Denmei Suzuki

Denmei Suzuki

Nacimiento : 1900-03-01,

Muerte : 1985-05-13

Perfil

Denmei Suzuki

Películas

G-Men of Japan
The investigative unit of the Metropolitan Police Department organized a special investigative team to uncover a series of frequent gang robberies and car gangs... This is the first film in the Nippon G-Men series, of which four more films were later released.
The Opium War
The Opium War is a 1943 black-and-white Japanese film directed by Masahiro Makino. "Ahen senso" in Japan refers to the First Opium War. The story of the film concerns this war.
Love, Be with Humanity: Part 2
The three-hour Ai yo jinrui to tomo ni are / Love, Be with Humanity (1931) starts as a satire of alienation in the world of money, develops into a lumberland epic with a forest fire on Sakhalin Island, turns into a tragedy of King Lear dimensions, and manages to amaze the blasé audience with a happy end in the Wild West.
Youth, Why Do You Cry?
A modern girl suddenly intrudes into a widower's family home.
Marching On
A farmer’s boy, obsessed with his balsa-and-paper flying models and with dreams of real aircraft, develops a friendship with the daughter of the local squire, who introduces the lad to her pilot brother and his flying officer friends; through hard work, and despite the handicap of a lowly class status, he eventually succeeds in qualifying as a pilot and joining the air force.
The Life of Workers in the Big City
Riku no ôja
Kare to Tokyo
The Age of Emotion
A young man torn between love and friendship.
Umi mo yusha
Kaihin no joô
Toshio Ishikawa
Comedy by Kiyohiko Ushihara. Once a full-length feature film, now only 14 minutes remain.
Junange
Almas en el camino
Koichiro
Película dividida en historias diferentes que caminan en paralelo. Por un lado, un joven deja su casa de Tokyo y tras tener un hijo decide casarse con la madre y regresar a su hogar. La segunda historia concierne a un par de delincuentes que buscan trabajo en la ciudad. Film mudo, uno de los pioneros en Japón. Se considera el primer montaje en paralelo del cine asiático, siendo, a su vez, el primer clásico del cine japonés.