Michael Sahl

When Jill Godmilow’s documentary Roy Cohn/Jack Smith premiered at the 1994 Toronto International Film Festival, the number of AIDS-related deaths was reaching an all-time high in the United States (over 270,000). In New York City, the epicenter of the AIDS epidemic, many artists and filmmakers were grappling with the disease. While Broadway was hosting the second part of Tony Kushner’s award-winning play Angels in America, downtown New Yorkers were fondly recalling another recent production, Ron Vawter’s one-man show Roy Cohn/Jack Smith, in which the actor, who died of AIDS in April 1994, performed two monologues, first as Cohn, the conservative lawyer, and secondly, as Smith, the flamboyant experimental filmmaker—both of whom died of AIDS-related causes in the late 1980s.

Fictionalized portrait of one of history's great literary couples: Stein & Toklas. Summer 1930s France, Alice tends to ailing Gertrude; they visit Fernande Olivier, Guillaume Apollinaire, others; and Hemingway pops in.

Sardú es el maestro de ceremonias del Teatro Macabro, en el cual él se dedica a asesinar personas en público, haciéndolo parecer como parte de su acto.

Una actriz de una película de terror debe salir a cenar con su director, y en esa noche, escuchar todas las historias de horror a cambio.

An exploitive fate has it that a stripper is led to a salesmen, led to a babysitter, led to an adventuress, led to a woodcutter, led to a "nymph", led to a producer, led to "his Girl Friday", led to a hustler, led to the stripper.

A beautifully photographed record of the yearly cycle of planting and growth which culminates in bountiful harvests across the farmlands of the United States. Panoramic in its treatment, the film shows something of the diversity of farming and harvesting techniques, rapid transport to the distant consumer, university research to increase crop yields and industrial ingenuity in devising improved machinery to lighten the farmer's task and increase the productivity of the land.