Carla Colombo

A young man shares his fantasies with a young girl who is already on the threshold of disillusion. Will she respond to him?

Andrea es un chico de quince años que ha decidido poner a prueba sus técnicas para ligar. Siempre optando por lo racional y el concepto industrial aplicado al amor, sucumbe, sin embargo a sus deseos. Andrea, un muchacho de quince años (digamos dieciseis) que nos conduce a traves de su pasión, autocontrol, dominio, fracaso, lo contrario o todo al mismo tiempo. Como en cualquier romance de un chico de quince años

Based on the diary Pope John XXIII kept between the ages of 14 and 18, his lifelong concern for tolerance, the underprivileged, and world peace is told. Rod Steiger, in the central role, acts as "intermediary" between the Pope and the audience, interpreting John's words, thoughts and actions. Steiger visits the actual places in which John lived, recreating the conditions, environment, and forces that affected his development. Through this unusual technique, we are brought close to an extraordinary man - one who's able to win the love of many people of all faiths.

In Venice in 1943, a group of partisans led by Renato Braschi organize a series of autonomous terrorist attacks against the fascists while the National Liberation Committee urges caution. Renato is determined to carry out his ideas, risking his own life, and not only that...

A Giovanni le han ofrecido un importante ascenso, pero tendrá que ir a Sicilia y vivir allí año y medio para colaborar en la formación de un nuevo departamento. El único inconveniente es su novia Liliana, pero a pesar de todo, al final, lo deja marchar. Una vez en Sicilia, Giovanni se aburre, se siente muy solo y recuerda continuamente a su novia. 1963: Festival de Cannes: Nominada a la Palma de Oro (mejor película)

Il posto (El empleo, 1961) es una película italiana dirigida por Ermanno Olmi.[1]​ El filme, rodado en blanco y negro, se basa en la tradición del neorrealismo italiano y explora muchas de las prácticas deshumanizadoras de las empresas comerciales, desde el punto de vista de un joven italiano de la época. La película, rodada en Milán, es en parte una sátira sobre el llamado "milagro económico italiano" Presentada en el Festival Internacional de Cine de Venecia, ganó el Premio de la Crítica, granjeando fama internacional a Olmi en su segunda película como director. En 2001, el Festival de Cine de Bellaria (hasta el momento llamado Anteprimaannozero) celebró los cuarenta años de su estreno. La película también fue seleccionada entre las "100 películas italianas dignas de conservarse" (I 100 film italiani da salvare)

Two middle-aged men work as caretakers on an isolated dam construction site high in the snow-capped Italian Alps. When one of them leaves for the valley to spend Christmas vacation with his family he is temporarily replaced with an adolescent boy. The other man is both annoyed and intrigued by the boy and his habits: he listens to loud music, sleeps too long in the mornings and doesn't drink any alcohol. They barely speak to one another in the first couple of days. But when an avalanche cuts their small hut from electricity they slowly start growing more fond of each other.

A weekend in the mountains.

Italy, 1955, 8', Color Director Ermanno Olmi Production Società Edisonvolta Synopsis From the Gabriele D'Annunzio poem with the same name.

This documentary shows the construction of a high-altitude dam by the Sabbioni Glacier, and the daily struggles of the workers, now anxious for the outbreak of a mine, now silent for the nostalgia of the distant family.

An accidental interruption of the S. Giacomo Electric Line requires the intervention of a team of specialized technicians. The short movie follows these men to the place of intervention, dwelling on the beautiful snow-capped landscapes and the local inhabitants engaged in their daily activities.