Ditoy Aguila

Liza is still drowning in grief from losing the love of her life when she receives a visit from the most unlikely person — her husband, who she left five years ago. With no questions asked and no conditions made, Anton invites her back to his and their two children’s lives.

The story of its namesake - the forcible transfer of 76000 American and Filipino prisoners of war by the Japanese Army in 1942.

An erotic, psychological drama-thriller set on the gritty streets of Raon, Quiapo, Manila - a third world commercial avenue where everything from dildos, car parts and home accessories is available for a price. It is against this backdrop that the shrewd Ramiro, owner of an electronics shop, through a process of bartering and bargaining, convinceshis ill-tempered and non-too-bright employee Nestor to give him videos of his naked wife in exchange for the erasure of his debts.

A heartbroken young woman begins a sexual relationship with a struggling artista, not knowing that her new beau is already married. As the truth comes out, obsession and jealousy bring pain into all their lives.

A professional horror movie extra prepares for her first ever acting award nomination.

Set in Mindanao, young Faisal, after both his parents were killed due to a ransom kidnapping, carries a bag filled with dollars and attempts to elude soldiers with his 2 new companions Amrayda and Fatima who are also in need of safety as violence and turmoil escalates in their parea.

Makoy, que pronto será padre, se ve obligado de repente a proteger a su esposa embarazada de una avalancha de monstruos hambrientos. No solo debe luchar por su amor, sino luchar por su propia supervivencia cuando se encuentra con un grupo de gitanos que se transforman en TikTik: criaturas horribles y devoradoras de hombres con un gusto por los niños recién nacidos y un hambre de venganza.

Gibson Bonifacio stopped speaking when he was a child. Now twenty, he returns home to Manila for Christmas. While always festive in the Philippines, for his family it is tinged with sadness, marking the anniversary of his twin brother’s death.

The title “Kamera Obskura” is a Filipino spelling of the latin “Camera Obscura” which simply means “dark room”. The film’s concept adheres to formalist cinema, where the filmmaker’s thesis is to make a semblance of a vintage film seemingly produced sometime in the late 1920s to early 1930s in the Philippines. The thesis is to conjure up a film from a period that did not really exist in Philippine cinema’s historical cultural heritage as we know it, such as a pseudo-expressionist / experimental Filipino cinema of the silent film era. It is a film within a film. The narrative plays with the idea of a retro-futurist world where a prisoner locked away in a dark chamber for over two decades only sees the reality of the world outside through the small hole in his cell, which projects an image of the city on his wall, the phenomenon of the “camera obscura”.

Julian is a soldier stationed on a remote island in the Philippines. He has finished his three months of service on the island and is ready to leave, but news of a coup d’état in Manilla forces Julian to stay on the island longer. All Julian has is a walkie-talkie, radio and TV. Meanwhile, Julian senses someone watching him. When Julian loses contact with the main base, soldiers Lucio and Eric are sent to the island. The soldiers then talk about a soldier previously stationed on the island and his encounters with a mermaid.

College senior Intoy (Edgar Allan Guzman) is unwittingly fallen into a friend-with-benefits situation with his mysterious classmate Jenny (Mercedes Cabral). Jenny has a reputation for being promiscuous, and Intoy plays aloof to hide the fact that he’s fallen in love with her. Slowly, Jenny opens up to him as well, revealing the vulnerable center to her seemingly impervious façade. But poor, confused Intoy isn’t really equipped to deal with the feelings involved.

Ross Rivera is a writer whose cynicism has converted him into a government apologist, is suddenly forced to reassess his role as journalist when he finds himself right in the middle of unearthing a conspiracy linking Muntazir Ghazi, a local warlord, with election fraud and the sporadic killing of journalists in various parts of the country. While Ross wrestles with the his conscience and attempts to convince Greta Manarang, television newscaster and grieving girlfriend of a recently murdered journalist, of his newfound integrity in Manila, Azad and Claire, local journalists who are keep into the tracks of Ghazi, are hunted down by Ghazi's henchmen. Their stories eventually intertwine, revealing a more frustrated than concerned outlook of the state of free speech in a country that supposedly fosters democracy.

Odie and his best friend Irene are two outsiders who find a second home in the Philippine underground music scene. The two decide to form a band and put together an unlikely crew that consists of the school bully, an ex-punk-turned-barista, and a former-childstar-turned-band-manager. The film follows their misadventures as they face satanic S&M bands, samurai swindlers, narcissistic rockstars, the pretentious Philippine art community and the freakiest music video auteur ever.

A bus takes-off from urban Manila to the rural southeastern side of the country, carrying a group of mixed passengers from all walks of life, each one has a personal story to tell and they are telling it in their own voice. During the long journey, as the passengers mentally sort out their past & their future, things happen in the present, by choice or by providence, that make their journey memorable—the bus blows a tire, a song elicits tears, a butterfly causes commotion, a picture gets lost, someone's head is stoned, some hearts are broken, some mended. The bus ride poetizes the life journey and poses questions on issues of life and death and where exactly the line is drawn between free will and destiny.

LV and her family make their living by operating an illegal off track betting outlet. But things haven't been going well for them lately, and the future is uncertain with Sta. Ana Park closing down.

Four men, four stories, all intersect in Manila. Episode one is about Ariel, a con-man. Episode two is about Boy, an expectant father. In the third episode, Ronald goes to Manila to sell a building. And in the fourth story Baste saves his sister from Ariel.

A large family with lots of issues gather together to mourn the death of the family patriarch. But getting in the way of their genuine grief are a bunch of superstitions about the dead, and the family's inability to deal with their issues in a civilized way.

A tribute to filmmakers and National Artists Lino Brocka and Ishmael Bernal. In the "Day" segment, Piolo Pacual portrays the role of William, a drug addict who tries to rebuild his sense of self and reconnect with the people around him. For the "Night" segment, Pascual portrays the role of Philip, who works as a bodyguard for a mayor's son. The bodyguard believes that his boss considers him as part of the family but after a shooting incident, he realizes his real worth to his boss. As he struggles to hide, he is slowly consumed by the claws of darkness lurking the city.

Purports to document the production of a short about a young man’s first sexual experience while doubling as a coming-out film and a multiply layered making-of movie.

A group of gays is on a road trip in search for a beauty contest crown. Constantly losing in beauty contest in their city, five young cross-dressers and their elder gay manager travel to the province hoping to lure the contest. Each personality has story to tell.

Rita is named after a famous American movie star whom her late, former actress grandmother once adored. She lives in one of Manila’s oldest districts with her busy mother and entrepreneurial aunt. Years later, she is still the same girl enamoured with television, now also tending to her aunt’s stall selling pirated DVD movies. Elsewhere, there survives footages of a movie done before the war.

Peping wakes up to find out that Gima, their goat, is missing. His family make a living out of the milk provided the goat. He hides the truth from his grandmother. His father is also arriving the next day so he needs to find Gima before its too late. Together with his younger sister, Lita, the two go on a seemingly impossible search for the goat in the landscape of the island of Sabtang, in Batanes. A series of frustrating episodes mark the day, tension and desperation growing as natural and human forces conspire to frustrate them at every turn. The odyssey teaches the boy about the true meaning of life- where kindness and cruelty can be found in close proximity.

A tribute to the real potential of digital cinema, Slingshot is a slum epic on steroids. It weaves stories left and right into a shocking tableau about life for the lowest of the low in the Philippines poorest and most crime-ridden districts. National elections are coming up so in the usual attempt to appear “tough-on-crime”, The Big Boys have been sent into crack down on the the local squatters, thieves and miscreants who litter the film like broken bottle. And since no sweep is ever a clean sweep, the cops brutal shock-force tactics quickly ripple outwards with jagged repurcussions.

Manay Po tells the story of Luz, a small time jeweler who dreams of making it big so as to provide a better life for her family. Her life revolves around her brood of three, namely, Oscar, Orson and Orwell and her live-in boyfriend Gerry. With the help of her good friend and maid Maritess, Luz was able to raise her children normally despite the absence of a husband. In spite of her children's questionable sexualities, their family paints a picture of a happy family - a home filled with laughter and unconditional love.

Middle-aged Manila storeowner Amelita supplements her tiny income by collecting bets for the popular numbers game of jueteng. While looking out for police crackdowns, the masterfully persuasive Amelita cajoles all comers into placing wagers.