Rax Rinnekangas
Nacimiento : 1954-01-01, Rovaniemi, Finland
Producer
Winter 1975 - author Jeanette Aspen arrives at Lapinlahti Mental Hospital to meet her only child, psychiatrist Karin Aspen, 36 years after sending her daughter to Sweden as herself traveled to Southern Europe, at the start of the Winter War. The encounter triggers a drama between the mother and daughter, who are now total strangers to each other.
Writer
Winter 1975 - author Jeanette Aspen arrives at Lapinlahti Mental Hospital to meet her only child, psychiatrist Karin Aspen, 36 years after sending her daughter to Sweden as herself traveled to Southern Europe, at the start of the Winter War. The encounter triggers a drama between the mother and daughter, who are now total strangers to each other.
Director
Winter 1975 - author Jeanette Aspen arrives at Lapinlahti Mental Hospital to meet her only child, psychiatrist Karin Aspen, 36 years after sending her daughter to Sweden as herself traveled to Southern Europe, at the start of the Winter War. The encounter triggers a drama between the mother and daughter, who are now total strangers to each other.
Writer
An intelligent thriller about how women claim their freedom in a cemetery named Sad Hill, known as the final scene of Sergio Leone’s iconic spaghetti western film The Good, The Bad and The Ugly (1966). Four artists are finishing a workshop in a palace in Northern Spain as they recall a strange incident that happened to two long-time married couples who got lost nearby years before. After a dream-like walk in the mountains, the couples, strangers to each other, arrived in a mythic burial place called Sad Hill, where they had to face the naked facts of their hollow marriages in a totally new psychological light. The wives started the same walking ballet as did Clint Eastwood, Lee van Cleef and Eli Wallach in Leone’s film. In a few minutes, the lives of the couples would change completely.
Director
An intelligent thriller about how women claim their freedom in a cemetery named Sad Hill, known as the final scene of Sergio Leone’s iconic spaghetti western film The Good, The Bad and The Ugly (1966). Four artists are finishing a workshop in a palace in Northern Spain as they recall a strange incident that happened to two long-time married couples who got lost nearby years before. After a dream-like walk in the mountains, the couples, strangers to each other, arrived in a mythic burial place called Sad Hill, where they had to face the naked facts of their hollow marriages in a totally new psychological light. The wives started the same walking ballet as did Clint Eastwood, Lee van Cleef and Eli Wallach in Leone’s film. In a few minutes, the lives of the couples would change completely.
Producer
The documentary is a true story of four real intellectual Europeans from different cultures who are worried about the decline of literature’s life and the destiny of the street level bookshops in every country. That is why they have a mission to save symbolically “the world's last quality books”.
Director
The documentary is a true story of four real intellectual Europeans from different cultures who are worried about the decline of literature’s life and the destiny of the street level bookshops in every country. That is why they have a mission to save symbolically “the world's last quality books”.
Writer
The documentary is a true story of four real intellectual Europeans from different cultures who are worried about the decline of literature’s life and the destiny of the street level bookshops in every country. That is why they have a mission to save symbolically “the world's last quality books”.
Screenplay
A film about the power and the beauty of architecture and about a middle-aged Nordic architect who, after loosing all in his life, wants once again to be a real architect and begins to create a Dream House for rest of the life, but not only for himself but also for a German woman whom he has met only once in his life, 50 years ago in their childhood.
Director
A film about the power and the beauty of architecture and about a middle-aged Nordic architect who, after loosing all in his life, wants once again to be a real architect and begins to create a Dream House for rest of the life, but not only for himself but also for a German woman whom he has met only once in his life, 50 years ago in their childhood.
Director
Sakari Kirjavainen, surrounded by a cloud of cigar smoke, reminisces about his collaboration and friendship with legendary filmmaker Åke Lindman
Screenplay
Pekka Jalkanen, a Finnish modern music composer, begins to compose his Russian Concerto – a concerto of longing for home – in his childhood’s home, near Russian border. At the same time, his mind makes a trip to Mother Russia and to Balkans to collect materials for his upcoming work. Analysing reasons for economical and cultural chaos in the new united Europe, the composer finally arrives at the tomb of Andrei Tarkovsky, a Russian master of world’s cinema, near Paris, to respect the memory of the auteur who spoke about longing in his films.
Director
Pekka Jalkanen, a Finnish modern music composer, begins to compose his Russian Concerto – a concerto of longing for home – in his childhood’s home, near Russian border. At the same time, his mind makes a trip to Mother Russia and to Balkans to collect materials for his upcoming work. Analysing reasons for economical and cultural chaos in the new united Europe, the composer finally arrives at the tomb of Andrei Tarkovsky, a Russian master of world’s cinema, near Paris, to respect the memory of the auteur who spoke about longing in his films.