Gleb Aleynikov
Nacimiento : 1966-03-12, Grozny, USSR
Historia
Gleb Aleynikov and his brother Igor entered the history of cinema as the creator of "parallel cinema", underground films shot on narrow film, such as "Tractors" (1987), "I'm Cold, so what?" (1987), "Cruel Illness of Men" (1987), "Post-Political Cinema" (1988). The Aleynikov brothers began working in the official cinema system in the late 1980s. Having shot the short film "Someone Was Here" (1989) and the feature film "Tractor Drivers 2" (1992) on the basis of the Mosfilm film studio, they at the same time continued to work in parallel independent cinema ("Ameriga", 1990-97).
Producer
The workers fight for their rights creating independent union. They know that it is the only way to struggle against the owners of the plant.
otherworldly person
Young police detective Faina tries to experiment with herself in order to meet her dead love.
Pavel
The head of the American humanitarian organization has a serious problem. She is "narcotic" dependent on American dollars. The psychoanalyst advises her to leave the States. Hannah arrives in Moscow. And he heads the humanitarian fund. Her foundation imports chicken legs to Russia. When checking another large batch of chicken legs, Hannah discovers that the chicken legs are infected with a dangerous virus. Her Russian counterpart offers her $ 1,000,000 in cash so she can give permission to import chicken legs to Russia. Hannah physiologically cannot refuse such an amount. But she cannot live on, becoming a bribe taker. And then a mental transformation takes place with her...
Vera es una guapa y sexy presentadora de televisión cuya vida no es del todo feliz: casi siempre está triste y arrastra una obsesión por la comida. Es precisamente en un restaurante donde conoce a Timofei, un publicista que se queda prendado de ella, se acuestan esa misma noche y la noche siguiente mientras él conduce sólo por Moscú, por accidente cae encima de su coche un muchacho que estaba subido a una verja. El muchacho, Ulumji, se enamora de Timofei, y Timofei de él.
A science fiction take on the classic folk character Ivan the fool/idiot.
Writer
How to defeat a warrior who has not yet been born, if you have already died? Trendy style, paradoxical language, paranormal phenomena, ancient China, black humor, the Internet, love, kickboxing fights - the real magic of ZENBOXING.
Writer
How to defeat a warrior who has not yet been born, if you have already died? Trendy style, paradoxical language, paranormal phenomena, ancient China, black humor, the Internet, love, kickboxing fights - the real magic of ZENBOXING.
Director
How to defeat a warrior who has not yet been born, if you have already died? Trendy style, paradoxical language, paranormal phenomena, ancient China, black humor, the Internet, love, kickboxing fights - the real magic of ZENBOXING.
Writer
The remake of the original 1939 "Tractor Drivers"... Same heroes, but totally different times.
Director
The remake of the original 1939 "Tractor Drivers"... Same heroes, but totally different times.
Director
A man looks for his friend, but finds himself instead...
A rare Aleynikov brothers film from 1990.
Director
A rare Aleynikov brothers film from 1990.
Director
Under a score of abbreviated drones and freeform woodwinds, the Aleinikov brothers cut together a series of images, found and made, that look unfailingly bleak, industrial or both bleak and industrial: disused factories, clunky utilitarian machinery, strings of unsettlingly young violinists, old-timey group portraits with everyone's eyes scratched out. Interspersed are less overtly sinister but somehow eerier snatches of action, like a circling brood of crude stop-motion mice or a bunch of little wooden people chopping wood and sawing logs, all differently affected by the vagaries time and the physical world foist onto film stock. (Text by Colin Marshall)
Director
Director
Director
Director
The piece presents a series of bizarre tableaux, many involving cinematic voyeurism, blurring of the living-dead borderline and a healthy amount of stabbing, of oneself and of others. A catatonic fellow gets costumed as a ghoul; a literal tree-hugger, ecstatic in his arboreal embrace, gets stabbed; a bespectacled fellow with a Bolex-y camera goes around documenting it all. (Written by Colin Marshall)
Director
I know these were glasnost days, but still, I'm a little surprised filmmakers were out there doing stuff like this. There's nothing overtly anti-communist in this piece, but it ain't what you'd call respectful, 'neither. The brothers Aleinikov lay turgid governmental speeches about "the rearing of a new man" under footage of dudes goofing around in space-alien costumes, they roll footage of apple-cheeked future Stakhanovites upside down and backwards, they crudely animate -- in a certain South Parkian way -- CCCP icons in a goofy manner. Good, clean fun. (written by Colin Marshall)
Director
One of the most impressive symbols of a happy Soviet life, peaceful labour and rich harvest. Being mystified to the highest degree, the film acquires traits of a mystical animal, a human being and just a machine.
Writer
The waste of the toy factory "Ogonyok", clumps of multicolored thermally deformed plastic, turn into a new biological species, then into a new direction of modern art, then into an isolated language of a native tribe discovered by linguists in the jungle, where words must be carried silently with you and shown if necessary, then into heroes of crazy phantasmagoric news.
Director
The waste of the toy factory "Ogonyok", clumps of multicolored thermally deformed plastic, turn into a new biological species, then into a new direction of modern art, then into an isolated language of a native tribe discovered by linguists in the jungle, where words must be carried silently with you and shown if necessary, then into heroes of crazy phantasmagoric news.
Director
Found footage and found sound. Badly solarized training films, documentary fragments, speeches of USSR party leaders and rock 'n' roll form a horrifying picture of media pressure.
