B. Ruby Rich

B. Ruby Rich

Historia

B. Ruby Rich is an American scholar, critic of independent, Latin American, documentary and gay films, and a professor of Community Studies and Social Documentation also known as "SocDoc" at UC Santa Cruz. She has also taught documentary film and queer studies during spring semesters at UC Berkeley. She is credited with coining the term New Queer Cinema. Rich began her career in film exhibition after graduating from college as co-founder of the Woods Hole Film Society. She then became associate director of the Film Center at the Art Institute of Chicago. After working as film critic for the Chicago Reader, she moved to New York City to become the director of the film program for the New York State Council on the Arts for a decade. A working cultural theorist and critic since the mid-1970s, Rich has been closely identified with a number of important film movements, such as independent film in the U.S. and Europe, Latin American cinema and, more notably, as one of the most important voices in feminist film criticism. Her presence at film festivals (such as Sundance, where she was an early member of the selection committee), her film reviews in major national publications, and her commentaries on the public broadcasting programs The World and Independent View, have secured her place as a central figure in the history of what she terms "cinefeminism." B. Ruby Rich appears in the 2009 documentary film For the Love of Movies: The Story of American Film Criticism where she discusses the appeal of the film, Amélie, and expresses her desire for a new kind of criticism to emerge from young critics which goes beyond "the auteur theory." Rich has been a regular contributor to the Village Voice, as well as the San Francisco Bay Guardian and the British Film Institute's Sight & Sound. She has also contributed to The Guardian, the Nation, ELLE, Mirabella, The Advocate and Out. She was the founding editor of film/video reviews for GLQ: A Journal of Lesbian and Gay Studies. The cover of her classic 1998 book, Chick Flicks: Theories and Memories of the Feminist Film Movement, reads, "If there was a moment during the sixties, seventies, or eighties that changed the history of the women's film movement, B. Ruby Rich was there. Part journalistic chronicle, part memoir, and 100 percent pure cultural historical odyssey, Chick Flicks – with its definitive, the way-it-was collective essays – captures the birth and growth of feminist film as no other book has done." Rich's observations cover such things as travel, sex, and voodoo, as well as the anti-pornography movement, the films of Yvonne Rainer, a Julie Christie visit to Washington, and the historically evocative film Maedchen in Uniform. She introduces each of her essays with an autobiographical prologue that describes the intellectual, political, and personal moments from which the work arose, in the hope that a new generation of feminist film culture might be revitalized by reclaiming its own history. Rich is the recipient of the 2006 Honorary Life Membership Award from the Society for Cinema and Media Studies; and she is the recipient of the 2007 Brudner Prize at Yale University. B. Ruby Rich lives in San Francisco.

Perfil

B. Ruby Rich

Películas

Jodie Foster, Hollywood Under the Skin
Self
From her precocious status as a sex symbol to her consecration as a filmmaker, Jodie Foster's story is about a feminist struggle, albeit atypical, fought on and off the screen. This film sets out to retrace her remarkable journey within the Hollywood industry.
The Difference Between You and Me
Self
A video essay on Bound featuring Jennifer Moorman and B. Ruby Rich
Dykes, Camera, Action!
Self
The film examines the ways that women directors have contributed to this genre and emphasizes the role that the media play in representation of sexuality and gender, underscoring the power that film has to shape our perceptions of one another. Visually, this documentary comes to life on screen through compelling and intimate original interviews, intercut with emotionally-charged archival footage, photographs, ephemera, inspired music, and film clips.
Johnny Guitar: A Western Like No Other
Self
Critics Kent Jones, B. Ruby Rich, Joe McElhaney and Miriam Bale discuss the unique qualities of "Johnny Guitar," its lasting appeal and the influence the film had on some prominent directors during the years.
Johnny Guitar: A Feminist Western?
Self
Critics Kent Jones, B. Ruby Rich, Joe McElhaney and Miriam Bale take a closer look at the feminist overtones in "Johnny Guitar."
Feelings Are Facts: The Life of Yvonne Rainer
Self
Feelings Are Facts: The Life of Yvonne Rainer chronicles the defiant, uncompromising, and highly influential ideas of postmodern choreographer and filmmaker Yvonne Rainer. Over the course of her career, she revolutionized modern dance, generated what later became known as performance art, and changed the basic tenets of experimental filmmaking - all during a time when women were largely ignored in the art world. Today she continues to push forward, creating vibrant, courageous, unpredictable work, inspiring a new generation of artists to question, overthrow, and generate possibilities of their own. Feelings Are Facts: The Life of Yvonne Rainer is the story of this remarkable artist and the equally remarkable times that shaped her creative practice.
Masculinity/Femininity
Self
Masculinity/Femininity is an experimental film project interrogating normative notions of gender, sexuality and performance. Shot primarily on Super 8, the project merges academic and creative critique -- a document of gender de-construction rather than a documentary about gender construction.
!Women Art Revolution
Self
Documental que recorre la evolución del movimiento artístico feminista surgido en Estados Unidos durante la década de 1960. Su directora, Lynn Hershman Leeson fue partícipe activa de este movimiento y ha pasado 42 años documentándolo. A través de entrevistas íntimas, obras de arte provocativas y fragmentos de vídeos raramente vistos hasta ahora, nos acerca al que muchos historiadores e historiadoras consideran el movimiento artístico más significativo de finales del siglo XX.
Mutantes
Herself - Interviewee
Mutantes sheds light on a feminism that was little talked about in France. This documentary comprises of a series of interviews conducted in the USA, Paris and Barcelona, and documents from the archives about the political action of sex workers, queer activists and post-pornographic performances.
It Came from Kuchar
Self
It Came from Kuchar is the definitive, feature documentary about the legendary, underground filmmaking twins, the Kuchar brothers. George and Mike Kuchar have inspired two generations of filmmakers, actors, musicians, and artists with their zany, "no budget" films and with their uniquely enchanting spirits.
Fabulous! The Story of Queer Cinema
Self
Este documental repasa cronológicamente las películas norteamericanas de temática gay/lésbica, desde los precursores de mediados del siglo XX (como Fireworks, de Kenneth Anger) hasta documentales como Tarnation (Jonathan Caouette, 2004) o producciones “major” como Brokeback Mountain (2005). Entre los que opinan están directores como Todd Haynes (Velvet Goldmine), Gus Van Sant (Mi Mundo Privado), John Cameron Mitchell (Shortbus), Ang Lee (Brokeback) y John Waters (Pink Flamingos).
Conversations with Intellectuals About Selena
Self
Five Chicana cultural critics gather over a meal to discuss and debate the life, death, and legacy of Selena Quintanilla-Pérez.
Made in the USA
Self
A Paul Joyce documentary on the American independent film scene.