Tony Williams

A celebration of the spirit found in an Australian rural village. Old timer farmers rub shoulders with newcomer creative people which include some of Australia's most famous artists and composers seeking a tree change. They discover in Robertson there is more than just trees. Above all, the residents of Robertson want to retain their town as a rural village. Collectively the community, old and new, vigorously fight against the invasion of the outside world, threats of a large jail, bores which deplete the aquifers and coal seam gas mining. In a contemporary world that sometimes questions the advantages of social media technology, A Place Called Robertson is a snapshot of traditional Australian values, a magical film, celebrating the spirit that can be found in a small Australian rural village.

Musical film about the trials and tribulations of an idealistic drama teacher as she tries to put on the end of year show.

Invitado en calidad de fan, el mismísimo Tarantino no duda en amenazarnos con el peor de los infiernos si no acabamos encantados con este documental consagrado al cine de exploitation australiano. Su entusiasmo, y el del resto de excepcionales invitados, al glosar los méritos de un puñado de artistas que convirtieron la Australia de los años 70 y 80 en un paraíso de cine de género, es tan elocuente como extremadamente contagioso. Not quite Hollywood radiografía a mil por hora una época repleta de desnudos frontales, explosiones, casquería, monumentales carreras de coches y sustos de primera y, sobre todo, de mucha ilusión, humor e ingenio.

En una residencia de ancianos, una hija lee el diario de su madre. Pronto los acontecimientos que se mencionan en el diario de la madre comenzarán a sucederle a la hija.

En una residencia de ancianos, una hija lee el diario de su madre. Pronto los acontecimientos que se mencionan en el diario de la madre comenzarán a sucederle a la hija.

When a young Australian hitchhiker, Judy (Peers), enters a prohibited forest area, she encounters Paul (Gil) whose job is spotting fires from a plane. She is invited to stay with him and his teen son, Billy. Later they go on a sightseeing flight in a "Tiger Moth" bi-plane, but having a forced landing, are accommodated by an odd elderly couple.

When a young Australian hitchhiker, Judy (Peers), enters a prohibited forest area, she encounters Paul (Gil) whose job is spotting fires from a plane. She is invited to stay with him and his teen son, Billy. Later they go on a sightseeing flight in a "Tiger Moth" bi-plane, but having a forced landing, are accommodated by an odd elderly couple.

When a young Australian hitchhiker, Judy (Peers), enters a prohibited forest area, she encounters Paul (Gil) whose job is spotting fires from a plane. She is invited to stay with him and his teen son, Billy. Later they go on a sightseeing flight in a "Tiger Moth" bi-plane, but having a forced landing, are accommodated by an odd elderly couple.

Cannes is the town in France where Bergman meets bikinis, and the art of filmmaking meets the art of the deal. In 1975, a group of expat Kiwis managed to score interviews with some of the festival's emerging talents, indulging their own cinematic dreams in the process. Werner Herzog waxes lyrical on the trials and scars of directing; a boyish Steven Spielberg recalls the challenges of framing shots during Jaws; Martin Scorsese and Dustin Hoffman talk a gallon.

Cannes is the town in France where Bergman meets bikinis, and the art of filmmaking meets the art of the deal. In 1975, a group of expat Kiwis managed to score interviews with some of the festival's emerging talents, indulging their own cinematic dreams in the process. Werner Herzog waxes lyrical on the trials and scars of directing; a boyish Steven Spielberg recalls the challenges of framing shots during Jaws; Martin Scorsese and Dustin Hoffman talk a gallon.

Documentary about sailing legend Geoff Stagg and his yacht Whispers.

A documentary taking its cues from children's imaginative flights of fancy.

A documentary taking its cues from children's imaginative flights of fancy.

A documentary about socialising and society in early 1970s New Zealand.

“The big ALL FUN show for the whole family to enjoy!” was the tagline for this musical comedy classic. Sir Howard Morrison (as himself) and Rotorua are the stars in the tiki-flavoured tale. Moving from Sydney to a Rotorua music festival the plot centres on a romance between a young drummer (Gary Wallace) and his girl Judy (Carmen Duncan) and the hurdles they face to stay true. But this is only an excuse for a melange of madcap, pep-filled musical fun. Made by John O’Shea’s Pacific Films, it features Kiri Te Kanawa, Lew Pryme and Aussie star Norman Rowe.

A nightmare chase across the scenic splendor of a wild continent. David Manning, a young accountant, is unable to live within his income. He spends his spare time in Auckland with the young set - and his friends Sandra, Dorothy and Athol all like the outdoor life in the daytime and the bright lights at night. David finds himself in financial difficulties and leaves his job.

A nightmare chase across the scenic splendor of a wild continent. David Manning, a young accountant, is unable to live within his income. He spends his spare time in Auckland with the young set - and his friends Sandra, Dorothy and Athol all like the outdoor life in the daytime and the bright lights at night. David finds himself in financial difficulties and leaves his job.

Made on a wind-up Bolex camera, The Sound of Seeing announced the arrival of 21-year-old filmmaker Tony Williams. Based around a painter and a composer wandering the city (and beyond), the film meshes music and imagery to show the duo taking inspiration from their surroundings.

Made on a wind-up Bolex camera, The Sound of Seeing announced the arrival of 21-year-old filmmaker Tony Williams. Based around a painter and a composer wandering the city (and beyond), the film meshes music and imagery to show the duo taking inspiration from their surroundings.

Made on a wind-up Bolex camera, The Sound of Seeing announced the arrival of 21-year-old filmmaker Tony Williams. Based around a painter and a composer wandering the city (and beyond), the film meshes music and imagery to show the duo taking inspiration from their surroundings.