Editor
Tulio, un pescador de río que hace más de treinta años participa en el Concurso de la Fiesta Nacional del Surubí, nos relata anécdotas y reflexiona acerca de la naturaleza mientras se prepara para competir.
Editor
Un hombre viaja al norte argentino siguiendo las pistas de una mítica entidad precolombina encargada de las penas de los deudos. Las rutas de noche, los hospedajes y la gran salina del poema de Zelarayán reniegan del atajo antropológico y conforman un misterio acaso tan formidable como el propio despenador.
Editor
En una cárcel de máxima seguridad, un boxeador busca su libertad y recibe consejos del líder del pabellón, junto a un grupo de jóvenes que sueñan con ser millonarios y otro que ingresa condenado por asesinato. El director de la película convive con ellos y obtiene un retrato al borde del abismo.
Editor
Portrait of Leónidas Barletta, founder of Teatro del Pueblo, the first independent theatre in Latin America. This film on the controversial theatre director and left wing journalist is constructed from the letters and books Leónidas sent to his young sister María Angélica, godmother of director Miguel Colombo, who decides to leave her brother's legacy in the hands of her godson before she dies.
Script
Portrait of Leónidas Barletta, founder of Teatro del Pueblo, the first independent theatre in Latin America. This film on the controversial theatre director and left wing journalist is constructed from the letters and books Leónidas sent to his young sister María Angélica, godmother of director Miguel Colombo, who decides to leave her brother's legacy in the hands of her godson before she dies.
Director
Portrait of Leónidas Barletta, founder of Teatro del Pueblo, the first independent theatre in Latin America. This film on the controversial theatre director and left wing journalist is constructed from the letters and books Leónidas sent to his young sister María Angélica, godmother of director Miguel Colombo, who decides to leave her brother's legacy in the hands of her godson before she dies.
Writer
A recurring nightmare immerses the filmmaker into a visual research in the first person. Beginning with the 1955 bombing of Buenos Aires, the film elaborates a disturbing essay about violence. Combining a variety of different materials the director follows a line of thought that starts with his grandparents at World Wars I and II, and passes through Vietnam and the atomic weapons, reflecting about the kind of world we make for ourselves and for coming generations.
Director
A recurring nightmare immerses the filmmaker into a visual research in the first person. Beginning with the 1955 bombing of Buenos Aires, the film elaborates a disturbing essay about violence. Combining a variety of different materials the director follows a line of thought that starts with his grandparents at World Wars I and II, and passes through Vietnam and the atomic weapons, reflecting about the kind of world we make for ourselves and for coming generations.
Executive Producer
Este documental atraviesa la vida de Mary y Valery, la viuda y el hijo de Vladimir Roslik, el último muerto de la dictadura militar uruguaya. Hoy, ellos buscan cerrar una herida que es suya y es la de una comunidad perseguida por su origen ruso, bajo la sombra que dejó la ley de caducidad que impidió juzgar el asesinato.
Un íntimo recorrido geográfico, donde el director narra en primera persona la historia de su abuelo Ludovico, un italiano llegado a la Argentina luego de combatir en la Segunda Guerra Mundial. Con muy pocas pistas comienza a trazar los rasgos de un abuelo a quien nunca conoció y que pronto se revela perturbadoramente contradictorio.
Editor
In an intimate and geographical journey, the director tells in the first person the story of his grandfather Ludovico, an Italian who arrived in Argentina after fighting in World War II and who soon reveals himself disturbingly contradictory. His traces still mark his descendants today, and unraveling his history becomes crucial to assimilate the present. In search of his secrets, the director must go into the desert, face the silences of his own history, redefine his identity and rebuild family ties that have been broken for years.
Producer
In an intimate and geographical journey, the director tells in the first person the story of his grandfather Ludovico, an Italian who arrived in Argentina after fighting in World War II and who soon reveals himself disturbingly contradictory. His traces still mark his descendants today, and unraveling his history becomes crucial to assimilate the present. In search of his secrets, the director must go into the desert, face the silences of his own history, redefine his identity and rebuild family ties that have been broken for years.
Writer
In an intimate and geographical journey, the director tells in the first person the story of his grandfather Ludovico, an Italian who arrived in Argentina after fighting in World War II and who soon reveals himself disturbingly contradictory. His traces still mark his descendants today, and unraveling his history becomes crucial to assimilate the present. In search of his secrets, the director must go into the desert, face the silences of his own history, redefine his identity and rebuild family ties that have been broken for years.
Director
In an intimate and geographical journey, the director tells in the first person the story of his grandfather Ludovico, an Italian who arrived in Argentina after fighting in World War II and who soon reveals himself disturbingly contradictory. His traces still mark his descendants today, and unraveling his history becomes crucial to assimilate the present. In search of his secrets, the director must go into the desert, face the silences of his own history, redefine his identity and rebuild family ties that have been broken for years.
Director
El documental Rastrojero, utopías de la Argentina potencia, cuenta la historia de Eduardo que viaja en su camioneta Rastrojero hasta la misma Córdoba que cincuenta años atrás lo empleó en IME (Industrias Mecánicas del Estado) y hacia el encuentro con sus compañeros de entonces.
Editor
Nina es una adolescente de 16 años que vive en una colonia rural de Oberá (Misiones, Argentina). Trabaja en la chacra y en el pueblo para ayudar a su familia, lo cual le impide ir a la escuela. Un buen día, es seducida a viajar a la Capital con una oferta de trabajo como niñera, buen sueldo y la posibilidad de estudiar. El sueño lo comparte con Lourdes, su prima paraguaya proveniente de un barrio marginal de la ciudad de Encarnación, quien recibe similar oferta.
