Meredith Danluck

Following the death of her husband, Katherine travels to Brussels, where a few loose ends become a whole web of secrets as she untangles her late spouse’s mysterious last days alive.

Following the death of her husband, Katherine travels to Brussels, where a few loose ends become a whole web of secrets as she untangles her late spouse’s mysterious last days alive.

Four characters, four screens. The audience immersed, as stupefied as in a shopping mall electronics shop. Your attention flickers, trying to take it all in, not miss crucial details. The work seems unlimited in all directions, and it’s dazzlingly overwhelming. But you adjust to the overload. You realize the sound design is gently guiding your attention from screen to screen. You can make your own interpretations, even your own edit, your own film. So you discover moments that seem like outtakes: delightfully unexpected, notable non-incidents in the character’s lives that would usually be off-screen. But here, there is no off-screen.