Peter Hanson

Nacimiento : 1921-12-05, Oakland, California, USA

Historia

​From Wikipedia, the free encyclopedia.   Peter Hansen (born December 5, 1921) is a Daytime Emmy Award-winning American actor, best known for his role as a lawyer, Lee Baldwin, on the soap opera General Hospital. He played the role from 1965 to 1986 and again from 1992 to 2004. He also played the character on the sister show Port Charles. Among his early acting roles was as a guest star on Reed Hadley's CBS crime drama, The Public Defender, and on the television adaptation of Gertrude Berg's comedy The Goldbergs. He also appeared in episode #5 of The Golden Girls in 1985 as Dr. Elliott Clayton, a Casanova who makes passes at Blanche and Rose while dating Dorothy. He had a major role in the Sci Fi classic film of the 50's When Worlds Collide. Description above from the Wikipedia article Peter Hansen,  licensed under CC-BY-SA, full list of contributors on Wikipedia.

Películas

Exposure
Exposure
Associate Producer
As a young couple fights for survival in the harsh California desert, they confront the choices that brought them to a crossroads in their relationship.
Exposure
Exposure
Writer
As a young couple fights for survival in the harsh California desert, they confront the choices that brought them to a crossroads in their relationship.
El oficio del guionista
El oficio del guionista
Producer
Documental dirigido por Peter Hanson en el que guionistas tan famosos como William Goldman, autor de títulos como Dos hombres y un destino o Todos los hombres del Presidente; Frank Darabont (Cadena Perpetua y La Milla Verde) o Shane Black, (Arma Letal), explican dónde radica la clave del éxito o del fracaso de un guión cinematográfico y las dificultades que se esconden detrás de la escritura de cine. (FILMAFFINITY)
El oficio del guionista
El oficio del guionista
Writer
Documental dirigido por Peter Hanson en el que guionistas tan famosos como William Goldman, autor de títulos como Dos hombres y un destino o Todos los hombres del Presidente; Frank Darabont (Cadena Perpetua y La Milla Verde) o Shane Black, (Arma Letal), explican dónde radica la clave del éxito o del fracaso de un guión cinematográfico y las dificultades que se esconden detrás de la escritura de cine. (FILMAFFINITY)
El oficio del guionista
El oficio del guionista
Director
Documental dirigido por Peter Hanson en el que guionistas tan famosos como William Goldman, autor de títulos como Dos hombres y un destino o Todos los hombres del Presidente; Frank Darabont (Cadena Perpetua y La Milla Verde) o Shane Black, (Arma Letal), explican dónde radica la clave del éxito o del fracaso de un guión cinematográfico y las dificultades que se esconden detrás de la escritura de cine. (FILMAFFINITY)
Eroica
Eroica
Wranitzky
British filmmaker Simon Cellan Jones directs the BBC drama Eroica, starring Ian Hart as Ludwig van Beethoven. Shot on digital video, this TV film depicts the first performance of Beethoven's Third Symphony, June 9th, 1804, in Vienna, Austria. Prince Lobkowitz (Jack Davenport) has invited friends to listen to Beethoven conduct his new symphony for the first time. Among the aristocratic attendees are Count Dietrichstein (Tim Pigott-Smith), Countess Brunsvik (Claire Skinner), and composer Josef Haydn (Frank Finlay). The actual musical score is performed by the Orchestre Revolutionaire et Romantique, under the direction of John Eliot Gardiner.
Every Pixel Tells a Story
Every Pixel Tells a Story
Director
In this documentary about low-budget filmmaking in upstate New York, you'll learn how affordable digital-video technology has changed the lives of the artists behind action flicks, monster movies, nonfiction stories, and comedies. "Every Pixel Tells a Story" introduces viewers to a wide range of independent filmmakers, all of whom prove that with a little ingenuity, access to the right technology, and plenty of tenacity, filmmakers can still practice their craft 3,000 miles from Hollywood. In fact, "Every Pixel Tells a Story" is an example of what can be accomplished on digital video. Producer-director Peter Hanson shot and edited the movie in a matter of weeks using a camcorder, a computer editing system, and a $30 microphone from Radio Shack, all while spending a fraction of what the documentary would have cost had it been shot on film.