Howard appeared on the early Melbourne punk scene like a phantom out of Kafkaesque Prague or Bram Stoker’s Dracula. A beautifully gaunt and gothic aristocrat, the unique distinctive fury of his guitar style shot him directly into the imagination of a generation. He was impeccable, the austerity of his artistry embodied in his finely wrought form, his obscure tastes and his intelligently wry wit. He radiated a searing personal integrity that never seemed to tarnish. Despite the trials and tribulations of his career, in an age of makeover and reinvention, Rowland Howard never ‘sold out’. With recent and moving interviews, archival interviews and other fascinating and original footage, AUTOLUMINESCENT traces the life of Rowland S Howard. Capturing moments with the man himself and intimate missives from those who knew him behind closed doors; words and images etch light into what has always been the mysterious dark.
Autoluminescent: Rowland S. Howard
Idea
From myth to legend Rowland Howard appeared on the early Melbourne punk scene like a phantom out of Kafkaesque Prague or Bram Stoker’s Dracula. A beautifully gaunt and gothic aristocrat, the unique distinctive fury of his guitar style shot him directly into the imagination of a generation. He was impeccable, the austerity of his artistry embodied in his finely wrought form, his obscure tastes and his intelligently wry wit. He radiated a searing personal integrity that never seemed to tarnish. Despite the trials and tribulations of his career, in an age of makeover and reinvention, Rowland Howard never ‘sold out’. With recent and moving interviews, archival interviews and other fascinating and original footage, AUTOLUMINESCENT traces the life of Rowland S Howard. Capturing moments with the man himself and intimate missives from those who knew him behind closed doors; words and images etch light into what has always been the mysterious dark.
Autoluminescent: Rowland S. Howard
Director
From myth to legend Rowland Howard appeared on the early Melbourne punk scene like a phantom out of Kafkaesque Prague or Bram Stoker’s Dracula. A beautifully gaunt and gothic aristocrat, the unique distinctive fury of his guitar style shot him directly into the imagination of a generation. He was impeccable, the austerity of his artistry embodied in his finely wrought form, his obscure tastes and his intelligently wry wit. He radiated a searing personal integrity that never seemed to tarnish. Despite the trials and tribulations of his career, in an age of makeover and reinvention, Rowland Howard never ‘sold out’. With recent and moving interviews, archival interviews and other fascinating and original footage, AUTOLUMINESCENT traces the life of Rowland S Howard. Capturing moments with the man himself and intimate missives from those who knew him behind closed doors; words and images etch light into what has always been the mysterious dark.
He Died with a Felafel in His Hand
Additional Dialogue
Danny vive en el 47 de una casa compartida. Obsesionado con los dilemas existenciales clásicos masculinos y los iconos que representan, Danny está intentando dar sentido a la extrañeza que produce el compartir su vida con completos extraños. Comenzando en el ambiente tropical de Brisbane, con una sobreabundancia de chicos, y una chica, Sam, Danny decide salvarse escribiendo una novela existencial. La llegada de Anya y un dilema del tipo 'Miami antivicio' relacionado con el alquiler, arroja su vida y, finalmente, la casa en la que vive, a la calle. 'House 48' está en Melbourne. Danny se encuentra ante una pesadilla kafkiana, donde toma el pulso a la ciudad con un par de detectives filosóficos y una colección 'hardcore' de sus seguidores, que en el estado de Victoria, la policía tiene una tendencia a disparar para matar. Escapa a Sydney, a 'House 49', y Danny se encuentra con un estilo de vida hetero-fascista.
Memories And Dreams
Director
An unusual work, MEMORIES AND DREAMS combines documentary and animation styles in a powerful evocation of time and place. The film is the story of one woman's experience from childhood to the early years of adulthood, set against the tide of European history, which eventually carries her from her homeland to Australia. It weaves a poetic narrative from emotions, memories and inner imaginings and was developed from an original idea by producer, Julie Stone and director, Lynn-Maree Milburn. Director of photography, Andrew De Groot, assisted in all areas of post production.
Perros en el Espacio
Costume Design
Melbourne, Australia 1978. El fenómeno punk está barriendo el país y Dogs In Space, un grupo punk, forma parte de él. En una casa ocupada, en un suburbio poco fiable, vive una colección heterogénea de inadaptados sociales y despreocupados que sobreviven con una dieta de viejas películas de televisión, drogas y buena música. Y el satélite SKYLAB podría estrellarse contra su techo en cualquier momento...