Biz Markie

A Celebration of Hip Hop through beatboxing and unique storytelling by the Legendary Biz Markie who rhymes while telling the stories of victims of injustice. CHAAW - Five interconnected stories highlighting victims of injustice. China, Hector, Africa, Ardnas and Wesley.(CHAAW) These are the stories of victims of Injustice in America. The effect of injustice not only impacts the individuals but also their families and community.

In All Up in the Biz, director Sacha Jenkins creates a collage of celebrity interviews, rare film, reenactments, and playful animation to share how Biz Markie left his mark on the history of hip-hop.

A mid-western couple is transferred to Washington DC for work and meet the neighbors, a super-intense couple. As their friendships develop, confusion unfolds in this country mice meet city mice adventure.

Un enorme tornado lleno de tiburones vuelve a asolar los Estados Unidos, pero en esta ocasión la dammificada es la ciudad de Nueva York. Fin y April tendrán que volver a luchar si quieren sobrevivir.

"5 Sides of a Coin" is a comprehensive overview of the worldwide cultural movement of Hip-Hop.

Después del abandono del agente K (Tommy Lee Jones), el agente J (Will Smith) no considera su trabajo igual: Ambos formaban parte de un organismo secreto que lucha contra los extraterrestres que, sin que el resto de los mortales lo sepan, pueblan la Tierra. La misión de los hombres de negro, como se les conoce por sus atuendos, es, en ocasiones imponer el orden y en otras luchar directamente contra quienes tienen pretensiones de hacer daño al planeta Tierra. Pero el agente K prefirió perder la memoria para volver con su esposa y llevar una vida normal. Ahora no hay esposa pero es un amable agente de correos. El agente J, que considera a K como su maestro, le echa mucho de menos y no termina de adaptarse a sus nuevos compañeros. Pero algo va a cambiar los acontecimientos: una peligrosa extraterrestre llamada Serleena (Lara Flynn Boyle)

The human beat box is one of the key elements in the development of Hip Hop culture, alongside Dj-ing, Graffiti, Breakdancing, and MC-ing. Unfortunately, its contribution has been largely overlooked, as has the fun, expressive, human, and spontaneous dimension of Hip Hop that it represents. Over 30 practitioners of this art form discuss their techniques and the evolution of their craft, through interviews, live performances, archival footage, and animation.

Una noche mientras pasea por la calle, Jefferson Reed, un hombre tímido y amable, es golpeado en el pecho por un trozo de meteorito. Desde ese instante adquiere una serie de singulares poderes, algunos de los cuales son una versión pobre de los que tienen los grandes superhéroes de los comics. Jefferson quisiera olvidarse del asunto pero unos criminales sin escrúpulos comienzan a aterrorizar a la gente del barrio.

New York, 1986: a city of big dreams and equally big problems. Like New York itself, hip-hop music encompassed both of these human conditions. But hip-hop and its cultural birthplace shared other important characteristics, too: the desire to always be original, a hustle-to-survive ambition, and — if the stars aligned — the ability to come out on top, no matter what the odds. Big Fun in the Big Town is about hip-hop when artistry in the game was still at its center. When skills, not hype, got you your first record deal. When Run-DMC took the reins from Doug E Fresh and Grandmaster Flash, paving the way for hundreds of other hitmakers to follow. When a chart-topping LL Cool J still lived with his Grandmother. When the Latin Quarter was the club to be at on any weekend night. And when artists from all backgrounds could taste their own pop chart dreams, just beyond their reach but still seemingly attainable.