Director of Photography
An elderly paper-crusher branded a fool in Prague secretly stashes condemned books, preserving their contents and extrapolating from them eccentric scenarios of wit.
Cinematography
Matthew Sempala iba a enfrentarse con el mayor dilema de su vida, continuar con su humilde y cómoda existencia como modesto profesor negro, o solidarizarse con su pueblo, una raza oprimida, explotada y humillada hasta límites insospechados. Su decisión se va a ver influenciada por las tragedias que rodean a su propia familia: Odio, corrupción, violencia...
Cinematography
Pietro Rossini is a strapping young man that unfortunately spends most of his time at work chasing after two pretty young secretaries who are only too happy to return his advances. Tired of this endless chase and work waste, his boss sends him on an errand to Paris hoping this will help productivity around the office. Pietro quickly hits up his friend for a woman he can fool around with while he's in Paris, but Rita, the woman he meets, ends up being an large, boorish, unsightly woman. Once he arrives at his hotel, Pietro meets the young and lovely Nancy and attempts to romance her as best he can, but no matter where he goes, Rita is not far behind.
Cinematography
Carmelo Penitenza, mayor de cincuenta años, casado y con cinco hijos, se ve llamado a las armas por un malentendido. La vida en el cuartel queda sin embargo subrayada por una serie de chistes ideados por los demás compañeros. Primero se encuentran en la enfermería, luego en una escuela, con la intención de seguir una lección sobre las diversas partes que componen un rifle. Al realizar una misión, Carmelo logra obtener los elogios y la licencia del comandante; Renato lo sigue y, cuando llega a casa, conoce a su hija, Rosalía, y pronto nace una historia de amor. Cuando llega el día del alta, algunos soldados leen agendas en las que se invita a los soldados a inscribirse en un curso especial de tres años. Carmelo engaña a Renato y éste le hace señas, por lo que aún tendrá que permanecer en el ejército, mientras los demás se irán; sin embargo, pronto se sentirá reconfortado porque traerá a Rosalía, ahora su esposa, a Cerdeña, donde está destinado.
Cinematography
Sir Thomas Hilton, patriarca de una familia, reúne a todos sus sobrinos para repartir la herencia antes de su inminente muerte. Todos tienen parte de la fortuna excepto Evelyn, quien siempre ha odiado a la familia. Esa noche, en el castillo donde están reunidos, aparece muerto uno de los sobrinos, y todo indica que es por causa de la herencia; aunque hay algo más oscuro que hará presencia más adelante...
Director of Photography
Jean Duprey and his wife Danielle are famous journalists with a special interest in unsolved mysteries. They receive a request of help by an old noble friend of Jean, Guillaume de Saint Lambert, who is about to die by an unknown illness. He lives, obviously, in ancient castle with his wife and the servants. Soon Duprey discover that his friend's wife is a witch (originally burnt in the 18th century) and that Guillaume is under her wicked influence. She practices the art of black magic and by making die slowly all members of the Saint Lambert family she gains eternal beauty. When Duprey breaks the marble casket containing the ashes of the witch she shows her real aspect before dying.
Director of Photography
A free-spirited young German woman arrives to stay with an aristocratic family in Sicily, causing havoc to their lives.
Cinematography
Two young women, Lisa and Susan, meet and fall in love at a tennis club in Rome. The two lovers disappear into the privacy of the nightclub and its lounges with carpets and goldfish in the glasses. But their harmony is disturbed by the arrival of a man: Susan cheats on Lisa with Fred. Between jealousy and bottles of Johnnie Walker, the triangle explodes in a luxurious apartment. More elegantly, we will move from the lounge to the police station, where the officer of service will make a duty to lecture them. For the trio there is only one alternative: collective suicide in a classic car, they launch themselves at the bottom of the cliff in order to free themselves from the weight of an misunderstood existence. No one kills anyone: death is a deliberate choice in the face of the tragic absence of an alternative in a world that only condemns.
