Gabe Klinger

Gira en torno a una pareja de cineastas estadounidenses que se retiran a la isla durante el verano para escribir guiones para sus próximas películas en un peregrinaje al lugar que inspiró a Bergman. A medida que el verano y sus guiones avanzan, las líneas entre la realidad y la ficción comienza a desenfocarse en el contexto del paisaje salvaje de la isla.

Super-8 footage captured while filming Bergman Island. In voice-over, filmmaker Mia Hansen-Løve offers intimate reflections on her creative process on the island of Fårö and her relationship with Bergman and Swedish cinema.

Jake (Anton Yelchin) y Mati (Lucie Lucas) son dos extraños en la ciudad portuguesa de Porto que una vez tuvieron una breve conexión. El misterio en torno a los momentos que compartieron permanece, y en la búsqueda a través de sus recuerdos, reviven las profundidades de una noche sin inhibiciones.

Jake (Anton Yelchin) y Mati (Lucie Lucas) son dos extraños en la ciudad portuguesa de Porto que una vez tuvieron una breve conexión. El misterio en torno a los momentos que compartieron permanece, y en la búsqueda a través de sus recuerdos, reviven las profundidades de una noche sin inhibiciones.

Jake (Anton Yelchin) y Mati (Lucie Lucas) son dos extraños en la ciudad portuguesa de Porto que una vez tuvieron una breve conexión. El misterio en torno a los momentos que compartieron permanece, y en la búsqueda a través de sus recuerdos, reviven las profundidades de una noche sin inhibiciones.

Jake (Anton Yelchin) y Mati (Lucie Lucas) son dos extraños en la ciudad portuguesa de Porto que una vez tuvieron una breve conexión. El misterio en torno a los momentos que compartieron permanece, y en la búsqueda a través de sus recuerdos, reviven las profundidades de una noche sin inhibiciones.

In 1985, former oil rig worker Richard Linklater began a film screening society in Austin, Texas, that aimed to show classic art-house and experimental films to a budding community of cinephiles. Eventually incorporating as a nonprofit, the newly branded Austin Film Society raised enough money to fly in their first out-of-town filmmaker: James Benning. Accepting the invitation, Benning met Linklater and the two began to develop a personal and intellectual bond, leading to many future encounters. Starting in the 1960s, Benning had been creating low budget films mostly on his own, while Linklater had just begun to craft his first shorts. The filmmakers have remained close even as their careers have diverged. After the cult success of Slacker, Linklater went on to make films with Hollywood support. Benning, meanwhile, has stayed close to his roots and is mainly an unknown figure in mainstream film culture.

In 1985, former oil rig worker Richard Linklater began a film screening society in Austin, Texas, that aimed to show classic art-house and experimental films to a budding community of cinephiles. Eventually incorporating as a nonprofit, the newly branded Austin Film Society raised enough money to fly in their first out-of-town filmmaker: James Benning. Accepting the invitation, Benning met Linklater and the two began to develop a personal and intellectual bond, leading to many future encounters. Starting in the 1960s, Benning had been creating low budget films mostly on his own, while Linklater had just begun to craft his first shorts. The filmmakers have remained close even as their careers have diverged. After the cult success of Slacker, Linklater went on to make films with Hollywood support. Benning, meanwhile, has stayed close to his roots and is mainly an unknown figure in mainstream film culture.

In 1985, former oil rig worker Richard Linklater began a film screening society in Austin, Texas, that aimed to show classic art-house and experimental films to a budding community of cinephiles. Eventually incorporating as a nonprofit, the newly branded Austin Film Society raised enough money to fly in their first out-of-town filmmaker: James Benning. Accepting the invitation, Benning met Linklater and the two began to develop a personal and intellectual bond, leading to many future encounters. Starting in the 1960s, Benning had been creating low budget films mostly on his own, while Linklater had just begun to craft his first shorts. The filmmakers have remained close even as their careers have diverged. After the cult success of Slacker, Linklater went on to make films with Hollywood support. Benning, meanwhile, has stayed close to his roots and is mainly an unknown figure in mainstream film culture.

In 1985, former oil rig worker Richard Linklater began a film screening society in Austin, Texas, that aimed to show classic art-house and experimental films to a budding community of cinephiles. Eventually incorporating as a nonprofit, the newly branded Austin Film Society raised enough money to fly in their first out-of-town filmmaker: James Benning. Accepting the invitation, Benning met Linklater and the two began to develop a personal and intellectual bond, leading to many future encounters. Starting in the 1960s, Benning had been creating low budget films mostly on his own, while Linklater had just begun to craft his first shorts. The filmmakers have remained close even as their careers have diverged. After the cult success of Slacker, Linklater went on to make films with Hollywood support. Benning, meanwhile, has stayed close to his roots and is mainly an unknown figure in mainstream film culture.