Koula Agagiotou

Stathis loves bikes, Rena wants to dance all the time and Aleksis goes crazy for rock music. They are three crazy siblings. One of them, Stathis, doesn't seem capable to keep a job and when he loses his girlfriend, his mother decides to give him what he loves the most, a motorcycle!

Two young couples decide to run away from home and go to Athens in order to find the exciting life that they couldn't live at the country. The guys get busted for robbing a gas station while the girls start working at a night club. Daisy meets a young and handsome man named Panos. He is a motorcycle racing driver. They immediately start a destructive relationship. Panos tastes his first joint with her and soon they become heroin-addicts, willing to do anything in order to get their daily fix. The film goes on describing their downfall until the apocalyptic ending.

Kostas is a law-abiding citizen, a quite man living with his mother, his sister Kaiti and his younger brother, Giorgos, who is a student. He works day and night at his kiosk, living to his bone the everyday reality and troubles of the period. He is in love with Eleni and wants to marry her, but he has to wait until Kaiti is married to Leonidas, her extremely conservative fiancé. The military coup of April 1967 forces Kostas to take the side of the winners, hanging, each time, the picture of their most powerful leader, while Giorgos joins a resistance group that sets up bombs. Giorgos’ actions puts Kostas in big trouble.

A prostitute (Evdokia) meets a sergeant (Yorgos). They fall in love and get married after a short love affair. Her profession, however, is a barrier for their relationship. They try to stay together and overcome their inner conflicts, but the social environment crushes them.

A blunderer barber ends after a misunderstanding to pretend doctor. However the patients problems aren't medical nature but personally so he helps them.

When the forces of the German occupation undertake a series of serious defeats in the Resistance, suspicions arise of being a traitor among the fighters. A girl who works within the Resistance finds in horror that the traitor is none other than her father.

One of filmmaker and expatriate writer Adonis Kyrou's best-known quotes translates roughly as "I urge you: Learn to look at 'bad' films, they are so often sublime." The same could be said of Kyrou's own directorial work in Greece before the advent of the 1967 dictatorship forced him to flee to Paris. This confused mess, the first cinematic attempt at portraying the Greek resistance in WWII, caused quite a stink upon release, as much for its surprising style (recalling that of Bertolt Brecht) as for its subject matter. Reaction to its screening as part of the 1966 Cannes Film Festival's International Critic's Week was heated and divisive, proving Kyrou's later statement by rising above its own inherent silliness to achieve a sort of rarefied critical status. It's bad drama that nonetheless succeeds by dint of audacity more than quality (a comment which could apply equally to the work of many exploitation directors like Jean Rollin whom Kyrou later so lovingly profiled).

What lies hidden in a nymphet’s soul? Lust for sex? Self-preservation? Childhood trauma? Father quest? Who can really see? A Police Officer who wants to bring Rosie back onto the right track does - but Rosie is too busy flirting with middle-aged men, destroying virtuous families and scheming her way up the social ladder, while also wallowing in seedy night clubs of the ’60ies wrestling Frida, the naked dancer hiding a rod, for Jim’s eyes only. Jim is not 100% sure which one of the two blondes he wants to kill so he might just make a serious mistake and kill Rosie. But is it really easy for a nymphet to be killed?

Originally edited in two versions. Version I, 70 minutes; version II, 90 minutes. (The only known existing version is not Markopoulos’s edit and contains additional titles, music and voice-over added later than 1961. 65 minutes.) Filmed in Mytilene and Annavysos, Greece, 1958. Existing copy on video, J. and M. Paris Films, Athens.

In Thebes in ancient Greece, King Oedipus kills his father and marries his mother Jocasta, having two sons - Eteocles and Polyneices - and two daughters - Ismene and Antigone. King Oedipus dies a beggar in the exile after gouging out his own eye, and Eteocle agrees to reign in Thebes in alternating years with Polynices. However, he refuses to resign after the first year and Polynieces raises an army and attacks Thebes, and they kill each other. The ruler of Thebes Creon decrees that Eleocles should have an honorable burial while the body of the traitor Polyneices should be left on the battlefield to be eaten by the jackals and vultures. However, Antigone, who was betrothed to Creon's surviving son Haemon, defies Creon's orders and buries her brother. When Creon is reported of the attitude of Antigone, he sentences her to be placed in a tomb alive. Antigone hangs herself in the tomb and Haemon tries to kill his father first and then he kills himself with his sword...

Exitosa comedia con tintes dramáticos dirigida por Jules Dassin y protagonizada por su mujer, la cautivadora Melina Mercouri, que narra las relaciones entre una prostituta griega y un escritor americano que intenta alejarla del oficio.

On the square of a village on a beautiful greek island there are two competing tavernas. One belongs to Aspasia and the other to Anargyros, who is a former Sergeant Major of the Greek Army. Their constant conflict doesn’t affect their children, who love and meet each other in secret. The local elections creates a new battlefield for the two taverna-owners, as they both run for office and promise everything to everyone.

A modest film of three independent parts showing sad couple stories.

The life and action of Laskarina Bouboulina. Captain Lascarina decides to organize the revolution in Spetses and to participate herself, despite her double widowhood. In the struggle for the liberation of Greece, she gives all her property and fighting along with her lads.

Greece's submission for the Academy Award for Best Foreign Language Film in 1957.

Returning to Athens after the end of the World War II, Captain Nikolas finds out what happened to his family from a neighbor.