Nan Triveni Achnas

Dewi returns to her village in Yogyakarta after ten years of leaving. A letter and newspaper clipping sent by her mother, make her return to her village: Dee’s mysterious pregnancy, her mentally handicapped sister Dewi finds her parents' home situation has not changed. What has changed is the pregnancy of Dee and the always changing view behind the large window of the house. Dewi then knows Priyanto who is just a year living in the village. They make an unusual love story. Joko, Dewi’s old friend, is jealous. The arrival of Dewi reveals his unfinished past.

Dewi returns to her village in Yogyakarta after ten years of leaving. A letter and newspaper clipping sent by her mother, make her return to her village: Dee’s mysterious pregnancy, her mentally handicapped sister Dewi finds her parents' home situation has not changed. What has changed is the pregnancy of Dee and the always changing view behind the large window of the house. Dewi then knows Priyanto who is just a year living in the village. They make an unusual love story. Joko, Dewi’s old friend, is jealous. The arrival of Dewi reveals his unfinished past.

Khalifah works in a beauty parlor. She marries Rasyid to obey her father and support the family. She becomes a devoted wife and wears the veil on Rasyid’s orders. She soon learns that Rasyid has a strict teaching of Islam, when he later tells Khalifah to wear a full body veil. Khalifah obeys his request, despite her father’s objection. But her neighbors start to perceive her as a terrorist’s wife. Meanwhile, Khalifah’s young neighbor, Yoga, has a secret crush on her. Yoga is the one who sews Khalifah’s veil. One day, Rasyid’s secret life is unraveled and he betrays Khalifah.

Khalifah works in a beauty parlor. She marries Rasyid to obey her father and support the family. She becomes a devoted wife and wears the veil on Rasyid’s orders. She soon learns that Rasyid has a strict teaching of Islam, when he later tells Khalifah to wear a full body veil. Khalifah obeys his request, despite her father’s objection. But her neighbors start to perceive her as a terrorist’s wife. Meanwhile, Khalifah’s young neighbor, Yoga, has a secret crush on her. Yoga is the one who sews Khalifah’s veil. One day, Rasyid’s secret life is unraveled and he betrays Khalifah.

Khalifah works in a beauty parlor. She marries Rasyid to obey her father and support the family. She becomes a devoted wife and wears the veil on Rasyid’s orders. She soon learns that Rasyid has a strict teaching of Islam, when he later tells Khalifah to wear a full body veil. Khalifah obeys his request, despite her father’s objection. But her neighbors start to perceive her as a terrorist’s wife. Meanwhile, Khalifah’s young neighbor, Yoga, has a secret crush on her. Yoga is the one who sews Khalifah’s veil. One day, Rasyid’s secret life is unraveled and he betrays Khalifah.

Huda, Rian, and Syahid are friends living in Islamic boarding school. They lost someone in their family and aspire to different things in their lives.

Sita is an escort at a karaoke bar who struggles to raise money to send her daughter out of the city to live with her grandmother and settle her debts with her pimp. She moves in with aging photographer Jan and helps him fulfill his last wishes.

Sita is an escort at a karaoke bar who struggles to raise money to send her daughter out of the city to live with her grandmother and settle her debts with her pimp. She moves in with aging photographer Jan and helps him fulfill his last wishes.

The rise of women from three eras who are persecuted in marriage life.

Budi and Rosi are assigned by the teacher to raise the flag on Mondays. But when the teacher gives Budi the flag for washing, he falls asleep and forgets that the bucket he is using to soak the flag, is usually used by his neighbour, Bang Ali, to wash his bajaj (motor tricycle). Budi panics when he learns that the flag is missing. He calls Rosie and they look for it around the house. Then Bang Ali returns the bucket, and they rediscover the flag. But when they wash and dry it, the flag goes "missing" again. This takes Budi and Rosi on an "adventure" to find the flag again.

Budi and Rosi are assigned by the teacher to raise the flag on Mondays. But when the teacher gives Budi the flag for washing, he falls asleep and forgets that the bucket he is using to soak the flag, is usually used by his neighbour, Bang Ali, to wash his bajaj (motor tricycle). Budi panics when he learns that the flag is missing. He calls Rosie and they look for it around the house. Then Bang Ali returns the bucket, and they rediscover the flag. But when they wash and dry it, the flag goes "missing" again. This takes Budi and Rosi on an "adventure" to find the flag again.

Budi and Rosi are assigned by the teacher to raise the flag on Mondays. But when the teacher gives Budi the flag for washing, he falls asleep and forgets that the bucket he is using to soak the flag, is usually used by his neighbour, Bang Ali, to wash his bajaj (motor tricycle). Budi panics when he learns that the flag is missing. He calls Rosie and they look for it around the house. Then Bang Ali returns the bucket, and they rediscover the flag. But when they wash and dry it, the flag goes "missing" again. This takes Budi and Rosi on an "adventure" to find the flag again.

Budi and Rosi are assigned by the teacher to raise the flag on Mondays. But when the teacher gives Budi the flag for washing, he falls asleep and forgets that the bucket he is using to soak the flag, is usually used by his neighbour, Bang Ali, to wash his bajaj (motor tricycle). Budi panics when he learns that the flag is missing. He calls Rosie and they look for it around the house. Then Bang Ali returns the bucket, and they rediscover the flag. But when they wash and dry it, the flag goes "missing" again. This takes Budi and Rosi on an "adventure" to find the flag again.

Berlian and her teenage daughter Daya are on the run from political violence. Constantly daydreaming that her absent father will return, young Daya chafes under the stern hand of her mother. Forced to move inland from their seaside home to a desert of constantly shifting sands, the pair settle down to their familiar antagonism. Finally, Daya sees a vaguely familiar face shuffle in from across the wasteland.

Berlian and her teenage daughter Daya are on the run from political violence. Constantly daydreaming that her absent father will return, young Daya chafes under the stern hand of her mother. Forced to move inland from their seaside home to a desert of constantly shifting sands, the pair settle down to their familiar antagonism. Finally, Daya sees a vaguely familiar face shuffle in from across the wasteland.

Berlian and her teenage daughter Daya are on the run from political violence. Constantly daydreaming that her absent father will return, young Daya chafes under the stern hand of her mother. Forced to move inland from their seaside home to a desert of constantly shifting sands, the pair settle down to their familiar antagonism. Finally, Daya sees a vaguely familiar face shuffle in from across the wasteland.

The film weaves around four stories all happening in metropolitan, dehumanizing Jakarta. In fact that is what it is about, the quality of meaninglessness of living in a place that turns people into zombies. In a place where meaning must be invented, these kids turn into the only place, the only culture they see worth tuning into: television and movies. Thus they slowly degenerate into the abysmal reinterpretation in a sort of sickening anti-hero, anti-social statements that goes absurdly a wrong turn.