Mumatar es un cortometraje de comedia original sobre Sandra, una madre soltera que lucha por adaptarse cuando su única hija se va de casa. Después de presenciar un incidente de acoso escolar en la escuela donde trabaja como limpiadora, Sandra se inspira en los avatares de los juegos de computadora, se pone un traje hecho en casa y se convierte en un superhéroe local de la vida real ... ¡Mumatar!
Tras la muerte de su amigo, dos chicas de unos 30 años se enbarcan en un viaje en coche para esparcir sus cenizas. Ella se van turnando para conducir, y Dan está guardado en la guantera, en un tupperware, y va disminuyendo de tamaño conforme el viaje avanza.
A hilarious mockumentary, 'The Light of Day' follows a flailing film crew as they attempt to adapt the vampire graphic novel 'The Quench'. Hindered by their tragically over-zealous director, it will take the two sane people on set, cinematographer Michael and writer Sarah, to save the film.
Outstanding raconteur Kenneth Williams regales his spellbound audience in typical fashion with a long look back at his career - from his time entertaining troops in the army, his radio work (including the Hancock shows), his work in theatre and - of course - the highly successful series of Carry On films. Playing wonderfully to his audience of celebrities (which include Michael Parkinson, Ned Sherrin, Gordon Jackson and Carry On cohorts Joan Sims and Bernard Bresslaw) he even finds time to answer a few of their questions.
Bill Nighy, Pete Postlewaite and (briefly) Julie Walters, then all of the Everyman Theatre Company, feature in this potent reportage/dramatisation hybrid about the occupation of the Fisher-Bendix Factory in Kirkby. Dohany uses a variety of imaginative techniques to explore the longstanding dispute, and a pronounced sense of urgency pervades this act of solidarity.
