A man finds himself in the wrong place at the wrong time and witnesses a crime scene committed by two teenage brothers. He is immediately kidnapped by the boys who have gotten themselves into a big trouble. This launches the bizarre trio on a crazy journey that reveals each person’s true character. Linked by a common destiny, these three fragile individuals must overcome their prejudices and work together to survive. And when their journey is coming to an end, the man has to make a biggest decision in his life. Richard Angers’ first feature A Pact Among Angels is a road movie with a heartwarming story about strangers who have nobody else but each other. Richard Angers’ very detailed direction and the fine performances of Émile Schneider, Marc Messier, and Lenni-Kim make A Pact Among Angels one of the outstanding Canadian independent films this year.
A man finds himself in the wrong place at the wrong time and witnesses a crime scene committed by two teenage brothers. He is immediately kidnapped by the boys who have gotten themselves into a big trouble. This launches the bizarre trio on a crazy journey that reveals each person’s true character. Linked by a common destiny, these three fragile individuals must overcome their prejudices and work together to survive. And when their journey is coming to an end, the man has to make a biggest decision in his life. Richard Angers’ first feature A Pact Among Angels is a road movie with a heartwarming story about strangers who have nobody else but each other. Richard Angers’ very detailed direction and the fine performances of Émile Schneider, Marc Messier, and Lenni-Kim make A Pact Among Angels one of the outstanding Canadian independent films this year.
“When he shot Une seconde (4 min., 20 sec.), a video animation without computer graphics, Richard Angers tried to adapt Norman McLaren’s animation techniques to video shooting and editing. A long-term solitary task, in which images are moved by hand, centimetre by centimetre, in which one plays with the number of images per second, and in which the ±
pure quest for effects is more important than the message”. BLANCHARD, Louise. “Les vidéastes sont au ‘rendez-vous’”, Le Journal de Montréal, Montreal (9 February 1992), p. 38.
