Kasper Leisner

A sci-fi fantasy adventure of a young boy whose life changes forever when a mysterious visitor lands from nowhere into his backyard to warn him of an impending invasion.

The young chef August has big dreams and gets the chance in a recognized Michelin kitchen. He is tested professionally and mentally by the kitchen's harsh, uncompromising and eccentric head chef, but at the same time has towering expectations of himself. It creates a cavalcade of problems and lies over the course of an evening.

The two estranged brothers Emil and Magnus travel to Spain to bring home the body of their drunken and now dead father. What Emil doesn’t know is that Magnus has only agreed to go because of their father’s valuable Rolex watch which can save his bleeding finances. But when it turns out the transportation of the body will cost more than 10,000 Euro, Magnus convinces his reluctant little brother to run away with the body hidden in a roof box on top of a way too small rental car. Soon the two brothers find themselves on a wild escape from the police, and their father’s last trip forces them to face their own problems.

One can't help wondering whether, some quarter-century ago, Carsten Brandt had the slightest inkling of the epic dimension the project he was then starting to conceive – The Gentle Pain – would take on in the subsequent decades. For it became epic in just about every sense of the word: the film is very long; it tells a multi-layered story characterised as much by its digressions as by its main narrative thread, which concerns a filmmaker’s attempts to make sense of the life of Thorkild Hansen, a Danish traveller/historian/writer internationally probably best known for his non-fiction novel Processen mod Hamsun (1978); and it took a long time to finish – and then sat on a shelf due to legal battles galore. What is now finally revealed is a monument of modern(ist) cinema: a work that as much charts one man’s journey into his soul as a voyage of discovery into another artist’s mind.

Young actress Sara is at the brink of a breakthrough. She has an audition for a potential lead role - the first in her career - in a feature film with a heavy subject matter. The mood in the room is accordingly tense. All eyes on Sara. As the casting takes a turn for the strange, Sara needs to face a dark chapter in her own past.

The Way to Mandalay tells the story of one of Denmark's greatest and most beloved musicians. The film takes us on a journey from Mogenson's childhood to manhood and throughout his career which spanned more than twenty years, first with great success in a popular vocal group and later as a successful solo artist. There is a long period that John Mogensen can never be satisfied and he is confused by what are the things he truely loves and is willing to do everything for. Is it the music, the stage, the fame or his family?

Jeppe falls for a mysterious girl from school, but their relationship is on borrowed time.

Itsi Bitsi nos traslada a 1962, cuando una joven generación decide revelarse contra la realidad establecida.

Aborda la amistad entre dos daneses excéntricos: el rey de los paquetes de viajes Simon Spies y el controvertido abogado reconvertido a político de altos vuelos Mogens Glistrup.

Tom is a lonely soul who never really understood that thing called love, to him a great and uncharted mystery. But upon meeting Laura he is suddenly and unexpectedly made to feel the effects of love for the first time. Now, caught in a love triangle, Tom is about to discover exactly what lengths he'll go to for the woman he loves.

Dinamarca acaba de recibir un nuevo gobierno que ganó las elecciones con un perfil de color verde. Pero el gobierno está haciendo un giro y ahora está entrando a apoyar un controvertido acuerdo con los EE.UU. en pozos de petróleo con impacto en los grupos vulnerables del nordeste de Groenlandia. El periodista Mia Moesgard (Trine Dyrholm) está en medio de este escándalo político que implica al Ministro de Relaciones Exteriores (Nikolaj Lie Kaas) y el inminente acuerdo con el gobierno de EE.UU... (FILMAFFINITY)