Inês Oliveira
Historia
Inês Oliveira studied at the Superior School of Theatre and Cinema, in Lisbon, until 2000. With one of the most multifaceted curriculums of the young Portuguese film generation, not only in terms of education – such like in edition, photography, sound and screenplay – but also through the experience this director has also acquired. Nome e o N.I.M is one of Inês Oliveira’s most appreciated works after being widely awarded as a short film. Recently, Inês Oliveira directed a documentary Comer o Coração de Rui Chafes e Vera Mantero, that focused on the work of the pair which is a relation of exception in the Portuguese contemporary art.
Writer
Adaptation by the director Inês Oliveira from the traditional Portuguese tale «O Sapo e a Rapariga». The laundry room is closed and a young woman (Rita Cabaço) has to learn how to wash clothes by hand with the wise Deolinda (Isabel Ruth), who tells her a strange story of enchantment.
Director
Adaptation by the director Inês Oliveira from the traditional Portuguese tale «O Sapo e a Rapariga». The laundry room is closed and a young woman (Rita Cabaço) has to learn how to wash clothes by hand with the wise Deolinda (Isabel Ruth), who tells her a strange story of enchantment.
Writer
Sofia lives a strangely isolated life in the old apartment where she grew up in Lisbon. Mariama arrives from Guinea-Bissau, having been hired by Sofia’s mother to help take care of the house and her son. The appearance of Bobô, Mariama’s younger sister, awakens in Sofia the desire to take a stand. The forced cohabitation between Sofia and Mariama forces them to confront their own private ghosts.
Editor
Sofia lives a strangely isolated life in the old apartment where she grew up in Lisbon. Mariama arrives from Guinea-Bissau, having been hired by Sofia’s mother to help take care of the house and her son. The appearance of Bobô, Mariama’s younger sister, awakens in Sofia the desire to take a stand. The forced cohabitation between Sofia and Mariama forces them to confront their own private ghosts.
Director
Sofia lives a strangely isolated life in the old apartment where she grew up in Lisbon. Mariama arrives from Guinea-Bissau, having been hired by Sofia’s mother to help take care of the house and her son. The appearance of Bobô, Mariama’s younger sister, awakens in Sofia the desire to take a stand. The forced cohabitation between Sofia and Mariama forces them to confront their own private ghosts.
Writer
Humberto hanged himself. Catarina, Paulo and Victor want the company where Humberto used to work for to take responsibility in his death, leading them to kidnappe the company’s director in an act of despair. Who is Humberto? What company is that? In which paths will he take us, after his death? Cinerama is an edgy, enigmatic, but not distant film that brings up genres of cinema as well as other forms of art like dance, theatre and poetry. The film reflects ways of being in life.
Director
Humberto hanged himself. Catarina, Paulo and Victor want the company where Humberto used to work for to take responsibility in his death, leading them to kidnappe the company’s director in an act of despair. Who is Humberto? What company is that? In which paths will he take us, after his death? Cinerama is an edgy, enigmatic, but not distant film that brings up genres of cinema as well as other forms of art like dance, theatre and poetry. The film reflects ways of being in life.
Sound Mixer
Originary from France, the "Tchiloli or Marquis of Mântua Tragedy" theatre was introduced in the African island of São Tomé in the XVIth century. Music, dances and suits are added to the renaissance text, turning this spectacle into a hybrid cultural manifestation. The Tchiloli, performed by amateur groups, integrates only men that are prominent figures in certain quarters of the island. The most popular and traditional group is the "Formiguinha". In this company, the main roles are transmitted from generation to generation. The oldest members try to keep the tradition within the family.
Sound Editor
Every year the Portuguese Army recruits thousands of Citizens to constitute the National Service.
At 10 pm ligths are killed in the quarters.
“Hey? Are you awake? Those guys are fucking you up, you hear me? I mean, I don’t know you man, but to me you’re like a brother.”
Writer
Every year the Portuguese Army recruits thousands of Citizens to constitute the National Service.
At 10 pm ligths are killed in the quarters.
“Hey? Are you awake? Those guys are fucking you up, you hear me? I mean, I don’t know you man, but to me you’re like a brother.”
Director
Every year the Portuguese Army recruits thousands of Citizens to constitute the National Service.
At 10 pm ligths are killed in the quarters.
“Hey? Are you awake? Those guys are fucking you up, you hear me? I mean, I don’t know you man, but to me you’re like a brother.”
