Victor di Mello

Una muchacha atractiva seduce a todos los miembros de su familia. Indirectamente causa el fracaso del matrimonio de su padre, porque su madrastra se enamora de ella. También, mantiene relaciones con el hijastro de su padre, y con el cuidador de la granja. Ella y algunas amigas son violadas, pero todos ellos celebran la ruina de los valores tradicionales de la familia.

Una muchacha atractiva seduce a todos los miembros de su familia. Indirectamente causa el fracaso del matrimonio de su padre, porque su madrastra se enamora de ella. También, mantiene relaciones con el hijastro de su padre, y con el cuidador de la granja. Ella y algunas amigas son violadas, pero todos ellos celebran la ruina de los valores tradicionales de la familia.

Una muchacha atractiva seduce a todos los miembros de su familia. Indirectamente causa el fracaso del matrimonio de su padre, porque su madrastra se enamora de ella. También, mantiene relaciones con el hijastro de su padre, y con el cuidador de la granja. Ella y algunas amigas son violadas, pero todos ellos celebran la ruina de los valores tradicionales de la familia.

Documentary about the Football World Cup held in Argentina in 1978, focusing on the competition and behind the scenes of the most important soccer competition in the world. Two versions of the 1978 official film exist, the first "Copa 78 - O Poder do Futebol" was made by Brazilian directors Maurício Sherman and Victor di Mello in 1979 but was later withdrawn by FIFA because of its controversial content. The film includes an interview with Rodolfo Galimberti, one of the leaders of the Montoneros guerrilla group and also made accusations that the Argentinian competition organisation committee had deliberately hindered Brazilian chances of success by tampering with the pitch at Mar del Plata.

Accused of raping and killing five women, Rodolfo is convicted of the crimes. The young man, however, pleads not guilty to all charges

A couple do everything in order to stay together, against their families' wish.

"Como É Boa a Nossa Empregada" is an erotic comedy from the 70's (called "pornochanchada" genre) divided in three segments: 1) "Lula e a Copeira": Lula uses frogs, bats and spiders to scare the ugly kitchen maid of his house and force her to quit the job. When his parents put an advertisement on the newspaper to hire a new maid, he waits the candidates outside the house to choose one very hot, telling lies about his family to the others. They hire the sexy Clara, who is subjected to a sexual harassment from Lula's father Rivadávia, the family's friend Dr. Ricardo and Lula, leading the trio to troubled situations. 2) "O Terror das Empregadas": The sixteen years old Bebeto chases all the maids of his house and neighborhood trying to have intercourse with them. His mother takes him to the psychologist Dr. Leonel, who convinces her that her son needs to have a sexual experience with a whore to help his self-esteem, and suggests the sexy and expensive prostitute Leila Sandra.

"Lula, 'bon vivant' who subsists at the expense of small blows, goes on with his life without a present or future purpose. Basically, he just tries to forget having been abandoned by his fiancee Helena, who gave in to his father's imposition. The situations in which he gets involved from then on are paradoxical, trying to survive in the best possible way and spending money he doesn't have, but which comes to him in one way or another. On a day of complete despair, Lula meets a group of "hippies" and leaves catechized. Willing to anything, he becomes a preacher of new customs and new ethics of life. In turn, Helena, whose marriage had failed, dreams of meeting Lula again, hoping to return to his arms.

"Lula, 'bon vivant' who subsists at the expense of small blows, goes on with his life without a present or future purpose. Basically, he just tries to forget having been abandoned by his fiancee Helena, who gave in to his father's imposition. The situations in which he gets involved from then on are paradoxical, trying to survive in the best possible way and spending money he doesn't have, but which comes to him in one way or another. On a day of complete despair, Lula meets a group of "hippies" and leaves catechized. Willing to anything, he becomes a preacher of new customs and new ethics of life. In turn, Helena, whose marriage had failed, dreams of meeting Lula again, hoping to return to his arms.

Two friends live without knowing a most awkward situation: each one is the lover of the other's wife. Jealous, they hire the same private eye to track their women, who, of course, gets very embarassed by the situation, especially when the two couples rent rooms at the same hotel.

The life and times of Brazilian singer/songwriter Dolores Duran.