Paolo Segat

Un hijo adolescente con dos padres hace un documental sobre ellos, pero un giro argumental en la vida real de su familia le sorprende.

Stuck in his hometown, Venice, during the pandemic, director Andrea Segre turns the camera on the frozen city, while reminiscing about his father, a scientist and chemist, and the past.

Antonio Barracano, a man of honor distinguishing between “decent people and scoundrels” in the Neapolitan underworld, is the "Mayor of Rione Sanità". Administering justice according to his own criteria, beyond the State, he is faced with a difficult decision when Rafiluccio Santaniello, the baker's son, asks him for his benediction to kill his father.

Paola, una mujer moderna acostumbrada a las dificultades de la vida moderna, aprovecha su oportunidad para hacer las cosas bien para ella.

A filmmaker's 21-day homage to capture the ethereal essence of her unique ancient homeland soon to be submerged by a hydroelectric dam, AETHER is instinctively carried and driven by emotions, feelings and observations. It reveals the place's truths following its own unencumbered chronology. An invitation to a free-minded voyage into nature's cycle of birth-death-rebirth.

En unos pocos años se transformará en un pequeño líder delincuente de una pandilla concida. Sus tiendas son sucias, sanguinolentas y muy rentables. Se trata de hurto, tráfico de drogas, secuestro, lavado de dinero y asesinatos por contrato. El Santurrón desea riqueza y reconocimiento social. Él desea familia y pasión. Su esposa es sumisa, Su amante es muy elegante. ¿Va a decidir el Beato o bien se sostendrá desgarrado?

Observes the mechanisms of construction and assimilation of gender in contemporary Italian society, through a kaleidoscopic mosaic of scenes of daily life: what are the choreographies of bodies, collective rituals, behaviors for each of the genres that condition our identities? Through paintings with a strong visual impact, Normal tells the story of normality making it alien to us, exploring the daily and collective staging of the male and female universe in which we all participate.

En 1914, con Italia a punto de entrar en la Primera Guerra Mundial, una comunidad de jóvenes artistas del norte de Europa se establece en la isla rural de Capri, un refugio seguro para disidentes e inconformes de todo el mundo, como los exiliados rusos dirigidos por Maxim Gorky. Preparándose para una próxima revolución. Aquí, la joven Lucía se encuentra con Seybu, la encantadora líder de la comuna, y Carlo, un joven médico.

Abel Ferrara headlines a film retrospective and a series of concerts in France dedicated to songs and music from his films. Preparations with his family and friends will form the material of this self portrait, showing another side of the director of legendary films BAD LIEUTENANT, THE KING OF NEW YORK and THE ADDICTION. Ferrara is joined on stage by past collaborators, including composer Joe Delia, actor-singer Paul Hipp and his wife actress Cristina Chiriac for concerts at the Metronum in Toulouse and the Salo Club in Paris in October 2016.

Has been an year since Pietro Zinni's gang got caught in the Sopox production laboratory and each of them locked up in different jails. From Regina Coeli jail, Pietro keep warning the authorities a fool syntetized nerve gas and he is ready to make a killing, but no one takes him seriously.

En un pequeño pueblo siciliano, Giuseppe, un chico de 13 años, desaparece. Luna, una compañera de clase que le quiere, se niega a aceptar su desaparición. Se rebelará contra el silencio y la complicidad que la rodean y descenderá al mundo oscuro que se lo llevó y cuya entrada es un misterioso lago.

La banda del neurobiólogo Pietro y sus cultos compañeros se enriquece con nuevos integrantes, los llamados cerebros en fuga, en una misión que los llevará a ser “el brazo universitario de la ley”. El grupo se ve obligado a cambiar de bando: a cambio de un expediente limpio de antecedentes policiales, deberá colaborar en secreto con la policía para acabar con la propagación de las nuevas drogas, bajo las órdenes de la ambiciosa inspectora Paola Coletti.

An account of the life and work of the legendary cinematographer and director Carlo Di Palma (1925-2004) and an emotional journey into the greatest moments of cinema, from the Italian neorealism to the masterpieces of Woody Allen, commented by prestigious figures of world cinema.

Los economistas más importantes del mundo se reúnen en el marco de una reunión del G8 en un hotel de lujo de la costa alemana. Uno de los misteriosos invitados es un monje italiano, invitado por Daniel Rochè, director del Fondo Monetario Internacional. Quiere que el monje le confiese, esa misma noche, en secreto. A la mañana siguiente, Rochè aparece muerto...

Relata la maravillosa creación y la durísima y corta vida de Giacomo Leopardi, gran poeta de la Italia del siglo XVIII. Condicionado por sus terribles padecimientos corporales, Leopardi transita desde la Recanati de la biblioteca paterna hasta la Nápoles del cólera, dejando una obra tan personal como trascendente.

Siete cerebros brillantes, licenciados de las carreras más complejas, pero sin trabajo, tienen una idea genial y, sobre todo, eficaz para combatir la crisis: producir y distribuir drogas sintéticas "legales".

Two young girls, a hot, stifling summer, the desire to run away from a small provincial town. Luisa is full of life, uninhibited, unconventional. Renata is dark, angry and in need of love. The lives of two young women is a tale of blackmail, of a love betrayed, of violence: Luisa uses her Albanian boyfriend, Bilal; Renata uses Luisa’s body to orchestrate her revenge. Both want to leave the small community where they have grown up among village festivals and independence gatherings, helpless families and new generations of migrants targeted by those who feel increasingly threatened. Luisa, Renata and Bilal will risk loosing themselves, loosing a precious part of themselves, of those they love, ultimately loosing their own lives.

Enrico Oliveri, un político en crisis y secretario del principal partido de la oposición que está perdiendo apoyos, abandona sus compromisos y responsabilidades tras ser criticado duramente en un mitin, escondiéndose en Francia, en casa de una amiga. Su ayudante, para salir del apuro ya cada vez con menos crédito intentando justificar su ausencia, decide entonces sustituirlo por su hermano gemelo, un filósofo bipolar recién salido del psiquiátrico. Una auténtica locura que se tornará acierto cuando el electorado vuelva a ver en Enrico, ahora Giovanni, una opción real. Todo ello se deberá a un lenguaje distinto e irónico, que pondrá nuevamente al ficticio Enrico en la cresta de la ola.

Matteo, a nine years old kid, builds a mask identical to the one of his hero: a wrestler of a roman suburb called The Tiger. Once the mask is on, Matteo never wants to take it off. What simply appears as a tantrum is in reality a call for help that nobody seems to hear.

An apartment on one of Rome's seven hills turns into a film studio for shooting three different stories about cocaine.

Weaving together fact and fiction, this docudrama performs a portrait of the often seamy underside of the city of Naples.Ferrara traveled to Italy to interview the inmates at the Naples Pozzuoli State Prison, a high security lockup for women, and with the help of a translator he allows a number of women doing time to talk about their lives before and after they were convicted. Ferrara chose to expand the short profile of the prisoners into a feature by offering a look at life in the slums of Naples and the actions of a number of law enforcement officers and social workers struggling to improve conditions for the poor, as well as adding three short fictional segments shot of digital video gear.

The story of Giancarlo Siani, a journalist killed by the Neapolitan Mafia in 1985.

A journey from the south to the north of Italy covering the track of the legendary Joris Ivens documentary "L'Italia non è un paese povero".

Filmaker Alina Marazzi assembles old home movies trying to piece together the life of her mother, Liseli, who committed suicide when Alina was seven years old.

Rosy-Fingered Dawn is a film on Terrence Malick. It is about the making of BADLANDS, DAYS OF HEAVEN, THE THIN RED LINE and the personal involvement of some of the most representative figures of the American culture itself. This medley of voices has given origin to a journey throughout the whole United States, from California to Colorado, from Virginia to Minnesota, passing by New York and Los Angeles. Every stop represents an ideal set in which all the characters of the films come to life once again giving place to a growing flow of memories. The narrative dimension of Malick's cinema resounds and opens a new horizon on the visible contradictions of the American culture; no easy judgement but a critical consciousness is what emerges from this coral speech, together with a definite need: the necessity of art. A need that Terrence Malick was able to satisfy.

The characters include a dirty-dealing 80-year-old mayor with a troubling Fascist past and a bloodthirsty middle-aged writer - also an ex-Fascist, who has now turned Marxist-Leninist and is ready to settle his accounts with history. There is a young leftist idealist, a city councilperson who is fighting real estate speculation. This is the portrait of Latina and its inhabitants. This province is certainly an anomaly, but is not so far from the present-day times that all of Italy is going through now.

The suburbs of Padua, in northeast Italy. Flavia, a hairdresser, is closing the shop after 43 years of activity. He is 61 years old. He left school when he was 11. He made the hairdresser always. He is leaving behind a clientele of older women who did hair for years at a rate of regular appointments. He knows every single hair of their heads.

The suburbs of Padua, in northeast Italy. Flavia, a hairdresser, is closing the shop after 43 years of activity. He is 61 years old. He left school when he was 11. He made the hairdresser always. He is leaving behind a clientele of older women who did hair for years at a rate of regular appointments. He knows every single hair of their heads.

Sara, a quite librarian reluctant to enter into an affair following one that went wrong, and Bruno, a seemingly cynical guy looking for a one-night stand, become attracted to each other.

Three stories that provide an irony-laden analysis of the Neapolitan bourgeoisie and of small-time intellectualism and aspiration.