Mark Gary

On a particularly nondescript weekend afternoon, Edison must deal with his exasperated mother, who is bearing down on him like a force of nature; the looming deadline of a paper on the philosophical writings of Immanuel Kant; and a persistent, insidious force that aims to destroy the tranquility of his existence.

El tema crudo y sexualmente sincero de "Hubad" enfrenta obstáculos de financiamiento del Manila Arts Council, una organización de financiamiento para las artes. Pero en su determinación de llevar la producción al escenario, el director Andre se niega a bajar el tono del lenguaje intransigente de la obra. Para sus dos estrellas que se desvanecen, Carmen y Delfín, la intimidad de "Hubad" abre precipitadamente su libido menguante. Encuentran su camino hacia un alivio emocional de sus matrimonios añejos y hacia una aventura en toda regla. El corazón de la historia se ve a través del prisma de la obra. En las escenas finales de la película, es el escenario el que proporciona al actor la catarsis para el autodescubrimiento y la redención personal.

Rekados is a magic-realist tragicomedy of three generations of cooks in the slums that own a karinderia. Josefina, the matriarch whose traditional skill in cooking keeps the family alive; Laura, the daughter who prefers cooking to please her customers and the man she desires; and caught in between the two is Pinay, the granddaughter who mimics Kris Aquino to get a basketball player of her own. In their small world of the kitchen that empowers and imprisons them, they cook dishes that symbolize their affection: adobo; kare-kare; dinuguan; and pansit. Each of them brings different flavors as they mix with each other and the men of their desires.

The daughter of a circumciser rebels and challenges the status quo when she is asked to take over her father's job.

A story of three sisters in a family home by the beach in the province.

An ode to Rogelio Sikat’s classic Filipino short story “Impeng Negro,” about a boy who is both Filipino and Black.