Humberto Madeira

Professor Hermes conducts a research on fear, for which he passes contract with a patient to live a supposedly empty mansion. He's counting on his assistant Chico Mota to play a phantom, but soon comes about that there are phantoms (plural) in there.

Portuguese fictional feature film directed by Henrique Campos.

The characteristic loves of Margarida and Clara, the distinct moral of Pedro and Daniel, the goodness of João Semana, and the dissidents, sensibility, tenderness, rituals and landscape involvement of the Minho.

Época de la Guerra Fría. Un capitán del ejército es contratado por una atractiva mujer para que localice a su marido, prisionero detrás del Telón de Acero. Sin embargo, todo resulta ser una trampa bien urdida con fines económicos.

The great fadista, Amelia Rodrigues, made her screen debut in Capas Negras, which took its name from the black capes worn by the students in the university city of Coimbra, where the film is set. The action begins in a tavern where a group of former students are reminiscing about their time at the university. One of the students, Jose Duarte then breaks into song, performing an impromptu fado in the local Coimbra style. The tavern owner's niece, the aptly named Maria Lisboa promptly retaliates with a fado of the Lisbon variety. The melodramatic plot then centers on the frustrated romance between these two characters, and the soundtrack is essentially a musical duel between these two different styles of Portugal's national song.