Jan Tkaczyk

An erotic episode about farming in the world of robots. Cuttings do not want to undergo mechanical stimulation. A space inspector is the only one who can change their opinion.

Kalina links traditional animation with a re-projection. To the rhythm of the popular folk song Ukochany kraj, umiłowany kraj (Beloved country, dear country) he creates an anti-ballade about the farmer’s hard life and difficult work. Monotonous and mechanical activities degrade a man.

The box from the film strip becomes an arbitrary plot of action relating to the mysterious phenomena taking place in the Bermuda Triangle. Experimental short by Jerzy Kalina.

A top view of the A seats. We can hear the murmur of delegates gathering in the room. There are more and more people. The words of the speech are barely audible, but one may presume that an important member of the party talks to the working people. The delegates, wearing the same suits, smile approvingly. The camera moves to the B seats. The delegates sitting there grid their teeth, pout and frown. They comment on the speech quietly, they hide their anger. A look at the A seats, the delegates sitting there are really pleased with the speech. An animated story by Miroslaw Kijowicz, a director, scriptwriter of animated films, set designer and educator. An ordinary man was usually the protagonist of Kijowicz's philosophical short films. The situations presented in the films were rather general, they were supposed to provide food for thought. "A-B" obviously refers to the growing political crisis of the second half of the 1970s and Orwellian doublethink.

An animated film made without the use of a camera using the technique of drawing and painting directly on a film strip, illustrating a grandfather's ballad, the protagonist of which seeks an explanation for the cruel phenomena of the world around him. Rockets thrown to the ground and bombs exploding, a car falling off a cliff, a driver driving a man on the street or a policeman firing a gun at an opponent - images of this type of catastrophic behavior are intertwined with the recurring image of a man running somewhere.

An apocalyptic vision of a forest fire

The second animated work from filmmaker, sculptor and painter Jerzy Kalina. Using multi-plane techniques mixed with paper animation and coloured grains (an element found in his first film, ...i stała się światłość, which I shall upload shortly), W trawie is a fantastical exploration of the world beneath our feet.

Different shades of responsibility. A mother drowns her blind unhappy child. She wants to spare him the burden of being a cripple. She is absolved by a priest, but the police are waiting for her in front of the church.

Jerzy Kalina's first film, animated using coloured grains to depict a fantastical, vividly coloured genesis. The creation of the world and the dawn of life in under ten minutes.

An old cowboy is walking across the prairies. It seems that he has experienced everything. However, he will have to face his opponents a few more times - maybe it will be for real, or maybe it will take place in his mind.

The world is plagued by natural disasters, but here comes a couple in love who boldly enter a different game. Their love cannot be thwarted by natural disasters.

It is one of the most stirring animated films in the history of animation. In a simple, but powerful way Czekala presents a horror that happened in concentration camps – prisoners’ dread, humiliation and lost humanity. The everyday roll-call ends tragically because of prisoners’ “insubordination” in this black and white film. The Roll-Call crossed borders of what can be presented or not in animation. It is sometimes interpreted as a response to the trend of allegorical and philosophical films that dominated in Polish animation in 1960s.

It is a philosophical parable about a man at the crossroads. He divides himself in two, as he cannot decide on the one way only. Each half follows its own path. When they meet again, they do not fit each other any longer. The journey changed them irreversibly.

Polish animated short film that uses unconventional film techniques such as cut-out, drawing, filming miscible fluids and scratched images. Also uses non-camera technique such as drawing directly on film. The film is a humorous lecture on the internal structure of a dachshund. Parodying popular lectures at the same time, it contains a message about the superiority of the products of living organisms' techniques and calls for respect for the environment.

The sixth and last animation by Stefan Schabenbeck before emigrating to Germany in the early seventies. Alien life form seen from the other side of the telescope. A robot arrives on an unknown planet, whose task is to get to know and try to colonize a new world.

Lonely, old parents living on a small farm look forward to their son's visit. The man finally shows up one day, but he separates himself from his parents with a newspaper. Inadvertently, he drops a slice of bread. His father picks it up respectfully.

Conquerors land on a newly discovered planet and try to colonize and explore a new discovered planet.

A viewer sees how a picture of a horse appears on a white sheet of paper. The horse emerges from successive traces of a black felt-tip pen. The horse is shown in various positions and fragmentary close-ups. It also takes on a disturbing abstract shape of a transparent huddled creature. It looks dead with its lack of limbs, visible ribs and deep eye sockets. It evokes associations with horses who were victims of hostilities. Its contours are blurring. It falls apart. The animated film for adults directed by Jan Tkaczyk, the cinematographer of several dozen animated films. The director used drawings by Barbara Jonscher, a Polish painter and cartoonist, from the ‘Arsenal’ generation. The context of her works often refers to literary works. The series of horse drawings was inspired by Bertold Brecht's poems with anti-war meaning. Andrzej Kurylewicz is the author of jazz music in this film.

A viewer sees how a picture of a horse appears on a white sheet of paper. The horse emerges from successive traces of a black felt-tip pen. The horse is shown in various positions and fragmentary close-ups. It also takes on a disturbing abstract shape of a transparent huddled creature. It looks dead with its lack of limbs, visible ribs and deep eye sockets. It evokes associations with horses who were victims of hostilities. Its contours are blurring. It falls apart. The animated film for adults directed by Jan Tkaczyk, the cinematographer of several dozen animated films. The director used drawings by Barbara Jonscher, a Polish painter and cartoonist, from the ‘Arsenal’ generation. The context of her works often refers to literary works. The series of horse drawings was inspired by Bertold Brecht's poems with anti-war meaning. Andrzej Kurylewicz is the author of jazz music in this film.

A viewer sees how a picture of a horse appears on a white sheet of paper. The horse emerges from successive traces of a black felt-tip pen. The horse is shown in various positions and fragmentary close-ups. It also takes on a disturbing abstract shape of a transparent huddled creature. It looks dead with its lack of limbs, visible ribs and deep eye sockets. It evokes associations with horses who were victims of hostilities. Its contours are blurring. It falls apart. The animated film for adults directed by Jan Tkaczyk, the cinematographer of several dozen animated films. The director used drawings by Barbara Jonscher, a Polish painter and cartoonist, from the ‘Arsenal’ generation. The context of her works often refers to literary works. The series of horse drawings was inspired by Bertold Brecht's poems with anti-war meaning. Andrzej Kurylewicz is the author of jazz music in this film.

An allegory of the hopeless relationship between a prisoner and his jailer, representing the dependence of mankind upon authoritarianism.

Enacting the story of a hunt with wild but precise gestures, the Polish animator Witold Giersz’s The Horse (award-winning at the Krakow Film Festival for “its exceptionally interesting animation technique”) explodes with color and brings to life the physical strokes of paint of which it is made. The film never lets you forget that what you’re seeing is simply paint being rearranged into recognizable shapes, yet the pumping musical score and expressiveness of its titular character provide a simultaneous emotional experience. The abstract backgrounds render the narrative world beautiful and strange yet entirely comprehensible, as the film depicts an epic chase from humanity’s past.

A lonely bachelor blushes at a look from a woman spotted on the street. He is really randy when he sees other women on the street. The more confident he is, the more attractive he is.

A man in the library opens a catalog with the history of the 20th century. The figures from the catalog come to life and show the achievements of the age focusing on their disastrous effects.

A swarm of locusts teases a herd of horses. A four-wheeled vehicle drives into the herd. It pulls behind its riders, the horses, and the insects. The gallop is more and more dynamic, gravediggers prepare coffins for crazy drivers.

An abstract short that shows the process of honey production.

Animation short by Alina Maliszewska.

On Sunday morning, a peasant secures his farm and runs away from the village. A crowd of tourists gets off the train. Sunday in the countryside will be full of noise and rubbish. In the end, everything will be consumed by fire.

Two shades of paint are pitted against each other in a bullfight that spills self-reflexively from the page into the animator’s studio

Animated short film written by Stanislaw Lem.

Animated short film written by Stanislaw Lem.

In the modern village of the future, everything is mechanized, but the dreams of the village musician remain the same. He wants to become an artist. Thanks to the fact that an Art Nouveau goddess gave him a helping hand, Janko Muzykant saves his life and escapes from the village on a Pegasus.

Two twinlike women who live in the Stone Age want to wear the clothes that are all the rage. Birds on their heads, tigers on their shoulders and a fast crocodile as a means of transport –these are the challenges that men have to face.

Jack, an old and experienced pirate, notices a young sailor nearby. The sailor fishes out a bottle. It turns out that the bottle contains a map of a treasure island. The protagonists try to eliminate each other, but they will reach the island together.

Animated ballet etude presenting the conflict between dreams and reality.