Gilles Fournier

Desde la muerte de su esposa, Arthur, un cirujano curioso y peculiar, encierra a su hija Lucille en una mansión extraña. Desesperada, Lucille intenta suicidarse y termina con la cara completamente quemada y vendada. Arthur, con la ayuda de su tía, prepara un extraño injerto de piel para devolverle el rostro a Lucille, una cara que se parece a su amada y fallecida esposa. Para cuidarla, el padre contrata a Joan, una atractiva enfermera con un pasado sombrío. Lucille y Joan comienzan una historia de amor prohibida y apasionada.

The filmmaker searches for his brother Max, who left his children without explanation. The brothers grew up in the Congo with their white father and Congolese mother. He visits their mother, who still lives in Kinshasa, and their father in Lisbon, as well as the extended family in France and Belgium. His search even takes him to Cambodia where Max was spotted. This fiction film is based on, and uses, the filmmaker's own family.

Good Citizen: Betty Baker is a tongue-in-cheek mystery, full of unexpected twists. It features Betty, a civic-minded housewife who inhabits a cartoonish, 2-D, 1950s-inspired world, replete with narrow-minded peril. The story begins when Prince Philip goes missing and Betty finds a clue that leads her on a thrilling chase from her neighbour’s trash, to a strangely exciting all-girls bar, to the local chapter of 100% Women. Accompanied by the musical stylings of Marilyn Lerner, this frolicking satire irreverently unravels right-wing family values.

A Day in the Life of a Bull-Dyke follows a big boned butch into skirmishes, drag, and the arms of a beautiful recruit. The public and private lives of this "strange animal" are explored with the reverence and glee found in the educational exposés like Reefer Madness and bad-boy films like Rebel without a Cause. However, because this fictionalized lesbian history is a first-person narrative, it is filled with all the joy, pain, and ambivalence each of us experiences while negotiating a marginalized identity.